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Dear Sir, ....My homepage was be promoted the 6 types of Thai fabric heritage in each the heritage , traditional way

Over all called the six types of thai classical woven fabrics
 
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• Thai fabrics # A • CheckOut
..... PHRAE-WA , FABRIC WEAVING GROUP IS NORMALLY MADE BY BY GROUP OF PEOPLE WHO RESIDE BY AMPHOE KHAM MOUNG OF KALASIN PROVINCE WHERE THEY PRODUCE " PHRAE-WA " A FAMOUS SILK WEAVING STYLE.
[ Phrae-wa ]
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.....Mud-mee weaving style , the raw materials were be used for weaving such as silk or cotton, This woven has been dyeing process by which the silk threads were tied in the desirable patterns before dyeing.
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.....Khid weaving style , the special technique of weaving by scatching . Weaving was be used the reel hook to pick up the weft yarn and then insert the shuttle under them from one side to another along the warp yarn direction , local called " khid " . This will result in a variety of designing patterns.
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.....Tin-jok weaving style , this weaving style is a technique to do stitching as weaving. The fabric is woven with pre-designed patterns by adding special weft yarns along the width direction of the fabric at designed intervals , by using a wooden reel hook ( a wooden quill ) , for example , to do stitching with silk yarn and cotton yarn combined to make a desirable patterns.
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• Thai fabrics # B • CheckOut
.....Yok-muk or lai-muk weaving style , this weaving style is a technique to do emboss printing on the fabrics which was designed in gem-colored shape favorably. Weaving by using the reel hook to pick up the warp yarns and added the special yarns to design in patterns.
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Thai-Lue lai-nam-lai with their imagination
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A natural or organic dye for fabrics have been used for dyeing such as the heart of the tree , leaves , bark , frower , skin , fruit , root and etc . A natural dye for fabrics which its made from red cotton tree bark give a pink to orange color , mango bark give a light to pink color , irvingiaceae bark give a yellow color. These are resources of different colors and also a types of vegetable dye formerly were used to give color as well as fragrance to cotton yarn.
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Other Thai Fabric's designs
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• Historical Designs • CheckOut
Alternate blocks of florals , animals and materials Detail..........The earliest appearance of the alternate-blocked patterns " the former design crosswise in patterns " , what is called net marked or boxwork designs , dating from 7,000 - 10,000 years ago in stone age . The designs upon painted pottery of the cave Tham Phee in Maehongsorn province of a Net marked and cord marked drawing . The net marked designs which scholars speculate that the ancestors of Thai wove such hand net containers for caught fishs and aquatic animals . For those cord marked " rope pressing ------> similar to those of Muang Boran Non Muang in Chumphae District of Khon Kaen Province " designs shown , which wove such strings made of shredded banana or other fibers for using in life daily . [ Phisit 2530 ] - The next appearance is geometric shape what is a fret design consisting of intersection about 4,000 years ago in Neolithic times , is in a drawing on the wall of the cave Pha Tham in Nakhon Phanom province [ Shin 2505 ] . Other marked drawings on the wall are found in Krabi province what is Tham Phee Hua To such as spotty shapes , slightly wavy-line , crenulation , striation , and any concoildal shapes " painted design in rings which lie side by side " [ Phornchai and Andersan 2523 ]
.....The geometric shapes continued to be used in Neolithic times , also the slightly wavy-line , crenulation , horizontal pattern , which wove such samples on Thailue and Thaiyuan fabrics in the present day [ Shin 2501 ] . The study of the technique of tied-dyed silk weaving showed that mud-mee patterned fabric was the old heritage in Neolithic times . Southeast Asia , the original source where are renowned for tied-dyed silk fabric , can so call .


..... In this period can be classified as follows . For examples , Geometric-shaped designs such as square , half-square triangles , rhombus , spotty shapes , fret , hook , horizontal line and spairal staircase . Imagined designs such as cross-marked , stylolite , crenulation , striation and water-flow direction . Floral designs such as the 4 - petalled flowers . Animal designs such as elephant , horse , tortoise , naga .


.....The design is geometric shapes upon painted pottery of Bronze Age Ban Chiang Cilivilization of 3,000-5,600 years ago in what is now Udon Thani province . The design was passed down as the various tribes originated and dispersed so that the cross-marked is seen on the fabrics pieces of many Thai peoples . Such as cross-marked silk and cross-marked jute grass's fiber from Udon Thani , cross-marked jute grass's fiber and cross-marked silk from Kanjanaburi , cross-marked jute grass's fiber from nakhon Phanom [ Jiraporn 2525 ] . The other imagined designs on painted pottary are showed in slightly wavy-line , crenulation , stylolite , striation , concoidal and etc [ Precha 2515 ] .

.....The designs appearance of the Bronze Age Ban Chiang Cilivilization can be classified as follows . Geometric-shaped designs such as cross-marked , fret design consisting of intersection , hook , rhombus , kra-nok , people image . Animal designs such as naga , nak-kiew . Imegined designs such as slightly wavy-line . Floral designs such as dok-kaeo , the 4 - petalled flower , leaf , kan-kot " sprira " , tree-ring and etc.

......The bold ethnic designs of 500-2,500 years ago in early iron age" Metal Age " where norteastern Thailand . The designs appearance on bold face of Bronze age all regions were cross-marked in patterns , coordinating circles , fret , geometric shapes , having 4 - frogs each angle side of squar and also included 12-petalled flower which looks like star take center stage . Designs were favor in bold ethnic look with the curve or arce and circle with spotty shapes inside which looks like such birds and fishs . [ Thanit 2523 ] . The designs were followed in God-fearing and faithed in Totemism which art of bronze age silver coil with swan and peafowl were found in Kanjanaburi [ Srisak 2521 ] .

.....Designing in iron age which cross-marked with curve or arce and step-by-step of developments in which weaving . Designs quilts , to create a particular style of making such loops in sewing , embroidering and knitting , what is Khid , Mud-mee , Tin-jok or Silk-yok etc. Check it out ?
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Why do they call the Thai classical woven fabrics ?
Thai classical woven fabrics for each local.

>> Where ?
The Original Sources where are renowned for local Phrae-wa , Mud-mee , Lai-khid , Tin-jok , Yok-muk , Lai-nam-lai , hand-woven fabrics , all of product's heritages called the Six types of Thai classical woven fabrics

Dear Sir or Madam ,
.....This webpage's construction was be promoted the agricultural housekeeper group's products in Thailand. The main subjects to support and encourage them to develop the trade furthur in the world market. All villages recieved suports from both were... THE PROVICIAL GOVERMENTS AND PRIVATE SECTORS IN THE AREA OF SERICULTURE DEMONSTRATION AND SILK THREAD PRODUCTION. Constant developments have been made in their products to meet the needs and requirements of the consumers.

>> Why do they call the Thai fabric's heritage ?

Thaifabric's Heritages
It is one of the projects under Her Majesty the Queen's patronage

>> Local Products ?
.....Thai silk and cotton fabric products have extended in every provinces in these regions of Thailand. The original sources where are renowned for Thai silk and cotton fabrics can be found , for examples ,

Re-create an early-16-18th-centuries Native-Thai 3- to 12 -petalled flower designs in fabrics with this the blossomy large-scale florals [ dok-bai-boons , dok-babs ] take center stage with the horizontal-patterned [ lai-khun ] design alternately consisting of the kra-pu-nois [ small-scale crabs ] ta-bungs [ Mygal's eyes ] minor the The bottom edge [ lai-cho ] , somewhat like the connecting shapes . The design consisting of any shapes in clusters or connecting florals , animals and materials . Its is called " Lai-cho-plai-choeng " , what is step back to Sukhothai Peroid Native-Thai horizontal-patterned design in fabrics . Especially , the 8 - petalled flower which has been interpreted by scholars to symbolize the escape or liberation afforded by the Noble Eightfold Path of Buddhism.

[ Phrae-wa ] , phrae-wa patterned fabric , the striking large-scale florals which the special lai-ko of bai-boon kan-kong designs shown . Old Phuthai-Early symbol , that they called " the Queen of silk " from Kham Muang of Kalasin province .

Southeast Asia ; The original sources of tied-dyed silks with excellent designs
; Step back to Thai ethnic-style period of the Prehistoric to Neolithic times which civilization of 7,000-10,000 years ago with these Net Marked " boxwork " designs.
Rhombic-Blocked Patterns which were favor in the Northeastern traditional-style mud-mee designs . Remark : Mee is mean the mud-mee patterned fabrics . But this case , its was indicated to the patterned structure which the former design alternately consiting of X-block florals , Y-block animals and Z-block materials , such as mee-ta-nang-kra-jub-khu design consisting of coupled water-chestnuts in clusters [ 2-pieced block of water-chestnuts for all of block patterns ] ------> For examples ; X = Type of florals-->water-chestnut , Y = Type of real or imagined inhabit of animals--->[ none? ] , and Z = Type of materials[ none ] . Ta-nang " Lady 's eyes " , was dedicated to the rhombus design in the connecting Z - point spots which looks like lady eyes , somewhat like the cross-marked design consisting of coordinating rhombuses in clusters it known as net-marked or boxwork design . ------> For example ; Z = Numbers of spots design in triangle , square , rhombus , pentagon , hexagon etc . So , the mee-ta-nang would be dedicated to the net-marked or boxwork design alternately consisting of traditional X , Y and/or Z - shaped inside as well. For examples ; X = Type of florals or numbers of floral blocks, Y = Type of real or imagined inhabit of animals or numbers of animal blocks , and Z = Type of materials or numbers of material blocks. That variation is further evidence of this pattern. The names were called differently each local but they were designed patterns similarly " the design alternately consisting of X - block or band florals , Y - block or band animals and Z - block or band materials . These words were favor in the mud-mee stories. For examples as follows .

The patterned structures of mud-mees which were dedicated to the alternate blocks or bands of coordinating small- to large-scale florals and the real or imagined inhabit of small- to large-scale animals. As its might be alternated with the other Z -block/band material designs shown as well.

Especially , the X ,Y and Z rhombic block or band patterns were faver in Northeastern mud-mee designs ------> For examples ; X = Numbers of floral blocks or bands , Y = Numbers of animal blocks or bands , and Z = Numbers of material blocks or bands . These designs inspired by traditional Thailao , Khmer and Phuthai quiltings..
[ Mud-mee ] , mud-mee patterned fabrics from Nong Sung , Wan Yai , Nikhom kham Soi and Muang of Mukdahan province which were country traditional-style mud-mee designs ------> For examples such as the mud-mee with water-chestnut designs that local called Mee- ta-nang kra-jub which the X-block water-chestnuts[ to be enamored of this design such like grass of offensive odor as body skin . ] . The mud-mee with the blossomy 6-petalled flower design consisting of X -block dok-kaeos , its is called Mee- ta-nang dok-kaeo which the striking X-block dok-keaos. But those mud-mee with star design alternately consisting of stars in 1- pieced block of star or in clusters , its so called Mee- ta-nang dow which the striking Z - block stars etc . The excellent mud-mees from Seka of Nong Khai with local classic-style designs , Chon Nabot mud-mee with coordinating 5-pieced block of floating lamps which local called Mee-kome-5 , but those the design cosisting of floating lamps in clusters quilts shown .To creat the coordinating 7-pieced blocks of floating lamps , its so called Mee-kome-7 [ to bring back to life by raising productions such light as floating lamps ]. And also the other designs consiting of z- pieced of floating lamps in clusters or coordinating Z - pieced blocks of floating lamps , can also be found such as Mee-kom-9 and Mee-kom-12 favor . For example ; Z = numbers of floating lamps pieces , from Khon Khaen province. The other fabric samples such as Thai-Lao mud-mee silk with 2-3 color yarns& the X-block floral designs , a natural dye for fabrics from Baan Kwoaw of Chaiyaphum province.

Step back to ancient Central with this Laosong mud-mee with lai-tang-mo designs . Shown in traditional Laosong-early symbol of welcome to your dress with this former design alternately consisting of water-melon and dendritic to sub-dendritic , espalier , grapevine , trellis , angulate , annular or radial patterns , which looks like the slender stem of a climbing plant called kria-tangmo , dark country-garden colors were faver . An ancient design woven on the fabric , so call..

Kra-Sat " The king - The Princess " The excellent name of imagination in designing patterns.
Thai-Lao and Khmer mud-mee cotton with stripe- patterned designs [ 3 different color designs in symmetrical structure by alternating at interval , which the alternate bands of the X ,Y and Z-shaped designs. For examples ; X = Type of florals ,Y = Types of animals , Z = Types of materials . As its might be designed in the 1 type of animal or floral but 3 diferrent color designs shown that the local called the Mud-mee with Sam Kra-Sat designs " Shaded fabric of 3 different color designs " ------> But those 4 different color designs shown . It is called Si-Kra-Sat . As its might be designed in Z -- different colors as well ------> For examples ; Z = 5 , 6 , 7 , 8 , 9....more . The names were called by following the numbers of color yarns were appearing on the fabrics as well . Remark ; Sam-Kra-Sat is mean alloy of Gold-Silver-Copper and sometime Tin in English . But those in Chinese-style talking " The Mud-mee with Three Kingdom of Kong-Beng*Jo-Sho*Lao-Pi " designs . Its so call. ] , from Na Dee , Suwankhuha district of Nong Bua Lumphu province. Khmer mud-mee silk with 2-3 yarns&animal-shaped [ jungle fowl&horse ] designs , from Bung Bun , Bung Bun district of Sri Saket province. Khmer mud-mee with Surin classic-style designs from Tung Ku La , Ta Tum district of Surin province. Khmer mud-mee with 2-3 yarns& the X-shaped designs , from Baan Khu , Napho district of Burirum province. Thai-Lao mud-mee silk with striking X-block floral designs , from Bho Pun Khun , Suwan Naphum district of Roi Et province and etc.

Add the traditional Phuthai-early symbol of welcome to your dress with this florals and imegined inhabit of animals in country classic-style mud-mee designs.
Re-create an early-16th-18th-centuries Native-Thai 8-petalled flower design in fabrics . The luscious floral design in large-scale florals with Re-creating an early-19th-20th-centuries " Sukhothai Period " Native-Thai Lai-Kria design in fabrics . The former design in dendritic to sub-dendritic , espalier , grapevine , trellis , angulate , annular , radial patterns , which looks like the slender stem of a climbing plant. The very famous of designing patterns in Northeast. The excellent designs called Phi-kul Kan-yaeng and Nak-kiew Kan-yaeng favor . As its might be designed in Y -headed and Y -handed nagas as well ------> For example ; Y = 2 , 3 , 4 , 5 , 6 , 7....more . The name were called by following the mijority of designing patterns on the fabrics such as the purple 7 - headed naga designs " Pearl or Moonstone colors " , its is called Manee-Mukdahan Naga Designs shown which was meaning that the fight between Rama's brother and Ravana in the Ramayana . The other designs such as the 2 -headed swans " Ayutthaya period , the pattern which uses by Mangongan in ramayana " , 2 -headed bird " Ayutthaya period " , garuda " the pattern which uses by Ravana in ramayana " , winged dragon ------> Y -legged dragon " Dvaravati period ", purple ka-nok " Dvaravati peroid " , a characteristic Thai design in decorative art resembling tongues of frame. Can also be found .
Khid Heritage ; Combine floral prints with a lattice-look " boxwork " designs . To show in Bronze Age Cilivization of 3,000-5,600 years ago and also includes background fabrics shown which leaf design in carvings or friezes " Traditional symbol of the three gems of the Buddhism " for each piece of floral blooms , that the traditional symbols of a Thai festival are featured in these.....
... Classic-Khids with these designs inspired by traditinal northeastern quilting . Pattern has Her Marjesty the Queen Sirikit's imaginary designs , which the alternate blocks of striking large-scale florals and other X ,Y and Z -shaped designs shown . For examples ; X = Types of florals or Numbers of floral blocks , Y = Types of animals or Number of animal blocks , and Z = Types of materials or Number of material blocks . The villagers had studied steps in the khid silk weaving , collected khid patterns as were available in the Northeast . The alternate blocks of X ,Y and Z -shaped designs for each local interpretation of the traditional ThaiLao-Early Symbol. >>

International Textile Agency
>> Khid Heritages
Traditional Thailao-Early Symbol Detail , [ Lai-khid ] , lai-khid patterned fabric with country classic-style designs from Mukdahan , Nakhon Phanom and Kalasin Provinces. And also fabric samples such as Nakha's Khid with the blossomy 8-petalled flower design in striking X-block florals shown , khid with som-det [ alternate blocks of blossomy 8-petalled flowers design inside the rhombic in shapes , the C-shaped designs [ the horizontal line which curved or bent sharply in the end . It is called lai-kho ] and the flower-bloomed foundation-pieced quilt designs. The 3-shaped designs are joint in the form of patterns . ]

Kam-poo [ Re-create an early-20th-24th-centuries Native-Thai Craws of crab design in fabrics ] . The other patterns were followed within local tradional-style designs such as Northeastern khid with Kab-shaba [ is name of shoeflower or china rose , alternate blocks of blossomy 8-petalled flower's barks and cross-marked " boxwork " designs ] , Century [ alternate blocks of the group of the 8-petalled flowers " the small 4 - pieced blocks of florals " , designs shown which the 2 - to 5 different colors . ] , Na-yok [ Re-create an early-20-24th-century " Ayutthaya Period " Native-Thai floral design in fabrics , the new pattern within the imagination of prime minister which the alternate blocks of blossomy 8-petalled flowers and cross-marked " boxwork " designs ] , Special na-yok [ alternate blocks of the blossomy 8-petalled flowers and cross-marked " boxwork " designs but the patterned details which are diferent from the na-yok design ] , Nayok- prayuk [ alternate blocks of blossomy 8-petalled flowers and the hexagon with carved 8-petalled flowers inside ] , Kradum-thong [ the blossomy 10-petalled flowers " gleaming gold-etched florals " design inside the rhombic in shapes ] ,

Kho-Prathep [ Re-create an early 11th-15th-centuries " Dvaravati Peroid " Native-Thai Long hook design in fabrics with thisc [ the new pattern within Her Royal Highness Princess Maha Chakri Sirindhorn's design ] ---> that the former design alternately consisting of the long-hooks [ S -shaped lenght ,what is step bakc in time to the Dvaravati period with long hook useing , by a mahout for controlling an elephant Remark ; the hook [ S-shaped ] like horizontal line which curved or bent sharply in the end called tra-kho or lai-kho , but those the S-shaped lenght design . It is called kho-buay or long hook . As it might be called kho-lek-sam which looks like the figure 3] and the kom-fires [ floating lamps , what is Step back to Thai native-style period of the 20th-24th-centuries " Ayutthaya period " ] " designs shown . To creat the traditional symbol of fight on elephant's back by the King in the past on your dress . ]

Kria or Lai-kria [ Re-create an early-19-20th-centuries Native-Thai Lai-Kria design in fabrics , the former design in dendritic to sub-dendritic , espalier , grapevine , trellis , angulate , annular , radial patterns , which looks like the slender stem of a climbing plant. The very famous of designing patterns in Northeast , which has been interpreted by scholars to symbolize the extreme power and penetrating of the King , such as the pattern which uses by King Asakan in ramayana . ] , tang-mo [ the water-melon design in an annular , radial or pinnate patterns . ]

Striking X - block floral design in phikul motif . For examples ; X = number of floral blocks ------> the 6 - to 8-petalled flowers " , which has been interpreted by scholars to symbolize the escape or liberation afforded by the Noble Eightfold Path of Buddhism. But those the circular 12-petalled flower design shown which has been interpreted to give birth of a prince , Designs inspired by the elegance of 11-15th-century Dvaravati Period.
Dok-jik [ cloverleaf which having trifoliate leaves ] , Dok-jan [ asterisk or star , a mark like a star " * " ] , Dok-phikul and Dok-kaeo [ Re-create an early-16th-18th-centuries " U Thong , Suwannaphum , Lopburi and finally by the Ayothaya Period " Native-Thai 3- to 12 -petalled flower design in fabrics .
.....The 3 -petalled flower design in small-scale floral carvings called dok-jik , the 4 - petalled flower design in small-scale floral carvings called dok-jan , the blossomy 8-petalled flower design in striking large-scale floral blooms called dok-phikul or the circular flower designs . But those the 6-petalled flower design in medium-scale floral carvings , it is called dok-kaew . As its might be included background fabrics shown which leaf design in carvings or friezes for each piece of floral blooms ] , from Udon Thani province , Kham Pra Khid with local tradional-style designs , from Amnatcharoen province. Can also be found . If you are interested. Please click [ here ]

Step back to Thai ethnic-style period of the Dvaravati to Neolithic times with these designs.
Detail : Alternate blocks and bands in the same piece of multicolored small- to large-scale floral , animal and material tin-joks with crosswise-line and Slightly wavy-line-Crenulation-Stylolite-Striation Designs shown -------> dating from 4,000 years ago in Neolithic times , which ethnic look within local interpretation of the traditional Thaipuan , Thaiyuan , Phuthai , Thailue and White -Thai .. More>>

>> Patterns
Country classic-style tin-jok designs Detail ...... [ Tin-jok ] , tin-jok patterned fabric such as Bold or Narrow stripes and Bright Stars take center stage in Renu's Phuthai classic-style tin-jok designs , from Nakhon Phanom province , Phuthai tin-jok with Ta-Bung " Mygal's eyes " and Stylolite-Crenulation-Slightly wavy-line designs shown -------> The earliest appearance of the designs , dating from about 4,000 years ago in Neolithic times " , from Kalasin province. The other fabric samples such as Ratcha Buri's Thaiyuan tin-jok with the Y - band/block animal designs shown . For example ; Y = numbers of animal bands or blocks [ such as bird ] , what is step back to Thai native-style period of the 11th-15th-centuries " Dvaravati " with this classic bird design in couple which joins face to face called Nok-khu-gin-nam-huab-tao , Uthai Thani's White-Thai tin-jok with X -block materials . For example ; X = numbers of material blocks [ such as star ] , what is step back to Thai native-style period of Rattanakosin in this boxwork's tin-jok with an asteroid designs shown ------> Dow-lom-duan design in one of small plannet occupying orbits mainly between those of Mars and Jupiter while those the white-Thai called floral blooms with backgound fabric which several-petalled flowers , and also real or imagined inhabit of Y-band animals can also be found . The other fabric samples which SukhoThai's Thaipuan tin-jok with striking&greaming gold-etched star designs . And Re-create an early-16th-18th-centuries " U Thong , Suwannaphum , Lopburi and finally by the Ayothaya Period " Native-Thai Classic Bird designs , the traditinal symbols shown which holds " bright star " something in the mount called Thaipuan tin-jok with Nok-kab-nai designs . Laokrang stripe-patterned mud-mee with klong-toom designs shown . To create the traditional Z - band pendulums , Laokrang stripe-patterned mud-mee with klong-muan design . Shown in real or imagined inhabit of Y - band animals . For examples ; X = Numbers of floral blocks or bands ---> dok-jik , dok-jan , dok-phikul , dok-kaeo , Y = Number of animal blocks or bands -----> such as bird , fish , naga , Z = Number of material blocks or bands -----> such as the beam of the balance's shape . And Laokrang stripe-patterned mud-mee with gleaming grey-etched bird design " was alternated with kun-chung [ the beam of the balance shape ] design " .

Combine Specify gold/silver - etched boxwork " Net marked " and X , Y , and/or Z - shaped designs in an emboss printing . For examples ; X = Type of florals , Y = Type of animals , Z = Type of materials . The excellent designs of gold/siver brocaded silk fabrics . To shown in Neolithic times which Civilization of 7,000-10,000 years ago..
[ Yok-muk&Yok-dok ] , Silk yok- muk -----> Jewel-toned Thaisue fabrics sparkle in this gold , ruby , emerald and sapphire design in emboss printing , from Tha Uthen of NaKhon Phanom Province. Silk yok lumphun with lace yarn design which the gleaming gold-etched floral " striking X - petalled flower " design in emboss printing , from Amphur Muang and Amphur Pasang of Lumpun province. And any gold brocaded silk fabric samples which the Gold boxwork with Gold small-scale phikul design in an emboss printing , what is the exellent of Silk-yok-dok of Thailand.

Classic nature-inspired lai-nam-lai designs , which looks like the water-flow direction's shapes . To show in Prehistoric Times which Civilization of 3,000-5,600 years ago , cuesta " a chopping knife " , monadnock , hogback , table mountain in shapes , carved 3 - to 5 -petalled flowers called Lai-nam-lai pra-yuk designs shown which traditional Symbol of the Three Gems of Buddhism . The real or imagined inhabit animals design in patterns . Can also be found
[ Lai-nam-lai ] , lai-nam lai patterned fabric , the people called " ThaiLue woven fabric " , the patterned design in the water-flow direction's shape . But those stars in stripes and floral carvings take center stage . Shown in the special lai-nam-lai design , can also ba found , from Nan , Phra Yao provinces and any fabric's samples from Nawa destict of Nakhon Phanom province.

[ Natural dye products ] , And also a natural dye for fabrics which Classic nature-inspired mud-mee/khid designs , form Mukdahan province and etc.

.....We produced a woven fabrics for several types of its weaving styles such as phrae-wa , mud-mee , khid , tin-jok , yok-muk , lai-nam lai , hand-woven fabrics and also a natural dye for fabrics can be found. In the addition to the loyal patronage , all villages recieved suports from both were the provicial goverments and private sectors in the area of sericulture demonstration and silk thread production. This support has encouraged our villages to develop the trade furthur and has convinced them of the needs to conserve and to promote hand-woven farbric's heritage. That ’s why all products are always trusted in quality and approvingly more and more. The uniqueness of hand-woven silk&cotton fabrics are remaining here.

..... In Thaifabric story's description which a lot of words so deep meaning to describe but was be tried. For the silk's dictionary in the " Highlight " column which i was described within my imagination that shows the way to understand in Thaifabric's stories. Please enjoy reading about its that's only me who is described in this webpage. If you need to recommend or introduce me. Please send me by e-mailing. I would be glad to recieve your recommendation about its. Thank you very much.
Any ancient designs found today would be considered a valuable cultural asset of Thailand

>> check it out ; please click here

The original sources of Thai classical woven fabrics
>> Historical Designs ?
......

Comparative History of Civilization in patterned designs------>Step-By-Step Development of the Ancient designs of Thailand . Please click as link below .


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  • .....Phrae-wa weaving style has been created by jok and khid woven technique which its combined between a stitching [ design in pattern by jok's style. ] and scratching [ design in pattern by khid's style. ] of weaving. .....Phrae-wa was being designed in patterns which country classic-style designs by using the best of khid's and jok's styles to modify within the imagination of phuthai heritage. Phrae-wa patterned silk fabric is known throughout Thailand.
  • .....Mud-mee weaving style , the raw materials were be used for weaving such as silk or cotton, This woven has been dyeing process by which the silk threads were tied in the desirable patterns before dyeing.
  • .....Khid weaving style , the special technique of weaving by scatching . Weaving was be used the reel hook to pick up the weft yarn and then insert the shuttle under them from one side to another along the warp yarn direction , local called " khid " . This will result in a variety of designing patterns.
  • .....Tin-jok weaving style , this weaving style is a technique to do stitching as weaving. The fabric is woven with pre-designed patterns by adding special weft yarns along the width direction of the fabric at designed intervals , by using a wooden reel hook ( a wooden quill or Z -long hand-crafted wooden tool ) , for example , to do stitching with silk yarn and cotton yarn combined to make a desirable patterns.
  • .....Yok-muk or lai-muk weaving style , this weaving style is a technique to do emboss printing on the fabrics which was designed in gem-colored shape favorably. Weaving by using the reel hook to pick up the warp yarns and added the special yarns to design in patterns.
  • .....Lai-nam-lai weaving style , a woven technique was a local heritage which has been handed down from the genaration to genaration by Thailue ancestor. This type of fabric was preferably designed in patterns , the former which looks like the water-flow direction in shapeliness , Thai people called the " Lai-nam-lai " design.
  • Confusing as its might be , this variation is further evidence of Thai fabric names. But they usually were called the fabric's name by following the majority of designing patterns were appearing on the fabrics dominantly.
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