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House of LUMMOX

DUFUS #4 - THE BASEBALL ISSUE

A Poetry Journal

© 2001-2002 RD Armstrong (World-wide Rights Reserved)

DUFUS is fast becoming the Online-Only arm of the Lummox Journal. In this fourth issue, you will find poems dedicated to the "national pastime".

With the passing of Ted Williams, last July (02), it occurred to me that there must be a plethora of poems out there about Baseball. The following poems were sent to me (in the order they arrived) at my invitation. If, after reading these contributions, you feel you have a poem of merit on the subject, then I invite you to submit your work to me, via the email address listed below.

I still have hardcopies of the ALL POETRY issue (April 2002) of the Lummox Journal. That issue, featuring the work of over 100 poets, was the largest ever published. If you would like to purchase a copy of the issue, please send FOUR DOLLARS (US & Canada) or SEVEN US DOLLARS (WORLD) to: Lummox, POB 5301 San Pedro, CA 90733-5301.



Happy Birthday, BUK (Aug. 16, 1920)



BATTING ORDER:


Jeffrey Sward; Clive Matson; Peter Layton; Scott Wannberg; Leslie Monsour; Jim Rosenfield; Steve Goldman; Michael D. Meloan; Kenneth Leonhardt; Eskimo Pie Girl; Christopher Mulrooney; Larry Jaffe; Jack Foley; Joe Masi; Alan Catlin; Holly Prado; Gerald Locklin; Rick Smith; Bill Morrison; Robert Rico; Michael C. Ford; Joan Jobe Smith

COACH:


RD Armstrong


Ladies and gentlemen, please rise for the national anthem of baseball, first published in 1905...


CASEY AT THE BAT


The outlook wasn't brilliant for the Mudville nine that day; The score stood four to two with but one inning more to play. And then when Cooney died at first, and Barrows did the same, A sickly silence fell upon the patrons of the game. A straggling few got up to go in deep despair. The rest Clung to that hope which springs eternal in the human breast; They thought if only Casey could but get a whack at that -- We'd put up even money now with Casey at the bat. But Flynn preceded Casey, as did also Jimmy Blake. And the former was a lulu and the latter was a cake; So upon that stricken multitude grim melancholy sat. For there seemed but little chance of Casey's getting to the bat. But Flynn let drive a single, to the wonderment of all, And Blake, the much despised, tore the cover off the ball; And when the dust had lifted, and the men saw what had occurred, There was Johnnie safe at second and Flynn a-hugging third. Then from 5,000 throats and more there rose a lusty yell; It rumbled through the valley, it rattled in the dell; It knocked upon the mountain and recoiled upon the flat, For Casey, mighty Casey, was advancing to the bat. There was ease in Casey's manner as he stepped into his place, There was pride in Casey's bearing and a smile on Casey's face. And when, responding to the cheers, he lightly doffed his hat, No stranger in the crowd could doubt 'twas Casey at the bat. Ten thousand eyes were on him as he rubbed his hands with dirt; Five thousand tongues applauded when he wiped them on his shirt. Then while the writhing pitcher ground the ball into his hip, Defiance gleamed in Casey's eye, a sneer curled Casey's lip. And now the leather-covered sphere came hurtling through the air, And Casey stood a-watching it in haughty grandeur there. Close by the sturdy batsman the ball unheeded sped -- "That ain't my style," said Casey. "Strike one," the umpire said. From the benches, bleak with people, there went up a muffled roar, Like the beating of the storm waves on a worn and distant shore. "Kill him! Kill the umpire!" shouted someone in the stands, And it's likely they'd have killed him had not Casey raised his hand. With a smile of Christian charity great Casey's visage shone; He stilled the rising tumult; he bade the game go on; He signaled to the pitcher and once more the spheroid flew; But Casey still ignored it and the umpire said, "Strike two." "Fraud!" cried the maddened thousands, and the echo answered fraud; But one scornful look from Casey and the audience was awed. They saw his face grow stern and cold, they saw his muscles strain, And they knew that Casey wouldn't let that ball go by again. The sneer is gone from Casey's lip, his teeth are clinched in hate; He pounds with cruel violence his bat upon the plate. And now the pitcher holds the ball and now he lets it go, And now the air is shattered by the force of Casey's blow. Oh! somewhere in this favored land the sun is shining bright; The band is playing somewhere and somewhere hearts are light, And somewhere men are laughing and somewhere children shout; But there is no joy in Mudville -- mighty Casey has struck out. Ernest L. Thayer

Sonnet to Baseball


From you have I been absent in the spring, When proud-pied April, dressed in all his trim, Hath put a spirit of youth in everything; The aging umpire laughed and leaped with him. Yet nor the cracks of bats, nor the sweet smell Of different flowers in odor and in hue, Could make me any summer's story tell, Or from their proud lap pluck them where they grew. Nor did I wonder at the baseball's white, Nor praise the deep vermilion of the glove; There were but sweet, but figures of delight, Drawn after you, your pattern sketched in love. Yet seemed it winter still, and, you did call, As with your shadow, I with these, "Play Ball." Jeffrey Sward (with the assistance of William Shakespeare)

FIRST PITCH


How many speeds that white orb can take! Angles, curves, drifts and Bonds jiggles the bat, mock strokes pre-enact relaxed, extended muscles at impact and the dance begins. Line up bones, tendons, muscles, spirit and mind blank but for intuitive calculating as the pitcher uncoils and all Bond's moving musculature springing in rhythm aims at the meeting of ball and bat. Or not. Whoosh! Of air a small hurricane at the plate with no resistance bat and everything behind it fling out of control like an unbolted helicopter. Arms, legs, head, neck, feet stumble, halt, nestle back into place pulled by bungie cords. Regain footing. Clear mind of everything but every detail of that pitch. Start over. Clive Matson

things fall in the sun


did a little semi pro walk on had good parts of at bats got pieces of the ball I found something good in though while couldn't hit the freaks of nature green snotty kid with terrored catapult arm gets past me like the incoming mail also the spitting-at-the-wind whip curves feel like I'm swinging at grease, angered zones of bees, couldn't hit the too hard to see menaces batting practice was OK they couldn't spell but wrote down can't hit. like this snapped opinion would define me scratched also, can't field. somehow defined me in their eyes too can't throw. but they were measuring me against hey I love this game see those far out there vendors heavy carried trays of they love this game a sad jowled coach, far down the ladder, posts me awhile sprinklers kicked on the late sag history shadows ruining another day talks gray eyes, white milled head, how doing something anything else I'm better for the game in leaving it Peter Layton (Previously published in LOS – thanks to C. Mulrooney for permission to use here)

untitled


Esther,William Carlos,and Ted they roll on down the everloving carpet roll now those dice of in the moment history at the wheel, for your illumination, no reason to mumble, no house of explanation they roll across the mandated seas in some kind of garrulous season dreams show up and wander in from the parking lot they make it to the counter in time for the special count your change, invent the world again roll now those sluggers of the vulnerable wood Standing at home plate, any attempted home, anything that can hold your food for a plate, standing in the ongoing poker game of being, Ted Williams sang the vernacular, child, and the cub scouts and girl scouts they quit scouting now because they have discovered Eureka...population, anyone possible...Ted Williams arm wrestled the ornery weather and tonight you can wear your head in plain view...roll now those dice of all your sung history...invent the world if you can...in some garrulous season...down your everloving carpet of vulnerable wood...Ted, the conductor, punched your ticket to a bona fide soiree...Eureka...sing now your vernacular, standing possible... Scott Wannberg 7/6/02

The Outfielder


There's Jesse, planted in left field, a sapling in the burning sun. He looks so small and far away. A batter wields a torch-like bat above home plate, then swings and hits a solid swack, while everyone thinks: Bases! Panic hits the dugout floor. The fielders hurry south, and Jesse, running backwards, face to sky, arms reaching, lifts the leather mitt, a hatchling's open beak. The ball drops into sight an instant, then slips into the gullet of his glove, while heaven glows as if it swallowed its own blaze. The dust looks more like smoke as he runs in, and, slowing at the chain-link wire, To cheers displays the smothered fire. Leslie Monsour

MICKEY'S DREAM


The nights I dreamt that I was stuck In a car, in a uniform, out of luck, I'd hear them say "It's time for you," But there's a hole I can't crawl through... When you're going good you just want more, When you're going good and twenty-four. But here I am , in a dream, in a car, And all of a sudden...there you are. Jim Rosenfield

I saw Ted Williams play


Fenway Park when I was a kid '48 or '49 - before the invention of the electric tooth brush. Naturally he hit a home run, a drive that seemed to rise straight up - almost vertically for 1,000 miles, and then gently wafted over the fence, due to the wind at that elevation. Left field fence at Fenway, if memory serves; right field fence at Ebbets Field, and memory serves. I seem to remember that when I saw him, he indeed did tip his hat to the fans in the stands. Steve Goldman

baseball haiku


a bunch of overpaid bums standing on a grassy field waiting for... Michael D. Meloan

O FOR THE MIND OF AN UNBATTERED MAN


"If you don't think too good, don't think too much." --Ted Williams Same advice if you DO think good? Would you stop thinking (if you could)? Know what's left once you've thought too much? One more lost poet...or some such. Kenneth Leonhardt

Baseballs and Hand Grenades


(For Luke Breit and Art Mantecon and Joe Marty) Two men are playing baseball in the twilight-- one white, one brown. Each toss, each throw-- a dream of words, a white cast into the falling day orchestrated by their fathers' voices calling, "Just one more." This great American way of passing time between fathers and sons, men and men, boys and boys. A fast flying whiteness suspending time as you reach for it, connecting with glove and bat, the slap, the smack, its comforting roundness in your hand. The physicality of it all-- the dusty dirt green plate leather sun wood run air. Just this once, you are going to knock it WAY over the fence, and you will wave your cap as you dance past first, second, third, all the way home-- and no one will be able to do anything but look at you in awe as the crowd goes wild. Two men are playing baseball in the twilight, and afterwards they will go out for a beer and talk about how good it was. And when their sons take up skateboarding and snowboarding, these men, their fathers, will try to understand and will sit down and write a poem about their fathers. 3-16-02 Eskimo Pie Girl

fragment


a national art is the very hardest thing to achieve if it doesn't dwell in the hearts of many people here and there it's here not there or if it's there it's here and there the same as here not there it's here or hereafter it's here it's the magnanimous thing that dwells in the hearts of many people we are Legion says the devil full of swine and goes the heart is weltering in the vertices of art it can't imagine if you know if whether or not the pallid accuses the conqueror or maid the fantastic images that break through or mainly manufacture the obstreperous villainly disestablishmentarianism here where you can't say hay without thinking of horses and old racetracks apparent in a glade mountains high oh here is the bust of the poet in a wood with calm verses our greatness gives a damn from time to time enough in clouds of clamor refining up the steepest climes a parlor and a tea Earl Grey for preference what the same or likeness enow to wonder if the same twilled worsted goes to manufacture any things worth cutting the same if branded tattooed painted curlicued qualified or whatever dispassionate or placed in the field for a whim or purpose the same evidence not easily found but not manufactured at some cost all cost cost-free the whirligig from here the way all around to here and there in courses through the idea of all ideas the way you go through chains of thought and find a link loose here or there or simply put a whole in active placements all around and such activity itself an adequate placement self-referential or irreflective and the grandeur of the whole manufactured with a cunning so as to displace all placements in the abstract like a punchline withering the frame in Corot shivers for the nonce and gaining what you might call a sense of humor larger than it seems at first like Lear a Solomon accursed by dint of multitudes of idol-worshiping housewives for two is many is enough the idol has its blank stare Galen says emitting nothing in the way of light who says the light has power and gives sight so seeing gives displacement in the blinding things we see and lose but they are there or if in terra incognita here not there so we go there and manufacture them and call them things to admire and regard if so only to see them and admire whatever wonders there may be here somewhat overlooked because as far as you can go is oft surprisingly very far and we catch up catch on deal with one by one the catches so we get it finally for the nonce and go on with the game that soars and scuds and shimmers over the land with green fields and bases and paths you know the game I throw you hit we run you throw I hit we run it's the game Christopher Mulrooney

Pinstripe Suits


Believe it or not I grew up wanting to wear a pinstripe suit but not the kind that banker’s wear. I wanted to wear the pinstripes that adorned my baseball heroes those New York Yankees legends of the long ball running the outfield that skirted my Bronx birthplace. I was born in the shadow of Yankee stadium just down the street March 31 was the day. when Bronx hospital rocked to the muse in daily delivery. I was born so bad I slapped the doc and pinched the nurse no one touches my butt without permission. But what I really wanted was to wear that Yankee uniform put spikes on my feet run that infield grace the house that Ruth built DiMaggio reigned and mantle owned. These gentlemen of baseball dressed in their sports regalia as if it were religion they pursued and not homeruns. They wore Holy Roller pinstripes crossed their bats and hope to hit cut quite the dashing figures this divinity of four baggers. The holy trinity of Ruth DiMaggio and Mantle sporting pinstripe suits worn by the baseball elite. I longed to dress in locker rooms and hear my name called on public address systems, look into the sun and catch fly balls and pound my bat at the plate Making ready to be the next Sultan of Swat Yankee Clipper the Mick. I was born in the Bronx and lived above a dry cleaning store not part of any charming baseball dynasty. I had to play catch with myself as part of the Jaffe clan a blue-collar bunch but not an athlete in the crew. I grew up wanting to dress in pinstripes wear that Yankee suit because I could never wear a tie without feeling enslaved. I wanted to roam centerfield not a factory or an office. And if I couldn’t play baseball And if I couldn’t play baseball then I had to be a poet. © 1999 – 2001 Larry Jaffe

TW


I see the stitches on the ball of Death I hit it home run criminy i'd rather be a fireman Jack Foley

The Demise of Number 9


More than a splinter Less than splendid To see how The Kid's big Inning Ended. Joe Masi

TEDDY BALLGAME


Someday I'll come back First among thawed angels Keep the score down until I bat again The two-base knock The mammoth blast The spheroid driven into the arclights of the beer drinking archangels A heavenly wave I'll give them. Once all day I hit the frozen rope. Today I am one. Joe Masi

The Splendid Splinter(s)


Who would have thought that the greatest hitter of several generations would end up as the focus of a brutal-bizarre-court fight concerning disposal of his remains? The daughter pleading for cremation- her younger-half brother taking charge-hustling Ted to the Arizona desert site to be frozen for future considerations-all the better to sell his DNA as per son's stated intentions- for what? to breed a new race of surly left handed power hitting outfielders with a near perfect swing? Somehow it is difficult to imagine Ted's last wishes were to achieve a kind of immortality through cloning- Pete Rose I could understand- but Ted? Still none of us ever hit .406 for a whole season either. Little did all those heckling red Sox fans know that when they suggested he go to a warm place of poor quality-that he come to an extreme bad end-that they would get their wish. Alan Catlin

The Baseball Player Stephen Crane


"I did little work at Syracuse, but confined my abilities such as they were, to the diamond." SC Manny French's fastball rocked him back on his heels but Crane refused to wear the padded glove for catching. Although his hands would be red from the constant impact of the hard ball, bruised after nine rounds of catching, his expression never changed and his enthusiasm for the game never waned. Jumping up after each third strike, although his hands were numb and his arm weak, he would throw the ball down to third as hard as he could. Never a strong hitter, he was a capable one, even shrewd in his placement, making the most of what he had with an energy level that would compensate for the lack of raw talent. After every game he was the first man at the pool hall for a beer and eight ball, preferring as he would later, a famous writer, the talk of the tavern to that of the literate man. Education, he felt, was better learned on the ball field, attributing his knowledge of war to what he saw on the football field, time clearly well spent for the man who memorialized a war he never saw as no other would. Alan Catlin

IT MUST BE AUGUST -WE'RE AT A DODGER GAME


(For Harry Northup) We're with my cousins, and with John and Jill. Friday night, forty-one thousand fans to watch the Dodgers beat the Mets. Sheffield's having a good season; we are, too. Nachos and homeruns. I don't like summer much, but I like this. Favorite cousins visiting from out of town; friends we never get to see enough of. We'll convert John yet, we tell him. He's a Boston man, can't give up his Red Sox. There's hope, we think: the view at Dodger Stadium impresses him. The Dodgers give it everything they've got. We come to games to cheer our hometown team, but mostly just to sit together, you and I, looking out at timelessness. Beyond the wins and losses, I see a sweet eternity: green, grassy diamond, always ready, Always waiting for another then another then another game. Next time we're here, we'll celebrate your birthday. All you've asked for is a Dodger game and Greenblatt's cheesecake. During the late innings, I'll go into the gift shop to buy Dodger Dollars, put them in a card for you at Christmas. I do this every year. It gives us a head start on top-deck tickets. This is where we always sit, relishing the vantage point, better than expensive seats. Baseball: Nothing in our sinful world makes this much sense. I wouldn't say it's our religion, and it isn't, but I'd say the game extends our souls, those subtle yearnings toward a larger good. After the ninth inning on your birthday, there will be fireworks -fountains and mandalas and great floral bursts. They make us gasp. How rare it is to gasp, to be completely taken in by beauty, by its quick profusion. Of course, that fades. We're never innocent enough to think it won't. So what? Satisfaction doesn't have to be perfection. Sitting here with you is plenty, knowing that the nachos matter - salt and crunch and cheese. The cousins. John and Jill. Yes, everybody else -tonight is blessed: no guy bigger than an SUV in front of us; no kid wearing a blue foam rubber hand, its "We're Number One" finger right in our faces. No bunch of business people from some office, here to socialize, not watch the game. We're definitely watching, eating, laughing. This is summer. You were once a baseball player, played up to the semi-pros. Here's to boys who want to play as well as they can play. To skill, to pure devotion to the game. Here's to Karros, to Lo Duca, to Shawn Green. Harry, here's to you. August, 2001 Holly Prado

opening day


the opening day of the baseball season was one of the most anticipated days of the year for a kid growing up in rochester, new york, in the 1940s and ‘50s. we could be excused at noon into the custody of our fathers (who were also allowed half-days off by their employers) to rush to the old norton park stadium of the red wings for hot dogs, peanuts, cracker jack, and “pop” (as soda was called), and an afternoon of wholesome, heartpounding ritual male bonding in the ambiance of what was still regarded as “the national pastime.” of course the scheduled opener was always rained out, and the next day as well, but eventually the clouds would clear long enough for the home plate umpire to yell “play ball” in hopes the regulation five innings could be completed before another downpour swept in. we learned disappointment early. but also that life had thrills to offer that did not have to be chemically induced. i felt a shadow of that holiday excitement today at the opening of the baseball season of my sixty-first year. roger clemmens and the yankees made it a successful april 2 nd by prevailing over their longtime “cousins” the kansas city royals, and the angels compounded my pleasure by coming up short against the texas rangers. since this evening the arizona wildcats, my graduate alma mater, were defeated in the finals of the ncaa by the doubly elite duke blue devils, and since the lakers are dead without kobe bryant, i was grateful to the gods for these minor dispensations. still, i don’t feel these things with the intensity of childhood: wordsworth had that pitch nailed. and unlike wordsworth and joyce. i do not harbor intimations of some metempsychotic recycling in which i will return to throw out the first pitch in the yankees’ new ballpark on alpha centauri. instead i just take both joy and sadness in these momentary revisitings of a simpler time, a simpler place, when radio accounts of world series game (almost always involving the yankees, and often the dodgers or the giants) were piped through the public address systems into our grammar school classrooms, and the nuns led us in rosaries for the team with the most good catholic boys. Gerald Locklin (Previously published in The Hammer)

Jim Abbott. Bottom of The First


(Pan American Games, 1986) The drag bunt, usually reserved for tight games and late innings when runs are "manufactured" and in short supply. Where making contact is not a sure thing. But, here in Havana, the top of the order dumps offerings onto the red infield dirt almost before the anthems decay They are here to fuck with this guy They've never seen a one-handed pitcher so they keep laying it down and he keeps throwing them out. How he tucks his leather under that perfect stump when he delivers and how he's got it fitted onto his hand before that puff of dust rises off the catcher's mitt, before the sharp report of the ball meeting the mitt reverberates off the planks behind centerfield. At the end of one, no runs, no hits, no errors, no one left. Rick Smith

Ah yes baseball


So what is this tale of the moving streets trees up to climb born to sell once Liberty and Collier magazines so slick and pretty and smelled so nice In front of the entrance revolving Monkey Ward customers. Nickels, dimes--a quarter get you change back. Money which provided the sweet smelling hide the brand new fielder’s mitt. I feel the head bump the vestige Is still there. I smell the grass almost.
I see the field bordered both sides and the end of it by modest houses, an old Portland mansion slipping down a gentle slope 26 blocks into the Willamette River. Somebody's marble is aloft wedged between dirt and the cement pad of the handball court. Chipped, no shooter. That concrete fountain under the maple really shoots the water. Kite there In a fir tree. A scraggley pink rose in a grave size patch of garden around the brick restroom in the middle of the park pretends a tone of some sort. The keeper's shovel leans against the mid afternoon light. The northwest hills layer tree shades to the settling shadow lights. Foot high to summit forestside needles and leaves green to deep purple, distant. Almost into night ahead of the clock. A boomerang summer park levitates the horizon returning nearby corner saloons and low end houses, the clapboard tenements, Saint John's Bridge over Swan Island in the river. The shipyard steel clanks through the flats, warehouses, and industry over the Portland Beaver Baseball Park on Raleigh Street onto my own playing field, dink! Through the backstop close-up loud green day Is Chapman Grade School itself. A two story built in the teens, early to late 1920's. Faded naturally light red brick, windows framed white stone. ..I was on. ..on the mound,
or was it 
at bat? 
The bat was thrown, bump on me forehead, bump! 
Taking off from the plate 
the batter threw it from halfway down the baseline. 
I must have been running In for a smash ground hop. 
I must have been pitching 
Instead he was throwing 
supposed to be batting. 
Bump!
Okay. Say a piece did go, the brain right then 
or jarred Ineffective and way out of place 
leaving elbows on vacant wlndowsills
and no names are important
and the chimes are gone anyway
and all that passed until now is as now 
and say my righteous good conduct 
and obsess for prone comfort 
that kept my pride lazy 
and me dubious about lots of things 
Including the winner's circle 
and my feet from getting warm 
is the cripple In my path 
that saves each day 
half spent somewhat 
so what? 
I eat before my eyes 
the Incessant predictable parts 
out of sight, Insight! 
In my control, okay! 

But base ball. 
Baseball. 
This has nothing to do with baseball 
unless this remnant protruding bump 
pug noodle 
cannibal bone buried below my leaping cape 
over a dry puddle 
diamond summer  
is an excuse to fly home
then maybe. Yeah. 
Then just maybe. 
Maybe then baseball.  

Bill Morrison


almost haiku


always there's a shot of the moon or clouds on televised baseball games Robert Rico

Grounding Out in Southern California


"we made too many wrong mistakes" Yogi Berra Clouds descended over our hometown houses and swam all the way to Pasadena putting a diaphanous coil around Brookside Park like cjorouses from a 1949 movie soundtrack How long has it been since Chuck Conners caught a ripple punching a long single to the right field corner later got picked off, as Nellie Fox mitts a relay from Al Zarilla, shovels it over to Chico Carrasquel forcing an out, putting him on a leash between 2nd & 3rd in the bottom of the 9th: but, with Bob Rush hurling a six-hitter, still, the Cubbies clipped the White Sox about 2,000 miles from home turf It rained yesterday the same way it did in the springtime a long time ago, when we were begging for bubblegum on benign street corner universes: and at the same time, begging for the moon to spend a little more time with us on nights free from the drag of discipline: free from the raspy rule-ridden demanding holler from a strange woman we called "mother" for some reason, and free to remain patrolling the outfield wall and begging for a chance to bag one in deep center just like "handy" Andy Pafko So doesn't it seem a little bit weird, now, that we who, somehow, survived traumatic American disillusion, since 1951, are still into some kind of pre-season exhibition? And is there ant chance at all that we could ever be called on account of rain? Michael C. Ford

TED WILLIAM'S TONGUE AS RECALLED BY
A FORMER COCKTAIL WAITRESS TOMATO


The waitresses in the coffee shop hated baseball season when all the baseball players stayed there in the swanky hotel where we all worked, me in the cocktail lounge, they hated how rude they were, what cheapskates, and their filthy mouths these women my mother's age raised to be ladies even if they did have to work for a living and they hated Ted Williams the most who never left more than one thin dime after a king-size breakfast of 10 eggs and a slab of ham and always snuffed his 20 cigarettes he smoked over 10 pots of free coffee into the leftover hash brown potatoes and ketchup. What a slob, they always said about him and told me how he called them all broads or Hey Tomato but I didn't care, I'd heard worse, having been a go-go gir13 years before this cocktail lounge job and sloshed beer for 3 thousand men and listened to their lies, their fears and lies before they got so snockered they'd offer me $100 to meet them in the backseat of their car after work so I went on into the coffee shop unafraid of Ted Williams and asked while he lit another cig for his autograph for my little boy and Yeah babe, he gave it to me, "To Danny" he wrote and my son was thrilled and, noble Lady Madonna single mother raising 3 kids 8 days a week I imagined myself to be in those days, I never told my son what that champion rod of splendid splinters said to my backside when I walked away. Joan Jobe Smith

World Series 1963


I was in the seventh grade For some reason No one could fathom Life (which meant school) Did not stop during the Duration of the series That year Forcing bands of us to huddle Twenty boys or more Around transistor (Made in Japan) Radios at P.E. and Lunch recess I don’t recall who was playing Though I suspect it had to Be the Boys in Blue (Maury Wills Big Don Drysdale and Sandy Koufax) because we were so Avidly glued to those tinny Little speakers Barely able to eat our sandwiches Or the other parts of our well- Balanced (circa 60s) lunches This was life and death The whole enchilada rolled Into one seminal week It was make or break time We had no clue as to what Was about to come whistling Down the pike A knuckle ball slider that would Have us all diving out of the Batter’s box for our very lives Fate was on the mound “Here’s the windup and the pitch…” RD Armstrong


ABOUT THE GUY WHO MAKES THIS ALL HAPPEN

Editor and poet,RD Armstrong writes poetry and fiction when he can find the time. Mostly, he's either working on his many Lummox projects (the Lummox Journal, a monthly magazine; the Little Red Book series which is published by the Lummox Press; the LSW Newsletter, a specialized "poets market" type of newsletter) or he's repairing / painting somebody's home. His most recent books are The San Pedro Poems and Paper Heart #4.

Special thanks to the Lummox Patrons: Georgia Cox, Pete Sims, Sooz Glazebrook, Greg Shield & Colleen Cunningham, Anonymous, Bonnie Bechtol, John Forsha, Back In The Saddle, Larry Jaffe and Matt Harrison. You can become a patron too. Contact RD at the email address below.

For more information please check the links listed below.



SUBMISSION GUIDELINES


To submit to DUFUS read on. Themes: there are no themes (or are there?). I'm looking for poetry that is well-written. Deadlines: There are no deadlines. Isn't that convenient? Just email three poems, of 40 lines or less to lumoxraindog@earthlink.net and please no attachments. Also include a brief bio.


The Little Red Book

poetry series is published by Lummox Press in the handy, pocket-sized format (48 - 56 pages) for reading on the go! Just $6 ppd (USA) or $8 ppd (Foreign) from LUMMOX (PO Box 5301, San Pedro, CA 90733-5301, USA).

On The Record

is an expanding library of Poets on CDs - buy a CD and get their book for FREE! CDs are $10 USD + $1.50 postage (US & Canada) or $10 USD + $2.50 postage (world). So far: Leonard J. Cirino reading Poems of The Royal Courtesan Li Xi; RD Armstrong reading from The San Pedro Poems; and pending: Alan Catlin reading from Death and Transfiguration Cocktail and Mark Weber's Bombed In New Mexico.



Links To Some Of The Poets In The Current Issue Of DUFUS.

Eskimo Pie Girl
Larry Jaffe
Gerry Locklin
Christopher Mulrooney
Scott Wannberg
other Lummox poets
Cesar Chavez Tribute
The San Pedro Poems
DUFUS #3

Comments welcome

This site updated Sept. 4, 2002

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lumoxraindog@earthlink.net


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