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TIM FERGUSON - MY WEEK
9th May 1998

Jumped on a tram for the first time in a long time. I looked around for a conductor. Nowhere. Then I remembered - tram conductors have been downsized. (It's a curious notion that simply shrinking people will improve the economy. Won't they eat less? Won't their cars use less gas?) I glanced around for a very small conductor.

Nope. I began to wonder why the Government would go to the trouble of converting its employees into Tom Thumbs when it could have followed the Patrick example. Just tell the conductors their contracts have been placed in the hands of a new contractor. Who? Why, that little old lady in the window seat. The one without any money to pay your wages. She's so sorry, but she'll have to let you go...

As my dripping tap of consciousness leaked out these useless thoughts, something caught my eye. Something evil. My heart stopped. My breathing became like that of a trapped wildebeest, shallow and furtive. The Thing was mighty, terrible, god-like. Able to convert the most capable passenger to a quivering, mumbling dolt. The Ticket Machine. Implacable. Ruthless. Smug. I imagine a deep voice in a cinematic THX gut-rumbling stereo reciting movie promo: " The ticket machine - be embarrassed, be very embarrassed. It got beaten by the Transport Workers Union but now IT'S BACK! It'll give you HELL. But it will never give you CHANGE." The chances of having the right change, knowing which zone you are in and successfully negotiating a ticket without goofing up and drawing snickers from your fellow passengers, are next to nil. Ticket Machines are the pokies of the tramways. In the future, trams will have banks of Machines down the aisles. Pensioners with mugs of coins will sit staring dully at them, pressing the Twilight Zone 2 button, waiting for the big ticket to drop.

Just as I am preparing to leap from the speeding tram, preferring death to indignity, a dreadlocked bloke behind me saved my life. "Don't put anything in it, mate. If the wardens come up, say you gave it money but it wouldn't take it." Of course! And if the machine works for them, I'll roll my eyes and say, "Oh sure, it's working now. And by the way, why are you so small?"

After the tram nightmare, on Wednesday I decided to catch a taxi home. When I asked the cabbie to take me to the northern suburbs, he frowned. "You don't live there, do you?" he asked. "Thought you'd live in Toorak or something." I responded by saying I don't want to be surrounded by dickheads all the time. I live in the northern 'burbs to escape. I was raised primarily in the NSW bush so the suburbs are still a novelty for me. Besides, there are no milk bars in Toorak and a man needs a handy milk bar, I reckon.

We drove through Coburg. My neighbour assures me everyone in Coburg is up themselves. "Arty-farty, la-de-dah types," she says. This would come as news to the panel beaters of Coburg.

As we drove along, a ditty came to mind and I sang it to the cabbie.

Give me a home where the panel vans roam
And where mowers whine in the arvos
Where the magpies song, ca-dawdling and long
Greets the soft footballs of the garbos
Where potatoes are mashin', where flannelettes fashion
And perms infiltrate every hair
Where you never see beggars,
Lots of schoolgirls are preggers
And syllables don't come in pairs
Where the steaks are all whoppin',
Where the wives are all swappin',
'N' there's a pit bull behind every tree
Yes, give me a home where the panel vans roam
The Northern Suburbs for me

The cabbie told me I was up myself. "Maybe you should move to Coburg," he said. "Be with your own kind." Never.

Apart from catching a tram and a taxi, this week was packed with the usual tomfoolery that goes into running a corporate events and public speaking business. Meeting with sound guys, band leaders and bean counters. The phones run hot with nervy clients. Their nerves will become panic on the day.

In my experience, when you arrive for a gig, it's important to have everyone relaxed but one person absolutely hysterical. The hysterical one will ensure a heightened sense of alarm prevails. Cool, calm technical people always operate better when they're in dread of an organizers tantrum. Another rule is that all shows run behind time. This is true of TV, radio, stage, even the circus. If a show is not behind time, someone's not doing their job. If a producer thinks they're on schedule, their either deluding themselves or drunk.

The whole world runs behind time, desperately trying to catch up, steal a moment of idleness. Only when we are aged does this change. Then, time runs behind us, a hunter chasing its prey. Time catches up, and then the game is over. But until then, shows run late, taxis are always "five minutes away" and tram conductors never come. Poor fellas, they are too tiny to get up the steps.