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I started working on this house in 1991, that's already 11 years ago. I had a little money, not much, and I wanted to have my own place. I already had the land, about two hectares in the mountainous area surrounding Tenango de Doria, a small town about 4 hours from Mexico city, half way between the high plateau ant the Gulf of Mexico. The place itself is beautiful; this is la Huasteca, part of the Sierra Madre Oriental, a place out of time, a microcosm worlds apart from Mexico city, even if it's not that far. This is Otomi region, and otomi language (or ñahñuh) is still widely spoken in the smaller towns and rancherias scattered around Tenango.

The original design of the house is by a cousin of mine, José Luis RoblesGil Cañedo, who is the closer to a genius that I personally know, and as a good genius, he is also a neurotic and a paranoid, and it is very difficult to deal with him for a long period of time without having any problems. But the genius remains, and I respect him very much for that.

This is one of his smaller projects. The shape of the house is a double helicoid inscribed in a circle of 10 meters of diameter. The built in area is 78 square meters. As you may know, the circle is the shape that gives the most area per perimeter, thus maximizing the space, though of course in the real world building in a circle shape is so much more complicated than in a square shape.

 

I worked on the house for about one year, and then I ran out of money. The original budget that was meant for the whole house lasted for no more than the foundations and the walls, and then I had to stop working on the house. It stayed there for almost 7 years, without doing anything on it. The climate here is humid, and the bush grows so fast and thick that after some time you couldn't see the walls of the house from a distance of ten meters. It was like in the middle of a jungle.


Then in January 1998 I came back from another one of my travels and had some more money in my pocket and decided to work on the house till I could see it finished. It took me 3 years. This time I didn't look for my cousin, I took on the project and changed a lot of things from the original design, adapting them to new circumstances ( he was not very happy about that ), and did most of the work myself, with only some occasional help from paid laborers. I did all the plumbing, electricity, tiling and carpentry work. The carpentry in particular took me a long time to make, and those rounded, irregular windows were anything but easy. All was done with great care for detail.


This is a one of a kind, beautifully crafted house. There is one indispensible element you have to have in order to build a house like this. Money is not, though it is always convenient to have some. Time is much more important, because most of the things you will have to do yourself. In order to maintain the stamina, you have to have an obsession. And so we're getting to the one true indispensible element: you have to be a little bit crazy.

 

Here there's some pictures of the interior of the house :

The door that divides the bedroom and the living room. I made the stained glass window on the wall in Japan, in the atelier of Tetsuzo Mori.
Dining room going into the kitchen. Along the walls there is inlaid tiles hand painted with symbols and poems.
The wall that divides the dining room from the kitchen.
View from the kitchen towards the living room. In this house I became a carpenter, mason, plumber, electrician, interior decorator and plenty of other things.

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