The special photographic art involved in aura photography has enabled photographers today to do a double image type of print as you can see in my father's photo here. The first image is the person, and imposed on top of that, around the person's offset silhouette, is a reproduction of the appearance of that person's aura.
Interpretation of impulses emanating from the person's hand, which is placed on a certain impulse detection device, is used in enhancing the display of the second image. The person calibrating the machine has to be skilled in aura sight or its pictures are likely to be highly inaccurate.
Due to variants of colors in photographic reproductions, particularly when doing second and third generation reproductions of a photo, as is the case with these pictures, one must be very careful in their analysis because there are likely to be multiple color distortions.
White often looks somewhat gray. The outer ring, when gold, may look almost brown or olive and sort of muddy, especially in a poor quality print, and is seldom very pretty in a photograph. However, as golden light, it's actually the most beautiful part of the aura. Just as gold may appear to be brown, an outer rim may appear to be gold when there is a heavy diffusion of orange into the background. That gives the illusion that there is a slight golden tint there when there is none.
When actually seeing one's aura, mistakes regarding gold in the aura's outer rim are unlikely, but in photographs, errors are far too common. Thus it is important that the photographer have aura sight and do the initial aura interpretation for the person they are giving the photograph to.
Aura photography isn't perfect, but it's the only way most people have of seeing one.
If we can apprehend our self-revealing vibrations via photography and understand them, we'll be able to know the state of our being, the progress we've made, and sometimes even the situation we're in at that time.
Such knowledge would enable us to direct and channel our energies by permitting us deeper personal insights into our spiritual well-being through that knowledge of our current mental and emotional state.
I want to remind you again of the many pitfalls in aura photography though. For example, a prominent yellow hue can indicate intellectualization, and an aura photograph of a person who is intellectualizing at the moment may show none of the blues, indigos, or magentas (for the yellow of intellectual activity will have washed them out so as to render them unnoticeable).
Consequently, great care has to be taken in interpreting a photo.
It is preferable to take several photos at different intervals before drawing any major conclusions, and learn the influence of the colors on each other and their variants in meaning based on their location and intensity before rendering an analysis.
