Online Reviews


Starshrink wrote:

> New York Italians have a kind of primitive tribalism that I ultimately find
> boring. As an actor, Anthony LaPaglia -- raised in Australia -- is infinitely
> more interesting  and varied in his choice of roles.

Bugliosi's intellect dazzles me.  An old series, THE DA (?) starring Robert
Conrad was modelled on Bugliosi.  I'd love to see someone of the acting statute
of Anthony LaPaglia do Bugliosi.

Who do I consider a full range actor?  Burt Lancaster for one.  Big films,
little films, heroes, villains, swashbucklers, introverts, Italian films,
independent films. Sean Connery  (see THE OFFENCE)  Anthony LaPaglia: he gave
his whole range in one movie: CHAMELEON.
 

Subject:      Re: TOP FIVE PERFORMANCES
  "alan tyler"
> Lea Salonga in "Miss Saigon / Les Mis (Broadway production)"
> Anthony LaPaglia in "A View from the Bridge" (currently playing)
> Donna Murphy in "Passion"
> Glenn Close in "Sunset Boulevard"
> Jude Law in "Indescretions"

Subject:      Banner year on Broadway
"A VIEW FROM THE BRIDGE": This has been a great year for Todd Haimes'
Roundabout Theater and a great year for Arthur Miller. Not only is the
Signature Theater honoring the great man with one of its dramatic
retrospectives, but the Roundabout followed a fine off-Broadway production of
Miller's "All My Sons" with this blistering and perhaps definitive - at least
for now - version of his underrated "A View from the Bridge." It has a
marvelously persuasive staging by Michael Mayer and a fine cast, flawlessly led
by Anthony LaPaglia as Eddie Carbone, Miller's doomed longshoreman.

Subject:      Review: PAPERBACK ROMANCE
From:         berardin@bc.cybernex.net (James Berardinelli)
     The two leads, Australians Gia Carides and Anthony LaPaglia, are
the film's most familiar faces.  Carides has appeared in STRICTLY
BALLROOM (as Scott's original partner) and BAD COMPANY.  LaPaglia,
despite his Australian birth, is best known for his performances as
tough Italian American characters, such as Mick in BULLETPROOF HEART and Barry Muldano in THE CLIENT.  Together, these two generate a palpable
chemistry -- not surprising, since they're a real-life couple.  Of the
pair, Carides has the best screen presence, and her portrayal of Sophie
manages to find the right mix of playfulness and wistful yearning.  We
like her and root for her to find love, but we never pity her.

PAPERBACK ROMANCE: (Gia Carides, Anthony LaPaglia, Rebecca Gibney)
Directed by Ben Lewin
   Thumbs Up - Siskel ("very odd picture; it's from Australia, which
                        may explain why its comic sensibility seems so
                        odd; the film blends outlandish physical stunts
                        with sexual fantasies and some thoughts about
                        disabilities; what I like about the movie is
                        that it suggests that an important disability
                        is the inability to feel passion; PAPERBACK
                        ROMANCE has passion; it's a light, funny film,
                        and gets a marginal recommendation from me;
                        don't you want to see this Gia Carides in
                        another movie? - she's got a lot of talent and
                        she's playing smart")
   Thumbs Up - Ebert ("I'm kind of on the fence on this one because
                       even thought there's a lot of stuff that really
                       doesn't work - they're trying to muscle in plot
                       that isn't necessary - nevertheless the
                       characters are really engaging, I liked this
                       relationship; if it had only been just about the
                       characters and not so much about the slapstick;
                       there's a lot of original stuff in this movie")

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