HAL10WEEN
FATALITY
Cast of Characters
Bianca Kajlich . . . Sara Moyer
Dylan McDermott . . . Detective Sam Donaldson
Joaquin Phoenix . . . Detective James Lee
Paul Rudd . . . Tommy Doyle
Sean Patrick Flanery . . . Sheriff Marcus Keller
Devin Gardner . . . Danny Strode
Matt O'Leary . . . Travis Murphy
Margo Harshman . . . Brooke Little
Alexa Vega . . . Victoria Thomas
with
Marianne Hagan . . . Kara Strode
and a special appearance by
Robert Englund . . . Robert Wilkins
FADE IN:
INT. HADDONFIELD POLICE DEPARTMENT-INTERROGATION ROOM
ANGLE ON DESK
A FOLDER slams onto the desk and photos slide out of the folder
The camera pans up to show SARA MOYER looking down at the folder
She looks up at DETECTIVES SAM DONALDSON and JAMES LEE who are standing next to SHERIFF MARCUS KELLER.
SARA
What the hell is this?
DONALDSON
Just take a look.
SARA'S POV
She picks up the PHOTOS and sees that they are picture of her dead friends.
ANGLE ON LEE
LEE
We are dealing with five deaths here.
And as far as we can tell you are the
only survivor.
SARA
Do you think I was involved?
KELLER
You tell us?
She shakes her head in disbelief.
SARA
You have no proof.
LEE
Yet.
DONALDSON sighs and motions to the door.
DONALDSON
Why don't you guys
give me a second with her.
They look at him curious.
KELLER
Are you serious?
DONALDSON
Yeah, just give me five minutes.
KELLER and LEE look at each other and then exit the room.
DONALDSON closes the door behind them and then turns to SARA
He grabs and chair and sits right next to her.
SARA rolls her eyes.
SARA
Is this when you play bad cop?
DONALDSON picks up the pictures and shows them to SARA.
He holds up a picture of CARLI.
DONALDSON
Your roommate right?
SARA looks at the picture with sadness.
FLASHBACK
CARLI'S dead body lying on the steps.
PRESENT TIME
DONALDSON holds up a picture of KYLE.
DONALDSON
Your boyfriend.
FLASHBACK
KYLE lying in the hallway, dead.
PRESENT TIME
SARA looks away, tears falling down her cheeks.
SARA
Stop.
DONALDSON puts the pictures back in the folder.
DONALDSON
Sara listen to me . . .
She looks up at him.
DONALDSON
I know you didn't kill
all those people. We have
pretty good evidence that it was
John Tate, all you have to do is
testify, and you're home free.
SARA looks at him, possibly considering his offer, but she just shakes her head.
SARA
I already told you, it was Michael
Myers.
DONALDSON shakes his head in disappointment as he stands up.
He walks to the door, but before opening it he turns to SARA.
DONALDSON
It's a shame that you're willing
to go down for a piece of shit
like John Tate.
He opens the door and walks out, leaving SARA to ponder her thoughts.
INT. HADDONFIELD PD-OFFICE
DONALDSON walks into the office.
KELLER and LEE look at him expecting for him to say something.
LEE
So did you get anything?
He throws the folder on the desk, angry.
DONALDSON
Not a goddamn thing.
She actually thinks it was Michael Myers.
KELLER looks at DONALDSON with a serious expression.
KELLER
You know she might be telling
the truth.
DONALDSON looks over at KELLER in disbelief.
DONALDSON
You're not fucking serious are you?
KELLER just stares at DONALDSON
KELLER
Look I'm just saying that
when it comes to Michael Myers,
you can never be too careful.
He looks at LEE and then back at DONALDSON.
EXT. HADDONFIELD STREET-NIGHT
A pair of coveralls step into view as the camera slowly pans up to show THE SHAPE from behind.
He looks from across the street as a middle-aged woman walks out of her house carrying banners.
SHAPE'S POV
He watches as KARA STRODE takes the banners and puts them into the garbage can.
She walks back into the house.
He steps onto the street and walks over to the garbage can.
He looks down and sees what is written on one of the banners.
It reads . . .
HAPPY BIRTHDAY STEPHEN
He looks back at the house.
INT. DOYLE HOUSE-KITCHEN
KARA walks into the kitchen where a half-eaten CAKE rests on the table
She picks up the paper plates and throws them into a garbage bag.
She looks into the living room where 17-year-old DANNY STRODE sits on the couch watching TV.
KARA
Danny? Want to come help me?
INT. LIVING ROOM
DANNY flips through the stations.
DANNY
(SARCASTICALLY)
No it's cool, you're doing
such a great job without me.
KARA walks into the living room and stands next to the couch.
KARA
Oh c'mon, you can give me hand.
He points to the TV.
DANNY
My show is on.
She looks over at the TV and then picks up the remote control.
She turns off the TV.
DANNY looks up at her angered.
DANNY
Hey.
She shrugs.
KARA
Now it's not.
He stands up and heads to the door.
DANNY
Why don't you get Tommy to do it?
He never does anything around here.
He walks out of the house, slamming the door behind him.
EXT. DOYLE HOUSE-FRONT YARD
SHAPE'S POV
He watches from behind a tree as DANNY walks out of the house and to his car.
ANGLE ON DANNY
He unlocks the door and is about to get in when he takes a look across the yard and at the tree.
He doesn't see anything
He gets in his car and speeds away from the house.
INT. DOYLE HOUSE-STUDY
TOMMY DOYLE sits at his computer searching the Internet as KARA walks in.
TOMMY looks over at KARA.
TOMMY
What was that all about?
KARA sighs.
KARA
Oh just Danny being a teenager.
TOMMY nods as he continues to click away.
TOMMY
(Still looking at screen)
Is Stephen asleep?
KARA
Yeah.
KARA walks over to TOMMY as she starts rubbing his shoulders.
KARA
You know with Danny gone we could . . .
She nibbles on his ear as TOMMY pulls his head away.
TOMMY
I'm sorry Kara, but I've got a lot to
do tonight, with Halloween being tomorrow.
KARA backs away.
KARA
Every year the same thing.
He's not coming back Tommy.
He looks up at her.
TOMMY
That's what they always say.
KARA looks at him, angered, as he goes back to the computer.
She shakes her head, disappointed, and walks out of the study.
TOMMY takes a look at the vacant doorway for a moment.
INT. HADDONFIELD PD-KELLER'S OFFICE
DONALDSAON is sleeping on the couch when LEE bursts through the door.
LEE
Sam! We've got something.
DONALDSON sits up.
INT. HADDONFIELD PD-INTERROGATION ROOM
The large book of THORN slams onto the table in front of SARA.
She looks down at it and then back up at KELLER.
SARA
Where did you find that?
KELLER
We found it inside the frat house.
Do you know what this is?
SARA looks down at the book.
SARA
I might have glanced at it
for a moment.
DONALDSON steps forward.
DONALDSON
Then you know what's on the last page.
She looks at him, angered.
SARA
Why does it matter?
DONALDSON
Just open it.
SARA
I don't want to.
DONALDSON sits on the table.
DONALDSON
Why not?
She looks at him in disgust.
SARA
Why are you doing this?
DONALDSON shrugs.
DONALDSON
It's quite simple.
Just open up to the last page.
SARA takes a deep breath and then she opens the book to the last page.
She looks at the page in horror.
The camera pans around the book to show a picture of DR. SAM LOOMIS. His arm is around SARA.
DONALDSON
Your father is Dr. Loomis
The man obsessed with Michael Myers.
SARA slams the book shut and closes her eyes tight.
FLASHBACK
JOHN TATE slides the book over to SARA.
She looks at the picture of her and LOOMIS.
JOHN
See, to him you're just as much
a part of the bloodline as I am.
She looks at him puzzled.
SARA
But Why?
JOHN
He saw your father as his father.
Dr. Loomis was with him more than anyone
else, ever.
PRESENT TIME
SARA opens her eyes to see the officers looking at her.
SARA
Yeah, he's my father.
So what?
DONALDSON gets off the table.
DONALDSON
So you grew up listening to your father's bullshit.
It had to mess you up a little bit.
LEE
Why did you change your name to Moyer?
SARA looks over at LEE.
SARA
Can you imagine walking around
this town with the last name Loomis?
It's just as bad as being Michael Myers
himself.
DONALDSON grabs the book and starts heading out.
KELLER pulls out handcuffs.
KELLER
Sara Moyer, you're under arrest
for the murders of Carli Burton, Kyle
Wilkins . . .
SARA looks at them in disbelief.
SARA
You've gotta be kidding me!
KELLER takes her out of the room.
INT. HADDONFIELD PD-LOBBY
The three officers take SARA into the lobby with her kicking and screaming.
They walk through when suddenly ROBERT WILKINS steps in front of them.
Dried tears are seen on his cheek.
SARA looks at him saddened.
SARA
Oh Professor Wilkins. I'm . . .
He slaps her across the face.
WILKINS
You slut! You killed my son!
LEE grabs him and puts his arms behind his back.
LEE takes WILKINS away as he continues to yell.
WILKINS
I hope you rot in Hell!
SARA looks at him extremely saddened.
KELLER goes over to help LEE as DONALDSON pushes SARA to go forward.
DONALDSON
Keep moving.
INT. CELL BLOCK
The gate opens up as SARA walks in.
DONALDSON closes the door and then he grins at SARA.
DONALDSON
You chose not to cooperate,
and look where it got you.
SARA spits in his face.
He continues to smile as he wipes the spit off.
DONALDSON
Feisty to the very end.
He turns and walks away leaving SARA in the cell, all alone.
She sits on the tattered bed and puts her head into her hands.
INT. KELLER'S OFFICE
DONALDSON walks in and throws KELLER'S cuffs onto his desk.
DONALDSON
What did you do with Wilkins?
KELLER
Stuck him in containment.
We'll let him out tomorrow.
DONALDSON nods in agreement.
LEE
Do you think we have enough to
get Moyer?
DONALDSON looks at him and smiles.
DONALDSON
Just give me one more day and
we'll have her for sure
LEE nods and smiles.
DONALDSON smiles at him and then looks back at KELLER who has a displeased look on his face.
EXT. DOYLE HOUSE-MORNING
SUPERIMPOSE
OCTOBER 31ST
HALLOWEEN
INT. DOYLE HOUSE-KITCHEN
ANGLE ON TABLE
A bowl of cereal is placed onto the table.
ANGLE ON STEPHEN DOYLE
Little Stephen Doyle looks down at the cold cereal then up at KARA, disappointed.
STEPHEN
But I wanted waffles.
KARA
Sorry honey we're out.
STEPHEN sighs and settles for his cold cereal.
KARA smiles at him as she hears DANNY coming down the stairs.
KARA'S POV
She looks through the kitchen to the front door and sees DANNY almost out.
ANGLE ON KARA
KARA
Danny?
He looks back at her.
KARA
Do you want some breakfast?
DANNY gives her a snobbish smile and then walks out the door.
KARA stands there in awe.
STEPHEN looks up at KARA.
STEPHEN
Why is Danny such a prick?
KARA looks down at STEPHEN angered.
KARA
Stephen! Where did you hear that word?
He shrugs and continues eating his cereal.
KARA
Well don't say it anymore.
He nods in agreement.
STEPHEN
When is Daddy getting up?
KARA brushes STEPHEN'S hair back with her hand.
KARA
I don't know, probably not
in time for you to get to school.
You're going to be late. Let's go.
STEPHEN jumps out of the chair and grabs his bag.
KARA walks with him to the front door and they walk out.
EXT. DOYLE HOUSE-FRONT PORCH
KARA and STEPHEN see the bus pull up to the curb.
STEPHEN
Mommy?
She looks at him.
STEPHEN
Can I go trick-or-treating
with all the other kids?
She gives him an assuring smile.
KARA
We'll see. Now go catch your
bus before it leaves.
She leans down and gives him a hug.
They depart and he runs towards his bus and gets on.
KARA watches the bus drive off and her smile turns to a frown as she turns back and walks into the house, closing the door behind her.
INT. DOYLE HOUSE-BEDROOM
KARA walks into the room just as TOMMY is walking up.
He looks over at her.
TOMMY
Are you boys off to school?
She nods as she sits on the bed.
KARA
Stephen wants to go trick-or-treating.
TOMMY looks at her with a stern look.
KARA
I think he should.
TOMMY sits up.
TOMMY
Kara we've talked about this.
KARA
Tommy I've had it! I'm sick
of this. He's dead.
TOMMY shakes his head.
TOMMY
We don't know--
KARA
Yes we do.
She stands up and looks at him.
KARA
I can't do this anymore Tommy.
I love you, but I can't live in
fear forever.
He sighs as he lowers his head.
TOMMY
I'm sorry Kara--
She sits next to him.
KARA
It's okay, I understand.
But it's time to move on.
She kisses him on the lips softly.
KARA
I think this would be good for
both of you.
He looks at her curious.
KARA
You heard me. You're
taking him tonight.
He nods in agreement as she stands up and walks towards the bathroom.
KARA
It will finally let you face your fear.
You will finally get over Michael Myers.
She closes the door and looks up with a straight expression.
EXT. HADDONFIELD HIGH SCHOOL
Students pile into the high school as the bell rings.
INT. HADDONFIELD HS-HALLWAY
DANNY walks down the hall and stops at his locker.
He opens his locker and grabs his books.
DANNY'S POV
He looks up and sees a banner hanging that reads . . .
HALLOWEEN STOMP
ANGLE ON DANNY
He closes his locker.
DANNY
I hate Halloween.
He turns and is knocked down onto the ground, scattering his books all over the place.
He looks up and sees three people staring at him.
TRAVIS MURPHY and BROOKE LITTLE laugh at him, the third VICTORIA THOMAS looks at him with a sad expression.
TRAVIS
Why's that Danny,
you should love Halloween,
it's the only time you can be yourself
and not be called a freak.
TRAVIS and BROOKE walk away, still laughing.
VICTORIA kneels down and starts picking up his books.
VICTORIA
I'm so sorry Danny,
He's a jerk.
DANNY snatches his books away from her and starts walking off.
She watches him turn the corner without even a "thank you."
INT. HADDONFIELD HS-HALLWAY
TRAVIS and BROOKE are still smiling when VICTORIA catches up to them.
VICTORIA
You are such a dick Travis.
TRAVIS
Oh please, I was just playing
with him.
She shakes her head.
VICTORIA
He used to be our friend.
He rolls her eyes.
TRAVIS
Yeah like eight years ago.
BROOKE
But then he became the freak that
he is today.
VICTORIA just shakes her head in disapproval.
The camera pans back as the group continues to walk down the hall.
INT. HADDONFIELD PD-JAIL CELLS
SARA is sleeping when she hears doors opening from down the hall.
She sits up and sees KELLER walk to her cell.
She rolls her eyes.
SARA
What's this? Another
Interrogation?
KELLER pulls a seat next to the cell and he sits down.
KELLER
I'm not here to interrogate you
Sara. I just need to ask you one question.
She leans in ready to listen.
KELLER
Was it really Michael Myers?
She sits back against the wall.
SARA
How many times do I have to say
it?
KELLER stares at her straight in the eyes for a moment.
He nods and stands up.
KELLER
I'm going to do everything
in my power to get you out of here.
But you need to hold on.
She nods as KELLER walks away and out of the cellblock.
INT. HADDONFIELD PD-JUST OUTSIDE CELLBLOCK
KELLER closes the door and turns to see that LEE and DONALDSON are standing right in front of them.
They don't look too happy.
LEE
What the hell were you doing?
KELLER
I was just asking Sara some
questions.
He starts to walk when DONALDSON grabs his arm.
DONALDSON
You better not be trying
to fuck with me. I'm not
going to let your paranoia
get in the way of my case.
KELLER looks down at his arm and then back at DONALDSON.
KELLER
Just remember one thing detective,
you're in my town, so I don't have to
deal with you. John Tate is dead, so your
case is now over.
He throws DONALDSON'S hand away and walks away and into his office.
LEE watches as KELLER closes the door and then he turns to DONALDSON.
LEE
You don't think he's gonna do anything
stupid do you?
DONALDSON folds his arms and shakes his head.
DONALDSON
I don't know, but just keep
an eye on this door. If he goes
in, tell me.
LEE nods in agreement as DONALDSON walks off.
EXT. HADDONFIELD HIGH SCHOOL-LUNCH AREA
The students sit at the tables outside eating their lunches.
The camera moves through to the end where DANNY sits at a table all alone.
He gazes at the empty field in front of him, while eating his sandwich.
Suddenly a hand grabs his shoulder and he turns around to see VICTORIA smiling at him.
DANNY
What do you want?
Her smile turns to a frown.
VICTORIA
Nice to see you too.
She turns to walk away.
DANNY
Wait Vickie . . .
She turns back to him.
DANNY
I'm sorry; I'm just a little
on edge today.
VICTORIA
Can I sit?
He shrugs.
DANNY
Aren't you afraid of
being see with a freak?
She sits down and looks at him with a saddened expression.
VICTORIA
You heard Brooke?
He nods as he sips his soda.
VICTORIA
I'm sorry, they're assholes.
I don't think your a freak.
He gives a half smile as he takes another bite out of his sandwich.
VICTORIA
In fact I was wondering if . . .
He looks over at her curious.
VICTORIA
I was wondering if you would
go to the stomp with me tonight.
He smiles at her, making her smile back.
DANNY
Are you sure? What would Travis
and Brooke say?
She shrugs.
VICTORIA
Fuck them. Who cares
what they say.
He thinks for a moment and nods.
DANNY
I would love to go.
The bell rings and they both stand up.
VICTORIA
So I guess I'll see you
tonight?
He nods.
DANNY
I guess so.
They walk off and back into the school.
The camera pans around to show that THE SHAPE is watching them from a distance.
INT. DOYLE HOUSE-FRONT DOOR
The door opens up with TOMMY holding STEPHEN'S hand as they enter the house.
STEPHEN runs to the stairs and looks up.
STEPHEN
Mommy?
He waits for a moment but doesn't hear anything.
TOMMY
She had a class today buddy.
He looks over at TOMMY sad.
STEPHEN
But she was going to take
me trick-or-treating.
TOMMY smiles and he knees down to look at STEPHEN eye-to-eye.
TOMMY
Well how would you like
it if I took you instead.
STEPHEN'S solemn expression turns to an overjoyed one.
STEPHEN
Serious?
TOMMY smiles back.
TOMMY
Serious.
STEPHEN
Can I grab a snack first?
TOMMY nods.
TOMMY
Yeah but hurry up.
We need to go get you a costume.
STEPHEN runs into the kitchen as TOMMY sits down on the couch and turns on the TV.
He turns to the news were a reporter is standing in front of a burnt down frat house.
NEWSCAST
REPORTER
The fire started at around
midnight this morning. So far
there is no word if there have
been any casualties. But witnesses
say that gun shots were heard only
a few minutes before the fire broke out.
Not a very good start for a city that has
seen enough terror on Halloween to last
a lifetime. Reporting from Haddonfield
University I'm Susan Heath for channel 6
news.
TOMMY turns off the TV and stands up.
TOMMY
Stephen we need to be going.
He turns and jumps when he sees STEPHEN standing in the kitchen, holding a knife with a blank expression on his face.
TOMMY looks at STEPHEN worried.
TOMMY
(Cautiously)
Stephen? What are you
doing with that knife son?
STEPHEN just stares for a moment and then snaps out of his trance.
He looks around as if lost then he looks at the knife and drops it to the ground.
STEPHEN
Daddy? What happened?
TOMMY sighs as he walks over to STEPHEN.
TOMMY
It's okay Stephen. Let's just
go.
He grabs STEPHEN'S hand and they walk out of the house. Leaving the knife on the ground.
INT. HADDONFIELD PD-JAIL CELL
SARA sleeps in her cell.
DREAM/FLASHBACK
SARA, age 10, runs around her house, laughing.
She stops when she comes to a chair.
Two hands reach out and pick up SARA.
ANGLE ON SARA
SARA sits on the man's lap looking up.
The camera shows the man's lap
DR. LOOMIS
Sara, I have something
very important to tell you.
She listens closely.
DR. LOOMIS
If you ever come across
the boogeyman, there is only
one way to kill him.
SARA listens very closely as her father whispers something in her ear.
PRESENT
SARA'S eyes open quickly.
EXT. HADDONFIELD
An aerial shot is seen as the sun slowly sets on the sleepy town.
INT. HADDONFIELD COSTUME SHOP
TOMMY looks through the racks of costumes and he pulls one out and shows it to STEPHEN.
TOMMY
What about this one?
He looks at it and shakes his head.
TOMMY puts the costume back.
STEPHEN looks through the racks until he comes to a costume that looks very similar to the one MICHAEL wore when he was kid.
He stares at it with his blank stare again.
Suddenly a hand grabs his shoulder and he turns to see TOMMY looking at him.
TOMMY
Did you find one?
STEPHEN grabs the costume and holds it up.
STEPHEN
I like this one.
TOMMY nods as he takes it up to the cash register to pay for it.
INT. DOYLE HOUSE-LIVING ROOM
KARA walks into the dark house.
KARA
Tommy? Danny?
She turns on the light and walks into the kitchen.
ANGLE ON FLOOR
The knife that STEPHEN dropped is no longer there.
ANGLE ON KARA
She sees a paper on the counter and she picks it up and reads it.
KARA
(Reading to herself)
Mom, went to a party at school,
Be home late. Danny.
She puts the paper back on the counter.
She looks around the big empty house.
INT. DOYLE HOUSE-BATHROOM
ANGLE ON BATHTUB
KARA steps into the bubbling water.
She sits down in the tub and gets a look of pleasure on her face.
KARA
That's nice.
She closes her eyes and enjoys the bath.
ANGLE ON DOOR
A shadow walks past the half open door.
EXT. HADDONFIELD STREET
TOMMY and STEPHEN walk down the sidewalk of a street, STEPHEN'S bag is pretty full.
TOMMY
Ready to go home yet?
STEPHEN shakes his head.
STEPHEN
Not even close.
TOMMY
But I'm sure Mom misses
us.
STEPHEN thinks for a moment.
STEPHEN
Only a couple more houses?
TOMMY smiles and nods.
TOMMY
Okay buddy.
STEPHEN smiles and runs up to the next house.
INT: DOYLE HOUSE-BATHROOM
KARA wraps a towel around herself as she walks out of the bathroom and into the dark bedroom.
She hears a creek from the hallway and she looks through the open door and into the dark hallway.
She slowly walks into the hallway.
INT. DOYLE HOUSE-HALLWAY
KARA
Tommy? Is that you?
She walks down the hallway slowly until she comes to DANNY'S room.
She opens the door slowly.
She tries to turn on the light but it doesn't turn on.
KARA
Danny?
No answer.
She shrugs and walks back to her room.
INT. DOYLE HOUSE-BEDROOM
She walks into the bedroom and sees that the bathroom door is now shut.
She walks towards the door and opens it.
Steam billows from the room making it impossible to see in.
KARA looks at the steamy room.
KARA
Tommy?
Suddenly a hand emerges from the steam and a knife slices right into KARA'S gut.
She looks down in horror as she steps back, making the knife come out.
She stumbles back and onto the bed.
She looks up and sees THE SHAPE emerge from the steam.
A horrific expression is seen on her face as THE SHAPE makes his way over to her.
KARA
Michael--
ANGLE ON KNIFE
The knife rises up and slashes down.
EXT. HADDONFIELD HIGH SCHOOL
Music blares as students walk into the high school.
INT. HADDONFIELD HS-GYM
Teens dance around in various costumes.
The camera moves through the crowd until it comes to VICTORIA, BROOKE and TRAVIS.
VICTORIA looks around, worried.
BROOKE
Who you looking for?
VICTORIA looks over at BROOKE.
VICTORIA
Danny, he said he was going
to meet me here.
BROOKE and TRAVIS look at her displeased.
TRAVIS
You asked the freak to the dance?
VICTORIA gives him a stern look.
VICTORIA
He's not a freak.
TRAVIS rolls his eyes.
TRAVIS
Whatever. Did you really
think he'd show up?
VICTORIA shrugs.
VICTORIA
I thought he would.
BROOKE
That's what you get.
VICTORIA looks back into the crowd and gets a smile on her face.
BROOKE and TRAVIS look and see DANNY making his way through the crowd.
He makes his way to the group and VICTORIA gives him a hug.
DANNY
Sorry I'm late.
VICTORIA
It's okay.
DANNY looks over at BROOKE and TRAVIS who are eyeing him up and down.
He turns back to VICTORIA.
DANNY
Can we go somewhere
and talk?
She nods.
They take each other's hand and walk out of the gym.
TRAVIS looks at BROOKE and smiles.
TRAVIS
Want to have a little fun?
BROOKE smiles mischievously.
EXT. HADDONFIELD PD- PARKING LOT
WILKINS is pushed out of the police department.
WILKINS
Thanks for nothing,
you fuckholes!
He walks to his car.
He starts to unlock the door when suddenly THE SHAPE walks up to him.
WILKINS turns and looks at THE SHAPE.
WILKINS
What is this?
I'm not in the mood for
pranks.
He goes to unlock his door when suddenly THE SHAPE grabs his throat and begins to choke him.
INT. HADDONFIELD PD-KELLER'S OFFICE
KELLER looks through the book of THORN.
He comes to a page and starts reading it.
KELLER
And on the night of the 50th
year, the chosen one will
finish the prophecy or end up
in purgatory forever.
KELLER thinks for a moment and then closes the book.
He stands up and heads out of his office.
INT. HADDONFIELD PD-JUST OUTSIDE CELLBLOCK
KELLER walks up to the door that LEE is guarding.
KELLER
Let me in detective,
I'm getting her out of here.
LEE
I don't think so.
Sam told me to not let you in.
KELLER gets an angered look on his face.
KELLER
That's bullshit!
This is my police department.
LEE
I'm not letting you in.
DONALDSON
(Off Screen)
What's going on here?
KELLER turns to see DONALDSON coming up to him.
KELLER
He won't let me in.
DONALDSON nods.
DONALDSON
That's right.
Why do you need to go
in anyway?
KELLER looks at him in disbelief.
KELLER
I believe her.
DONALDSON rolls his eyes.
DONALDSON
I'm so sick of this.
Michael Myers is not
alive!
Suddenly WILKINS' body flies through the door of the PD and lands onto the front desk.
They all turn and see THE SHAPE walk into the building.
KELLER looks in fear.
KELLER
Holy shit!
An officer goes up to THE SHAPE.
OFFICER
What the fuck are you doing?
THE SHAPE grabs the officer and quickly throws him across the room and through a light.
The light explodes and sparks fly throughout the department.
DONALDSON
Everyone fire!
The officers pull out their guns and start firing at THE SHAPE.
KELLER turns and enters the cellblock.
THE SHAPE slowly makes his way through the officers, killing them in various ways.
Shots fire throughout the room, making it become totally filled with smoke.
INT. HADDONFIELD PD-CELLBLOCK
KELLER runs down the block until he comes to SARA'S.
She looks through the bars, worried.
SARA
What the fuck is going on?
KELLER unlocks the door.
KELLER
He's here.
SARA gets a horrified look on her face as she walks out of the cell.
Suddenly the gun fire stops.
They both look at the door for a moment.
Suddenly a body slams through the steel door and lands right in front of KELLER and SARA.
They look down to see the body is DONALDSON'S.
SARA
Oh my god.
They look back at the doorway to see THE SHAPE walk into the cellblock.
They both look at him horrified.
SARA
Is there another way out of here?
KELLER looks around and sees the window.
KELLER
The window.
They run to the window and KELLER breaks it with his elbow.
KELLER
You first.
He gives her a boost and he pushes her through the window.
EXT. HADDONFIELD PD-OUTSIDE WINDOW
SARA climbs out and turns back to help KELLER.
INT. HADDONFIELD PD-CELLBLOCK
KELLER looks back and sees THE SHAPE getting closer.
A hand reaches back through the window.
KELLER grabs it and begins to climb out.
EXT.HADDONFIELD PD-OUTSIDE WINDOW
SARA pulls KELLER out of the window.
He falls to the ground.
SARA stands up and she looks to see a big gash in his back.
SARA
Oh god, Sheriff Keller.
She helps him up as he screams in pain.
KELLER
He got me.
They scramble to his car.
SARA helps him into the passenger side and then runs around and gets into the driver's side.
INT. KELLER'S PATROL CAR
SARA looks around the car for the keys and then turns To KELLER.
SARA
Where are the keys?
He starts to slowly close his eyes.
She shakes him awake.
SARA
Sheriff, where are the keys.
He thinks for a moment.
KELLER
My office.
She turns and looks back at the dark police department.
She takes a deep breath.
SARA
Okay, I'm gonna go
get the keys, hold on Keller.
She steps out of the car and slowly walks towards the police department.
KELLER watches as she enters the police department and then his eyes slowly close.
INT. HADDONFIELD PD-LOBBY
SARA walks into the lobby and suddenly the lights shut off.
She takes a deep breath and slowly starts to walk through the lobby.
She takes a step and falls over something.
She looks back and sees that it's the body of a dead officer.
She covers her mouth to not scream.
She looks back and just as the broken light sparks she can see THE SHAPE is only a few feet away from her.
A look of horror comes over her face as she watches him look around the lobby.
He can't see her.
He starts walking right past her and he exits the police station.
SARA makes sure he's gone and she stands up and runs to the office.
INT. HADDONFIELD PD-KELLER'S OFFICE
ANGLE ON KEYS
SARA'S hand grabs the keys quickly.
EXT. HADDONFIELD PD-KELLER'S CAR
SARA runs to the car and gets in.
SARA
I've got the keys.
She starts the car and then turns to KELLER who has his head rested against the window, his eyes are closed.
SARA
Keller?
She checks his pulse.
She lowers her head for a moment and then turns back to the wheel.
She puts the car in drive and suddenly THE SHAPE walks in front of the car.
SARA jumps and then looks at THE SHAPE with pure rage.
SARA
Just fucking die!
She slams on the gas and runs right into THE SHAPE.
He lies on the hood of the car as SARA speeds through the parking lot.
He looks through the windshield as SARA tries to drive.
SARA
Get off the car!
She slams on the brakes and THE SHAPE flies off and into the bushes.
She looks but can't see him.
She quickly drives off and out of the parking lot.
INT. HADDONFIELD HS-STAIRS
DANNY and VICTORIA sit on the steps not looking at each other.
DANNY
(Still not looking at Victoria)
Thanks for inviting me
tonight.
She looks over at him and smiles.
VICTORIA
Can I ask you something?
He looks at her nods.
DANNY
I guess.
VICTORIA
What happened to you
Danny?
He looks at her confused.
VICTORIA
We used to be best friends
and then one day you just
kind of shut the world out.
He sighs as he looks down at the ground.
DANNY
Um . . .
He looks back at her.
DANNY
Five years ago tonight . . .
He takes another sigh.
ANGLE ON DANNY'S HAND
VICTORA takes DANNY'S hand and holds on to it.
ANGLE ON DANNY
He smiles as he looks down at conjoined hands and smiles.
VICTORIA
It's okay, you can tell me.
He takes a deep breath.
DANNY
Well five years ago I got
the scare of my life . . .
INT. HADDONFIELD HS-HALLWAY
BROOKE watches as TRAVIS gets into a scary costume.
BROOKE
Are you sure about this Travis?
He smiles as he leans in and gives her a peck on the lips.
TRAVIS
Trust me, this is going to be great.
Suddenly there's a sound from down the hall and the couple turn and look down the dark hallway.
BROOKE
What was that?
TRAVIS shrugs.
TRAVIS
I don't know. Wanna go check it out?
She looks at him worried.
BROOKE
I don't know it could be one
of those hobos again.
TRAVIS smiles and starts to walk.
TRAVIS
Let's go get a warm up scare.
He grabs her hand and they depart down the hallway.
EXT. DOYLE HOUSE
TOMMY and STEPHEN walk up the stairs and into the house.
INT. DOYLE HOUSE-LIVING ROOM
STEPHEN runs into the house and TOMMY hangs up his coat.
TOMMY flips the light switch but the lights don't turn on.
He flips it a couple more times but it's the same result.
TOMMY
That's weird.
He walks into the kitchen and sees the note on the counter.
He reads it and then throws it away.
TOMMY
Stephen?
He walks into the kitchen.
TOMMY
Stay here for a moment will ya?
He nods as TOMMY walks out of the kitchen.
INT. DOYLE HOUSE-BEDROOM
The door slowly creaks open as TOMMY pokes his head through.
TOMMY
Kara?
He opens the door and sees a bump under the covers.
TOMMY
Kara, is everything all right?
He pulls the covers off and sees KARA'S dead body lying on the bed.
TOMMY steps back in horror.
TOMMY
Oh god, Stephen.
He runs out of the room and down the stairs.
INT. DOYLE HOUSE-KITCHEN
TOMMY runs into the kitchen and sees that STEPHEN is no longer there.
TOMMY
Stephen?
He turns and looks at the front door to see it wide open.
EXT. DOYLE HOUSE-FRONT PORCH
TOMMY runs out on the porch and sees a car speed away down the street.
He sees a letter attached to the door and reads it.
TOMMY
If you want to see your
son again, meet me where
it all started.
He throws the letter to the ground and runs to his car.
INT. HADDONFIELD HS-STAIRS
VICTORIA has a shocked expression on her face.
VICTORIA
Wow, that's unbelievable.
DANNY nods.
DANNY
Yeah, well I try not
to let it bug me but it does.
She nods in total agreement.
VICTORIA
That's understandable.
DANNY gives a half smile.
VICTORIA
What's so funny?
DANNY
You're the first person
I've told.
She smiles at him.
VICTORIA
Really?
He nods.
She bites her lip as she slowly leans in to give him a kiss.
They engage for a moment and then back away.
DANNY
Let's get back to the party.
They stand up and start to walk down the stairs when THE SHAPE turns the corner and stands at the bottom of the stairs, looking up DANNY.
DANNY looks in horror.
DANNY
Oh shit.
THE SHAPE starts to walk up the steps slowly.
DANNY
C'mon.
He grabs her hand and runs up the stairs.
INT. HADDONFIELD HS-HALLWAY
They run down the hallway.
DANNY looks back to see THE SHAPE in pursuit.
They turn the corner and DANNY tries to open door, it's locked.
He tries the next one. That one's locked too.
He tries the next one and it opens.
He lets VICTORIA go in first.
He stops in the door way and looks at VICTORIA.
DANNY
I want you to stay here okay.
She looks at him in disbelief.
VICTORIA
What are you doing?
He looks back but doesn't see THE SHAPE yet.
DANNY
He's after me, not you.
Just stay here and you'll be
alright.
She shakes her head.
VICTORIA
Danny, no.
He kisses her quickly.
DANNY
It's okay. Wait for about
ten minutes and then run back
to the party.
She nods as he steps back and closes the door.
He starts down the hallway again.
He looks back and bumps into someone.
He falls to the ground.
He looks up to see THE SHAPE looking at him.
DANNY looks in fear as he scrambles back.
THE SHAPE makes his way towards DANNY as he continues to back away.
DANNY stands up and looks at THE SHAPE with anger.
DANNY
You've ruined my life.
He braces himself and then charges straight at THE SHAPE.
He slams right into THE SHAPE and they both fly out the window.
EXT. HADDONFIELD HIGH SCHOOL-OUTSIDE SCHOOL
THE SHAPE hits the grass hard with a thud, but DANNY never lands.
The camera pans up to see DANNY hanging from the ledge.
DANNY struggles to lift himself up but he can't.
Suddenly a hand reaches out.
DANNY grabs onto it without even knowing who's it is.
The hand helps him get back into the school.
INT. HADDONFIELD HS-HALLWAY
DANNY falls to the floor and looks up to see VICTORIA looking down at him.
DANNY
I thought I told you to
wait.
She helps him up.
VICTORIA
You can thank me later.
First we gotta get out of here.
DANNY looks out the window to see THE SHAPE is gone.
DANNY
Oh fuck.
She looks out too and gets a look of fear.
VICTORIA
What are we gonna do?
He sighs and looks at her.
DANNY
We've got to get out of this school.
Tommy will know what to do.
He grabs her hand and they start down the hallway again.
They hear a dripping sound in the room next to them and stop.
VICTORIA
What is that?
DANNY looks at the door.
DANNY
We should keep going.
VICTORIA lets go of his hand and walks to the door.
DANNY
Really, Vickie we should go.
She opens the door and reveals TRAVIS' and BROOKE'S dead body, strung up on the door.
VICTORIA backs away from the room and covers her mouth.
Suddenly THE SHAPE appears behind her.
DANNY looks in fear.
DANNY
No!
Before VICTORIA can turn around THE SHAPE grabs her and slits her throat.
She gasps for air as she falls to the ground.
DANNY looks down in horror and then back at THE SHAPE.
He turns and starts runs down the hallway.
INT. HADDONFIELD HS-STAIRS
He runs down the stairs as fast as he can.
He stops and looks around for a moment and then darts down the hallway.
EXT. HADDONFIELD HS-FRONT STEPS
DANNY runs out of the school just as TOMMY pulls up in his JEEP.
TOMMY
Danny!
He looks at TOMMY and then sees THE SHAPE coming towards the door.
DANNY runs to the JEEP and gets in.
TOMMY puts the car in gear and sees THE SHAPE exit the school.
Before THE SHAPE can get to them, TOMMY speeds off.
INT. TOMMY'S JEEP
Tears fall down DANNY'S eyes as the car drives down the road.
DANNY
I should have been there
to help her.
He lowers his head as TOMMY keeps his eyes on the road.
TOMMY
I know how you feel Danny,
but we can't let her death be in vain.
We need to stop Michael.
DANNY looks at him now angered.
DANNY
How are we going to do that?
TOMMY looks over at DANNY for a brief second then looks back at the road.
TOMMY
Whoever has Stephen says
that they know who how to kill
Michael.
DANNY looks at him confused.
DANNY
So how do we know
where they are?
TOMMY looks over at DANNY again.
EXT. MYERS' HOUSE-STREET
TOMMY'S JEEP pulls up in front of the house.
They both climb out and look at the old house.
DANNY
Home, sweet home.
TOMMY smiles at him as they make their way to the house.
They don't notice the patrol car parked across the street.
INT. MYERS' HOUSE-FRONT DOOR
The front door slowly creaks open as TOMMY pokes his head in.
He then enters the house followed closely by DANNY.
TOMMY plugs his nose.
TOMMY
Man that smells like gas.
They walk to the stairs and DANNY turns to see STEPHEN sitting on the couch.
DANNY
Stephen.
He runs into the living room and is quickly hit to the ground.
TOMMY runs to DANNY and looks to see SARA looking down at both of them, as shotgun is in her hand.
TOMMY
Who the hell are you?
SARA
I'm sorry; I just had to be sure.
TOMMY helps DANNY up.
Blood spurts from DANNY'S nose.
DANNY
Be sure of what?
SARA looks at him with a stern look.
SARA
That you weren't him.
They both look at her confused.
SARA
We should probably move to
the attic.
INT. MYERS' HOUSE-ATTIC
DANNY puts a rag against his nose, trying To stop the blood.
DANNY
Damn You can hit.
SARA smiles at him.
SARA
I've had a lot of practice.
TOMMY checks to see if STEPHEN is alright.
STEPHEN nods and TOMMY stands up and looks at SARA.
TOMMY
So what is this great
plan you have to kill
Michael.?
She sits on a dusty chest and lays the shotgun on her lap.
SARA
Last night I was attacked
by him. John Tate helped me
out.
TOMMY
Laurie's son?
She nods.
SARA
He showed me this book,
some cult book, um Thorn.
TOMMY listens closely.
SARA
The book said that
that on the night of the
50th year the chosen one
will need to complete his
destiny or live in purgatory
forever.
TOMMY looks over at STEPHEN who is coloring in an old book.
TOMMY
Well his destiny is
to wipe out his family.
SARA nods.
SARA
Exactly, he had two
hits left, one he completed
last night. The other.
She looks over at STEPHEN.
TOMMY
So we should get out of here.
SARA
You don't get it do you?
He shakes his head.
SARA
If Michael isn't killed his curse
doesn't just die off, it takes another
member of the family, and since there's
only one left.
DANNY stands up.
DANNY
We can't let that happen.
TOMMY
So what do we do then?
SARA stands up.
SARA
Well there are two things
we can do.
DANNY and TOMMY listen in closely.
SARA
We can kill Michael in the place
evil was born.
They look at her confused.
SARA
Here.
They nod their heads now aware.
SARA
But that's kind of risky.
That's a battle we might lose.
DANNY
So what's the other way.
SARA points the gun at STEPHEN.
SARA
We can get rid of
Michael's reason to live.
TOMMY looks over at STEPHEN and then stands in front of the gun.
TOMMY
I won't let that happen.
VOICE
(Off Screen)
I agree.
SARA turns and looks just in time to get hit in the face with a board.
INT. MYERS' HOUSE-ATTIC-MINUTES LATER
SARA'S POV
She slowly opens her eyes to see DETECTIVE LEE smiling at her.
ANGLE ON SARA
SARA
(Confused)
Detective Lee?
She tries to move but sees that's she's been handcuffed.
TOMMY and DANNY sit next to her, handcuffed as well.
LEE
Good morning Sara,
we've been waiting for you.
DANNY looks around.
DANNY
Where's Stephen?
LEE sits down on a chest.
LEE
Oh he's all right.
He won't be in a few minutes
but for the time being he's just fine.
SARA looks at him angered.
SARA
How the fuck did you survive,
I thought Michael wiped out the
whole department.
LEE starts to roll up his sleeve.
LEE
Well almost all the department.
He shows his forearm to SARA to reveal the sign of THORN.
LEE
You never thought that
the person holding you
was working for the enemy did you?
She shrugs.
SARA
Doesn't surprise me, I just thought
it was that pig Donaldson.
LEE shakes his head.
LEE
Na, Sam was just
as surprised as you are.
Especially when I stuck a knife
in his back at the police department.
FLASHBACK
DONALDSON fires at THE SHAPE as his makes his way towards him.
Suddenly LEE comes up from behind and stabs DONALDSON in the back several times.
DONALDSON turns and looks at LEE as he falls to the ground.
PRESENT
LEE smiles at the group again devilishly.
SARA
So what are you gonna do?
LEE shrugs.
LEE
Oh I think I'll let Michael
take care of you when he gets here
which should be . . .
He checks his watch.
LEE
Very soon.
INT. MYERS' HOUSE-KITCHEN
STEPHEN lies on the kitchen, tied up.
He struggles for a moment and then slowly starts to remove his hand from the ropes.
INT. MYERS' HOUSE-ATTIC
LEE walks over to the window and looks out.
LEE
He sure is taking his
time isn't he. Well he better
hurry, he's only got 10 minutes.
TOMMY
You know he'll kill you too.
LEE turns and looks at TOMMY
LEE
Don't you get it? I control
Michael. More than that fool
Wynn ever did.
TOMMY glares at LEE.
TOMMY
You can't control evil.
When he's done with Stephen
who do you think he'll come after
next?
LEE shrugs.
LEE
Well I figure it will be you.
I'll be long gone by then.
SARA smiles.
SARA
I agree.
Suddenly the sound of a knife being stabbed is heard as LEE cringes in pain.
He turns around to see STEPHEN looking at him.
LEE reaches back and pulls the knife out of his back.
LEE
Why you little shit.
LEE drops the knife and starts after STEPHEN.
TOMMY
Stephen run!
STEPHEN turns and runs out of the attic, LEE right after him.
TOMMY tries to get free but can't.
INT. MYERS' HOUSE-HALLWAY
STEPHEN runs down the hallway looking back to see LEE right behind him.
STEPHEN runs into a room and locks it.
He runs into the closet and closes it.
STEPHEN'S POV
LEE bangs on the door from the outside and breaks it open.
LEE walks into the room and looks around.
LEE
I know you're in here Stephen.
You can't hide.
He looks around and then looks straight at the closet.
He makes his way to the closet.
ANGLE ON STEPHEN
STEPHEN braces himself as LEE opens the closet door.
STEPHEN looks up in horror.
LEE
Come here.
He grabs STEPHEN and pulls him out of the closet.
He holds STEPHEN up.
LEE
That wasn't very nice.
STEPHEN reaches up and stabs LEE right in the neck with something.
LEE looks at him in horror as he drops STEPHEN to the ground.
LEE pulls a wire hanger out of his neck and blood spurts from the wound.
LEE covers the wound but blood continues to flow.
LEE
That was pretty good.
LEE stumbles back and falls on the bed, dead.
STEPHEN looks at LEE for a moment, in shock.
INT. MYERS' HOUSE-ATTIC
The group is still trying to get free when STEPHEN crawls up into the attic, covered in blood.
TOMMY looks at him in horror.
TOMMY
Stephen, what happened?
STEPHEN dangles the keys.
He walks over to them and takes off the cuffs of all of them.
TOMMY gives STEPHEN a hug as soon as he gets free.
TOMMY
It's okay, it's over.
SARA stands up and grabs her shotgun.
SARA
Not quite. You need to get
out of here.
DANNY looks at her.
DANNY
Why?
SARA looks at him.
SARA
Because in less than
five minutes this house
is going to be burned to the ground.
TOMMY looks at her confused.
SARA
And Michael is going to be standing
in the middle of it.
INT. MYERS' HOUSE-BOTTOM OF STAIRS
They all walk down the stairs and get to the door when suddenly it flies open.
THE SHAPE looks at them from the doorway.
They all look in horror.
SARA
Shit run.
They turn and run into the kitchen as SARA aims the shotgun and THE SHAPE.
SARA
Hey Michael, how's it going.
She fires three shots right into his chest but he keeps coming.
She tries firing another one but it doesn't fire.
She pulls the trigger a couple of more times.
THE SHAPE grabs her gun and throws it away.
She looks in horror as he grabs her by the throat.
She gasps for air while looking into his dark eyes.
He throws her at the stairs and she land right on the railing, breaking it in the process.
SARA looks down in pain as the broken rail sticks through her stomach.
She watches as THE SHAPE makes his way into the kitchen.
INT. MYERS' HOUSE-KITCHEN
DANNY runs to the door and tries to open it but it's lock.
DANNY
Shit!
He turns just to see THE SHAPE walk into the kitchen.
TOMMY turns and looks at THE SHAPE.
TOMMY sees the door to the basement.
TOMMY
Take Stephen to the basement.
DANNY looks at TOMMY puzzled.
DANNY
But Tommy--
TOMMY
Go!
DANNY takes STEPHEN'S hand and pulls him to the basement.
THE SHAPE reaches fro STEPHEN but TOMMY punches THE SHAPE away.
THE SHAPE turns to TOMMY and looks at him with pure rage.
TOMMY smiles at THE SHAPE.
TOMMY
Remember me?
TOMMY punches THE SHAPE in the face a few times, it hardly affects him.
THE SHAPE grabs TOMMY and throws him across the kitchen.
TOMMY lands against the counter.
TOMMY stands up quickly and grabs a chair.
He runs up to THE SHAPE and slams the chair across his back.
THE SHAPE turns back to TOMMY.
TOMMY backs up looking at THE SHAPE in horror.
TOMMY gets an insanely smile and charges right at THE SHAPE.
They fall to the floor and TOMMY punches THE SHAPE.
THE SHAPE reaches up and grabs TOMMY'S throat again.
TOMMY gasps for air as he sees a sharp of the chair lying right next to him.
TOMMY reaches out and grabs it.
He holds it high as THE SHAPE'S eyes widen in surprise.
TOMMY slams the shard right into THE SHAPE'S cheek.
THE SHAPE pushes TOMMY off of him and stands up.
He tries to pull out the piece but can't.
TOMMY stands up and watches as THE SHAPE pulls the piece out.
Blood covers his white mask and THE SHAPE is forced to remove it.
TOMMY'S eyes widen in fear as THE SHAPE drops his mask to the floor.
THE SHAPE starts towards TOMMY when SARA stumbles into the kitchen, one hand on her bloody stomach.
They both look at SARA.
SARA
Get to the basement.
TOMMY turns and runs as THE SHAPE starts after him.
SARA
Hey Michael!
THE SHAPE turns and looks at SARA.
SARA holds up her lighter.
SARA
Dad says hi.
FLASHBACK
SARA sits on LOOMIS' lap as he whispers something.
LOOMIS
You must kill the boogeyman in
the place it all began, do that and
you will succeed.
PRESENT
She drops the lighter and the entire room becomes engulfed in flames immediately.
SARA falls to the floor as THE SHAPE becomes a huge mass of fire.
INT. MYERS' HOUSE-BASEMENT
TOMMY runs to the basement and sees DANNY and STEPHEN waiting for him.
TOMMY
We've gotta get out of here.
The house is gonna explode.
Soon the door is kicked open as THE SHAPE stumbles into the basement, covered in flames.
They look around and see the door to the underground tunnel.
TOMMY bends down and opens the door.
DANNY helps STEPHEN down and then jumps in himself.
TOMMY takes a look at THE SHAPE as he struggles to walk.
TOMMY
Burn in hell, you fucker.
TOMMY jumps down and closes the door behind him.
INT. MYERS' HOUSE-UNDERGROUND TUNNEL
TOMMY grabs STEPHEN and they run down the tunnel as it starts collapsing.
EXT. MYERS' HOUSE-FRONT YARD
TOMMY, STEPHEN and DANNY climb out of the tunnel and roll out to the lawn just as the entire house explodes into a huge ball of fire.
They all watch as the house collapses, thus ending the horror.
EXT. MYERS' HOUSE-HOURS LATER
Ambulances and police cars surround the burnt down house.
The camera moves to an ambulance that has STEPHEN sitting in it with DANNY and TOMMY on the outside.
A paramedic fixes a couple of STEPHEN'S little cuts and bruises.
PARAMEDIC
You should be alright but
lets take you to the hospital just
in case.
STEPHEN nods.
The paramedic walks away.
TOMMY steps up and smiles.
TOMMY
You know that was a brave thing
you did.
STEPHEN smiles at him.
STEPHEN
Well I love you daddy.
They engage in a hug and break.
DANNY smiles at him.
DANNY
Guess what man.
STEPHEN listens to him.
DANNY
You're no longer a spaz.
STEPHEN laughs as they engage in a hug as well.
They break and back away.
The paramedic starts to close the door.
TOMMY
We'll see you at the hospital son.
The door closes leaving STEPHEN in the ambulance alone.
INT. AMBULANCE
STEPHEN leans back as the paramedic climbs into the drivers seat.
PARAMEDIC
We'll be there soon, just hold on.
STEPHEN smiles as he rests his head back.
The camera slowly begins to moves down and it reveals that now there is a symbol of THORN on his wrist.
The camera quickly moves back up to show STEPHEN looking straight at it, his expression is simply . . . evil.
CUT TO BLACK
ROLL CLOSING CREDITS