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The Salt Water Moose, 1996


      This is a very good-hearted, human and clear film! This is a film for family seeing, the film about great love.

      Timothy plays here a little supporting, but a leading adult role of Lester Parnell, who lives in a little town or even in an outport on the beach of ocean in the North Canadian province, which surprisingly reminds me of our Russian one with it's timbered houses, corrals, henhouses and another institutions of village life. Lester builds boats for fishing and probably small ships. He grows his only daughter Josephine (Katherine Isabelle). He grows her being single. He helps her to realize her dream, respecting her interests, aims and desires.

      Inspite of so tender age (in the movie she is about 12-14 years old), Jo has already felt heartache: her mother drown in the ocean waters when strong storm has happened in that place some years ago. May be this is why Jo aims to help a lonely moose Charley, who lives on a little island nearby. The moose went here, when during one cold winter the strait between the island and the mainland has frozen hard. The girl decided to catch somewhere in neighbourhood of her place one "lady"-moose and to take her at the island to be a friend of lonely Charley. Using Lester's notebook, Jo knew from the Internet, that a number of such animals can find feeds on this island.

      One boy by the name Bobby (Johnny Morina), equal to Jo in age, becomes her faithful companion and cheerful helper in this venture but Lester. Bobby spends his summer holydays, being a houseguest of his grandmother, who lives here constantly. His mother Eva is here too. She writes books with love stories for a living. (The scene, where Eva is describing the steamy love scene, is well done by Lolita Davidovich!) Eva has just divorsed with Bobby's father and the consequences of the action are especially hard for the boy, who is now, in effect, an orphan, though his father is alive.

      The friendship with Jo helps Bobby to see, to understand and to believe in a possibility of another relations in family, the relations, based upon love and absolute trust, readiness to help and ability to sacrifice parents placidity to give the growing child a chance to approve himself and make the others to believe in him.

      In a word, here Tim plays a role of "a man of dream" again, now this one may be a dream of a child, but his part contains another colours and features. His Lester is back-countryman, a man of the people. His external appearance, walking, manners and, it seems to me, his soul tells us about it. Could it be true, HE WAS RHETT??? Not a hint remained of the screen lover of irresistible attraction, the man-allurer, who is always and everywhere welcome!

      You will keep in mind the scenes, where Lester imitates a call of lonely moose, makes a meal for children, convinces Eva to permit Bobby to do the riskful travel to the island with "Lady"-moose Beatrix, shows the boy, how he must pitch in baseball… "Your hand must be like toothless mouth", - says Lester-Tim, enclasping his tooths with his lips and making such a movement with his jaws, like the old men with detachable jaws usually do. And you believe, that not only Bobby will digest the lesson, but you yourself will take the ball with a right grip, if it will happened, that you will play this game some day!

      Timothy was very good in the scene near the fire after storm, when he says: "We must sometimes fish together!". In these words you can hear the joy after bygone danger, the acknowledgement of the arising relations with Eva, the love to their children and hope for the future …

      You will keep in mind Lester during the sea storm in the scene of Beatrix's salvage: that is where he could use Bondiana's experience! By the way, the filming of this fragment took place in Ottava, in the hydraulic laboratory of NRC's Montreal Road campus, which leases out it's equipment for moviemakers and their needs. So to say, the scientific and art modelling use the same technique and no one minute of it's stopping!

      "A crew of 65 descended on the Lab for almost a week to shoot several nighttime sequences. To set the scene, the crew rigged the wave basin with black curtains, overhead lighting, piping for rain, giant wind fans and lighting generators. An array of 30 eyebolls and cables in the floor of the basin permitted divers to move such props as the lobster boat, moose, raft and even rock as required.

      … With wave basins, towing tanks, cold chambers, wind tunnels and computers, NRC has great facilities and expertise for simulating natural environments.." - there were the story about filming of "The Salt Water Moose" on the Internet site of NRC. I have found this article in April of 1998 (http:// www/ corpserv.nrc.ca/corpserv/sphere/s_950555e/html).

      Don't think of this movie, that it costed it's creators a lot of money - only 3 million dollars! The shoestring budget! Though for me, as a viewer, it is not of great importance. The name of the game is that this film has succeeded and that fact was marked: it has received the Director's Guild of America award for best Children's program in 1997. And we have got a chance to see a good performance, which you can watch many times, especially if you are ill, tired or cut-up, and the successful actor's work - simultaneously. Crack on, Tim!

      For those, who is interested in the plot "Single parents and their children", besides the world-known film "The Man and The Woman", we recommend to see "The One Fine Day" with George Cluney and Michele Pfifer. You'll like it!

      Ê.Å., 1999 Reply to author!

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