Biography
My work is magnified by the fact
that the streets of heaven are too crowded with angels — we know
their names, they number a thousand for each red ribbon we wear here
tonight.
— Tom Hanks, accepting his Best
Actor Oscar for Philadelphia
MANY critics cite Tom Hanks as a
throwback to the Golden Era of Hollywood's brand of leading man,
and, in particular, to the light comedic talents of Cary Grant or James
Stewart, and to the quiet magnetism of quintessential Everymen
Henry Fonda and Gary
Cooper. Whether he's played a ping-
pong-
playing half-wit, a lovelorn widower, a cool-
under-
pressure astronaut, a gay lawyer trying to find justice and dignity
as he dies of AIDS, or the voice of an animated toy sheriff named
Woody, Hanks has woven his hopelessly likable, American-
dreaming screen persona into one of the most gravity-
defying careers in Hollywood history. He seems to have accepted his
public countenance of likeability: "That's the bed I've made,
and it's very comfortable." Most actors would kill to get into
that kind of bed: not only did Hanks win back-to-back Best Actor
Oscars, but two of his films alone, Forrest Gump and Apollo
13, racked up $500 million at the box office —
a healthy bottom line that certainly disproves the old adage about
where nice guys always finish.
Hanks isn't the typical child of a
broken home, but he suffered some of the typical stresses. His
parents split up when he was five, and the three oldest kids (Hanks
was third) went with their father, Amos, a chef by trade, who
uprooted the family about every six months chasing after a job.
Bouncing around to half a dozen grammar schools rendered Hanks at
times painfully shy —
sometimes he responded by playing the class cut-up —
but his nomadic upbringing was perfect for fostering the
chameleon-like skills of an actor. In high school, Hanks learned to
channel his "nervous energy" into student drama
productions. After graduation, he attended Chabot College, where he
took a class that literally changed the course of his life: after
seeing a production of Eugene O'Neill's The Iceman Cometh for
the course, he stumbled out of the theatre with his resolve firmly
set to become an actor. Towards achieving that goal, he subsequently
transferred to the drama program at California State University in
Sacramento. An impressive performance in Chekhov's Cherry Orchard
led to Hanks' recruitment by the Great Lakes Shakespeare Festival in
Ohio, where he made his first professional bow, as Grumio, in a 1977
production of The Taming of the Shrew. With three full
seasons of classical training with the festival to his credit (he
had dropped out of school) and an equity card in hand, Hanks
departed for New York City, ready to submit himself to the caprices
of a struggling actor's life. Making the rounds on countless
auditions, he hit a relative career high point when he landed a role
in a slasher flick called He Knows You're Alone (1980).
A more promising assignment landed in
his lap when an ABC talent scout tapped him for Bosom Buddies,
a sex farce about two ad guys who dress in drag a la Some Like It
Hot in order to live in an all-women's residence. The show held
on for two seasons, after which Hanks made his living with guest
stopovers on such TV series as Taxi, The Love Boat, Family
Ties, and Happy Days. Ron
Howard remembered Hanks' fair piece of work on the latter show
and invited him to read for a supporting role —
one that eventually went to John Candy —
in his film Splash. Howard wound up entrusting Hanks with the
lead, and though more people commented on Daryl
Hannah's mermaid portrayal in the surprise romantic hit, Hanks'
comic timing and charm earned him critical strokes, and yes, more
work.
His performances in the
less-than-stellar Bachelor Party, The Man With One Red
Shoe, Volunteers, The Money Pit, and Dragnet
were the only things to recommend the otherwise innocuous films. It
seemed he was Teflon-coated, as he continually managed to shrug off
clunkers without being tainted. Moderate box-office receipts proved
that he had secured a foothold, and he finally gained quite a bit
more leverage in Penny Marshall's 1988 hit Big —
the guileless, rubbery-faced charm he brought to his
characterization of a boy trapped in a man's body earned him his
first Academy Award nomination. That same year, he manifested his
talent for portraying a darker side in the critically maligned Punchline,
which tells the story of a self-destructive and vitriolic stand-up
comic.
Hanks was back gasping for air in
1989's The 'burbs and Turner and Hooch, and he was all
the way down for the count in 1990's Joe Versus the Volcano
and The Bonfire of the Vanities. But in 1993, the boyish star
bounced back in a big way, with a romantic and funny turn in Sleepless
in Seattle, and a brave and tragic performance in Philadelphia.
As the first Hollywood leading man to play a victim of AIDS in a
major studio production, Hanks won an Academy Award, and delivered
what was arguably the most emotional and poetic acceptance speech in
the annals of the ceremony. The following year, Hanks played to a
tee the title role of Forrest Gump, the Alabama simpleton who
becomes the unlikeliest of heroes. Once again, the Academy slapped
him with the Best Actor Oscar.
It was during filming on Philadelphia
that director Jonathan Demme urged Hanks to try his own hand at
directing, and furthermore pledged his support when it came time to
produce the resulting film. Two years later, after turning in a
commanding portrayal of astronaut Jim Lovell in Ron Howard's smash
film Apollo l3, Hanks completed his first-ever screenplay for
the buoyant That Thing You Do!, a film which chronicles the
make-it-big story of a small-town Pennsylvania rock-n-roll band
called the Wonders. Anything but an act of hubris, the film proved
that his golden touch extends behind the camera.
Hanks bowed out of Mike Nichols'
adaptation of Primary Colors due to his commitments to the
Emmy-decorated HBO astronaut series, From the Earth to the Moon,
for which he acted as executive producer, and to Steven
Spielberg's WWII drama Saving Private Ryan, which was
released to overwhelming acclaim in 1998. He next lightened the mood
a bit by reuniting with his Sleepless in Seattle co-star, Meg
Ryan, for a little online romance in the Nora Ephron holiday
comedy You've Got Mail. When Oscar nominations were announced
the following February, Saving Private Ryan, Spielberg, and
Hanks were listed among the nominees in the Best Picture, Best
Director, and Best Actor categories.
In 1999, Hanks reteamed with Tim
"Buzz Lightyear" Allen for the ecstatically received Toy
Story 2, on the heels of which came the Oscar-buzz-laden film The
Green Mile, in which he played a Depression Era death-row prison
guard assigned to protect a black man convicted of murdering two
young white girls. Hanks' name is tied to a handful of other
compelling projects, including Martin
Scorsese's film about Walter Winchell; The Passion of Richard
Nixon (in which he would play Nixon); and Scorsese's biopic of Dean
Martin, Dino, in which he will portray the screen legend
and singer.
Click
Here to Access the Pictures of TOM HANKS on the cover of GQ
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