TRIP SHAKESPEARE

THE MUSIC

John and Matt

"Dan invents melodies"

"John invents a new bass line every time we play. That's our whole job, just making things up"

"If anyone misbehaves, we ring this bell"

" There's 12 top-forty hits on the Matt Wilson Chart"
 
 
 

Elaine and Dan

"The stage would emanate exuberance and the concerts would have a luminous half-life"

"Graveyard holds a special place in my ears"

"My favorite live song to see was always The Slacks. There was nothing like John, Dan and Matt trading verses and doin' that funky dance! Priceless!"

" I am still convinced that this (Lulu) may be the greatest collection of music in the later half of the 20th century. From the writing, the musicianship, vocals, guitars, and the most transparent production I've ever (not) heard it's awesome"
 


APPLEHEAD MAN

ARE YOU SHAKESPEARIENCED?

ACROSS THE UNIVERSE

LULU

VOLT

Other Projects



 
 
 
 
 

Home The Music The Musicians The Mystery The Memory

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 



 

Matt ExposedAPPLEHEAD MAN


Trip Shakespeare, Vol 1
Elaine Harris Drums/ John Munson Bass/ Matt Wilson Guitar, Vocals
1986 by Gark Records
Produced: Jay Leigh at Gark Studio, Minneapolis
Art Direction, Lettering: Dan Picasso/ Photography: Kelly Jo Johnson
Type: Great Faces/ Circleflex: Great Heads

Lyrics by Matt Wilson

Lyrics and a Song!

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ARE YOU SHAKESPEARIENCED?

Produced by Trip Shakespeare
Engineered by Trip Shakespeare, Dale Goulett, and Jay Leigh
Recorded at Gark Studio, Minneapolis
Photos: Daniel Corrigan/ Cover Art: Dan Wilson/ Design and Lettering: Dan Picasso
Typesetting: Luke McGuff
Thanks to Benedict's of Minneapolis for their handmade fretless basses, Jay Perlman and Pete Chute for emergency engineering, and The Pin man for everything.

All Lyrics: M. Wilson

Are You Shakespearienced?"Psychedelic" would be the easy word out, but Trip Shakespeare goes beyond that simple label, adding an interesting mix of Jefferson Airplane, Yes-like harmonizing, and wacked-out acappella breaks. In fact, the greatest strength of the Minneapolis band is the vocal interplay and variety of personas that the voices play out; "Toolmaster," for example, climaxes with a pitter-patter of voices bouncing to and fro as they tell the story of the dark toolmaster. Such a ballad harks back to the 60's, but Trip Shakespeare has its place in the '80's due to strong melodies and colorful imagery. Brothers Dan and Matt Wilson are the heart of the band, with bass player John Munson and stand-up drummer Elaine Harris adding to the mayhem.  Trip Shakespeare's unique sound and stage show should bring them out of the realm of obscurity and into the ears of open-mined America (if such a place exists). If you have never Tripped, this is a great place to start: "Diane," "The Lake," "Thief" and "Reception."
~From the pages of the CMJ New Music Report, Issue: 156-Oct 21, 1988

Lyrics and Two Songs !

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ACROSS THE UNIVERSE

Produced by Fred Maher and Trip Shakespeare except "The Slacks" produced by Trip Shakespeare with Tom Tucker.
Mastered by Mike Reese at A&M Mastering Studios in Los Angeles.

Across the Universe was recorded in Minnesota at Paisley Park Studios and Metro Studios.

Shepherds: Steve Ralbovsky and Patrick Clifford.
Concert Sound:Jay Perlman. Crystal ball: Larry Osterman.
Sword: Jody Graham. Album project manager: Diane Espaldon Recorded by Jim Rondinelli, Tom Tucker, Jonathan Akre, David Friedlander, and Jim Goatley. Second Engineers: David Friedlander,  Julie Gardeski, Timothy Penn, Susan Morrison, Paul Bottenkitcher, Heidi Hanschu and Tom Tucker Jr.

"Late" and "Honey Tree" remixed by Tom Tucker and Trip Shakespeare Additional production by Jonathan Akre for Clearsong Music Group. Art Direction: Richard Frankel. Design : Rowan Moore. Photography: Victoria Pearson Cameron
Front Cover Model by Timothy Eames. Model Photography by Stuart Watson.

Lyrics by Matt Wilson
"Honey Tree" lyrics by Matt and Dan Wilson

Music by Matt and Dan Wilson except "Honey Tree"  by John Munson and Matt Wilson, "Snow Days," "The Slacks" and "Drummer Like Me" by Matt Wilson, "Pearle" by Matt Wilson and Larry Abitz.

EyeballTrip Shakespeare is an enigma. While their intense, theatrical live show has won over a legion of Middle Earth (i.e. Midwest) fans, the band hasn't been able to get the same peace-love-and-acid feel on their independent records. Now on the label of Herb Alpert, the Merry Tripsters along with producer Fred Maher (Lloyd Cole, Information Society) have finally given us a piece of their soul on vinyl with memorable ditties, heavenly harmonizing and psychedelic melodies. They still haven't matched the vision of their knock-out live perfomances, but songs like "Snow Days" have a dreamy texture and wild spoken-word lines like: "Mrs. Braintree, you're a chilly northern woman/Go home from yonder bus stop/Because there's a blessing on the ground." The Minneapolis quartet also shines on the upeat "Turtledove," the tongue-in-cheek "Drummer Like Me" and the catchy first single, "The Crane."

                                                      From the pages of the CMJ New Music Report, Issue: 193-Apr 13, 1990
 "Minneapolis four-piece Trip Shakespeare claim they'd like to be timeless and enormous and on this evidence they stand a better chance than most. Their sound, as warm as it is powerful, combines the tightly focused energy and close harmonies of Moby Grape's mid-60's San Francisco rock 'n' roll with the rather more enigmatic stance of contemporary bands like R.E.M. or They Might Be Giants. Mainman Dan Wilson's stretchy voice contrives cunningly to be simultaneously innocent and knowing, wrapping itself around some uniquely bizarre lyrics. It is rumoured that they sometimes take to the stage wearing enormous fins, horns, hooves and angel wings but although a certain amount of surreal humour creeps into the songs, this never detracts from the essential intelligence of whatever's going on in here.                                      * * * *  Johnny Black  ~qonline.co.uk
 
 

Lyrics and a Song !

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LULU

Produced by Trip Shakespeare and Justin Niebank

ELAINE HARRIS: drums, percussion
JOHN MUNSON: bass
DAN WILSON: guitar,piano
MATT WILSON: guitar,piano

Recorded and Mixed by Justin Niebank
Concert Sound, Basement sound and Other Sounds by Jay Perlman
Second Engineers: Dave Kent, Steve Noonan
Additonal Engineering: Mark Walk and Dave Kent
Recorded near the riverbank at Pachyderm Discs in Cannon Falls, Minnesota
Mixed at Paisley Park
Asembled by Hank Williams at Mastermix
Mastered by Bob Ludwig at Masterdisk

Art Direction: Rowan Moore & Dan Wilson
Design: Rowan Moore
Photographs: Dennis Keeley
Threads: Heather Keena
Lettering: Dan Picasso
Waves: Dan Wilson

John Munson plays the Benedict's Groovemaster Bass

Management: Will Botwin and Paula Sartonus,
Side One Management
A&R: Larry Hamby
Production Coordination: Dave Ness and Ragena Warden
Tour Manager: Dave Ness
Booking: Chip Hooper, Monterey Peninsula Artists

Lyrics by Matt Wilson
Music by Matt and Dan Wilson except: "Jill Can Drive" music by Matt Wilson/Dan Wilson/John Munson; "Bonneville" and "Today You move" music by Dan Wilson; "Patricia," "Will You Be Found?" and "If you Miss Me" music by Matt Wilson.



 
 
 
 
 
 

Waves" "Do you remember? Do you recall?" are the words emblazoned on the inner sleeve, taken from the title track of Trip Shakespeare's fourth album, second for A & M. While many people might equate that longing for the past to the retro '60's attitude the Minneapolis quartet has been infamous for, in this instance it's part of a suite of songs all dedicated to lost love. It's a sad, old story: Songwriter/guitarist/pianist Matt Wilson points at a lovelorn lady (So you search the neighborhood/Actually the neighborhood bar"), woos her ("Your mouth is my apartment in the evening/And I sleep in a ruby dark bed") and inevitably helps her out the door ("I'm a helper to my own fate/I've come to help you move"). While the band has always been lauded for its costumed, er, trippy live shows, the recordings always seemed second-tier; rather than try to match that energy, Lulu succeeds on its own terms - a well-written, sprawling lover's lament that draws on 60's harmonies and images rather than acting as a time warp. Top Trips: the catchy "Bachelorette", "Your Mouth", "Patricia", "Down My Block" and the wildlife sample at the end.

~From the pages of the CMJ New Music Report, Issue: 253-Sep20, 1991

Lyrics and a Song !

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VOLT

Produced by Scott Matthews
Engineered by Tom Garneau

John Munson plays a Benedict's of Minneapolis Groovemaster bass
Elaine Harris  plays Paiste Cymbals

Cover Art/Heather Keena & Matt Wilson
Design/Dan Wilson
Photograph/Daniel Corrigan

Mixed by Garneau/Mathews except * Mixed by Brad Kern
"El Goodo" and "Helpless" mastered by Paul Stark;
with help from Captain Kern, the fish were found.
Road Manager:Dave Ness

VoltWhat's So Funny About Peace, Love and Understanding?
Nick Lowe/Plangent visions Music/ASCAP

Something in the Air
Speedy Keen/Track Music Inc./BMI

*The Ballad of El Goodo
Chris Bell/Alex Chilton/Irving Music & Ardent/Koala Music/ASCAP

Time of the Season
Rod Argent/Mainstay Music/BMI

Dead Set on Destruction
Grant Hart/Nori Hi-Art Music

Helpless
Neil Young/Broken Arrow Music Publishing/Cotillion Music Inc./BMI

How did you choose the material for Volt?

"Part of it started out what old songs do we like that we could put our own twist on and make them our own"

"It started to look like it had something to do with trying to maintain your hope in times of trouble"

"It's a peaceful kind of thing"

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Other Projects

In 1989 Matt, John and Dan sang backup vocals on Matthew Sweet's Earth Cd. If you listen very closely, you may hear an occasional 'la la la" or "ooh ooh ooh".Thanks Elaine!Matthew Sweet
 
 
 
 

In 1992 Trip Shakespeare contributed an enchanting version of "Go All The Way" on 20 More Explosive Fantastic Rockin' Mega Smash Hit Explosions!
Go All The Way
 
 

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