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HK Film notes

Fly Me to Polaris
Year of Production: 1999 (Hong Kong)
	Directed by: Jingle Ma Chor-sing
	Starring: Richie Ren Hsien-chi, 
		Cecilia Cheung Bak-chi, William So Wing-hong, 
		Eric Tsang Chi-Wai, Eric Kot Man-fai
	Screen Play: Law Chi-Leung, Yueng Sin-ling
	Editor: Kwong Chi-Leung
	Production & Distribution Co.: Golden Harvest Films
Synopsis:
	The blind and mute Onion meets an untimely death 
before he and the girl he loves gets the chance to tell 
each other what is in their hearts.  Then, being 
six-billionth soul to enter Polaris, he receives an award 
of having a wish be granted.  He, therefore, returns to 
Earth-but only for five days-in hope of actualizing the 
love that is supposed to be.  However, though he gains the 
ability to see and speak, none of the people who knows him 
recognizes him; and he is forbidden to-and won't be able 
to-tell them who he really is.  With time as his opponent, 
and the emotions of his beloved his concern, he finds 
difficulty in achieving his goal. 

Comments:
	This fantasy-romance film is indeed heart breaking!  
Fly Me To Polaris is a classic tale of two people who have 
been in love with each other but are too scared to admit it 
out in the open…until it's already too late.   For first-time 
watchers, it is advisable to have a box of tissue somewhere 
near. The (non-diegetic) music score intensifies the mood of 
every highly emotional scene.  The first time I saw it, I 
couldn't help it to be carried away by the emotions transmitted
by the actors/certain scenes…I tried to resist it but it is 
simply too much that I had to leave my seat several times just 
to get myself some sheets of Kleenex (even when I viewed it again).  

It is more on the melodrama side, yet incorporated with comical 
dialogue to light up the mood and bring a roller-coaster drift 
of emotions.  It is a fantasy-romance story (fairy tale) that 
is away from the conventional and-they-live-happily-ever-after.  
Here, what most audience hopes to be the ending is not what is…
the film ended in a heart-piercing mode that would make people 
see what reality is-that one's most desired wish hardly comes 
true.  (Well…it worked that way for me!) 

I like the director's manipulation with regards to the presentation 
of the film-world's time… he use flashbacks that doesn't seem to be 
in a dream sequence…and also inter-cutting shots depicting a similar 
experience of a character that happened in different times.  Also, 
fades to black are used in transition of scenes that has time gaps. 
The music score also made an effective use of caesura in shifting 
from one mood to the other; like in the scene where Onion is so 
happy about Autumn telling him that she cares for him, he jumps 
happily while on his way home (a preppy rhythmic song plays through)… 
then suddenly he trips and gets hit by a car 
(and the song instantly stops).

There are abrupt twists/surprises in the flow of the story that 
just cause some violent reactions with our own emotions…

I think the reason why I liked this movie so much is that because 
I can relate to the situation of the characters… well… this movie 
is a good medium for anyone who wishes to have a good cry. 






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