EXAMPLES of Saint Kassianh's Work


"The bodiless servant was sent to the living city and the spiritual gate...."

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[A hymn for the feast of the annunciation, celebrating Mary's being told of the coming birth of Jesus:]

 

The angel Gabriel

was sent from heaven by God

to an undefiled virgin,

to a city of Galilee, Nazareth,

to announce to her the strange manner of her conception.

 

The bodiless servant was sent

to the living city and the spiritual gate

to make known the descent of of the master's presence.

 

The heavenly soldier was sent

to the spotless palace of glory

to prepare the everlasting dwelling for the creator.

 

And coming before her he proclaimed:

"Hail, fiery throne

more glorious by far than the fourfold-form living beings.

Hail, heavenly royal seat,

Hail, unhewn mountain,

most honored vessel.

 

For in you has come to dwell bodily

the fullness of the Godhead,

by the good will of the everlasting Father

and with the joint cooperation of the Holy Spirit.

 

Hail, you who are favored

The Lord is with you."    

 

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"How can I hold you as a child, you who hold everything together?"

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[And parts of longer hymns. From a hymn for the feast of the presentation of the infant Jesus in the temple by Mary and Joseph:]

 

"How can I hold you as a child,

you who hold everything together?

 

"How do I bring you to the temple, who is beyond goodness?

How do I deliver you to the arms of the elder,

who sits in the bosom of the Father?

 

"How do you endure purification,

you who purifies the whole corrupt nature?"

 

So said the Virgin

the temple who contained God

marveling at your great condescension, Christ.       [part 3; p.41]

 

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"When you called those who had died before to rise up, I came to life."

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[From a canon for Holy Saturday, the day between Jesus' death and his resurrection, when tradition said

he freed the "faithful" from hell. This hymn is an official part of the Eastern Orthodox Holy Week liturgy.

Tripolitis cites a commentator of the 1100s as saying that Kassia couldn't possibly be the author because

"a hymn for a major religious holiday could not be attributed to a woman" (p.81):]

 

He who once

Hid the pursuing tyrant

In the waves of the sea,

Was hidden beneath the earth

By the children of those he had saved.

But let us, as the maidens,

Sing unto the Lord,

For he is greatly glorified.

 

Senseless, old,

Insatiable, gaping

Hell, receive

The life of all mankind.

For you will be sick devouring

the souls of the righteous that you had swallowed down;

The Lord will strike you down

Because He is glorified....

 

To all those shackled

With the indestructible chains of hell

The Lord shouted:

"Those in bondage burst forth,

Those in darkness be free."

Our King is delivering

Those in the earth....

 

By means of the cross, O benefactor,

You mortified the pride of the soul-destroyer;

Descending into hell, you crushed its barriers

And, as God, raised the forefather;

And by your death granted to the faithful

Peace and life and exultation.

 

You who breathed life into mortals

Lived with those in hell.

Those in darkness you told to come out

And those in bonds to be released,

To the destruction of the enemy.

And when you called those who had died before

To rise up,

I came to life.       [ll.1-15, 39-45, 75-90; p.81-87]

 

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"Don't judge with reason, but let your goodness prevail."

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[From a canon for the dead:]

 

Most impartial judge,

when you weigh

our deeds,

don't judge with reason,

but let your goodness prevail;

and add weight to the scale, Lord,

when the evil deeds tip it the other way....

 

We pray, O Deliverer,

that you mix the terrible cup

of unmixed drink in your hand

with gentleness,

and save those of your servants

whom you have already taken from the earth,

from this sediment, and place them

in the land of the meek, Merciful One,

to praise and bless you forever....

 

Ever-remembered fathers, brothers, and sisters,

relatives, friends, and my soul-mates,

who have already taken the terrible road,

instead of a contribution

accept a gift of this hymn by me.

And as many of you as are fortunate

to gain the bliss of heaven,

earnestly entreat the Creator on my behalf....       [ll.163-171, 201-210, 229-236; pp.89-105]

 

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"I hate the one who conforms to all ways."

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[Some of Kassia's "secular" poems. From "Metre of Kassia in Iambic Verse":]

 

I hate a murderer condemning the hot-tempered.

I hate the adulterer when he judges the fornicator.

I hate the leper who drives out the leprous....

 

I hate a rich man complaining as a poor man.

I hate the poor man boasting as in wealth.

I hate a debtor who sleeps unconcernedly....

 

I hate the verbose in an unsuitable time.

I hate silence when it is a time for speaking.

I hate the one who conforms to all ways....

 

I hate the one who does not encourage everyone with words.

I hate one who speaks before examining.

I hate the one who teaches knowing nothing....       [ll.1-3, 5-7, 17-19, 21-23; pp.111-113]

 

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"Just as it is impossible to bend a great pillar...."

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[On stupidity:]

 

There is absolutely no cure for stupidity

nor help except for death.

A stupid person when honored is arrogant towards everyone,

and when praised becomes even more over-confident.

Just as it is impossible to bend a great pillar,

so it is to change a stupid person.       [p.125]

 

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"Monachos is having only yourself."

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[From "Concerning monachoi," one of Kassia's poems on the monastic life:]

 

Monachos is having only yourself.

Monachos is a single-thought life.

Monachos having worldly concerns has been called many names

but not monachos....

 

Monachos is a restrained tongue.

Monachos is a non-wandering eye.

Monachos is a completely shut door.

Monachos is a support of the unsupported.

Monachos is an established book

showing the model to be imitated

and teaching at the same time....       [ll.1-4, 10-16; p.137]

 

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"Beauty has its consolation."

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[From Kassia's "Epigrams":]

 

Don't seek wealth, or for that matter poverty;

for one inflates the mind and judgment,

the other brings unending grief.       [p.119]

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It is moderately bad for a woman to have a radiant countenance,

yet beauty has its consolation;

but if a woman is ugly,

what misfortune, what bad luck.       [p.121]

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Woe, oh lord, if a stupid person attempts to be clever;

where does one flee, where does one turn, how does one endure?        [p.125]

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Love everyone, but don't trust all.        [p.129]

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The possession of good is rare,

but on the other hand evil is very available.        [p.133]

 

 

 

Kassia. "The Fallen Woman," Jessica Suchy-Pilalis, soprano cantor. Historical Anthology of Music by Women, JamesR. Briscoe, Indiana University Press: Cassette, 1991, with music by Hildegard of Bingen, Anne Boleyn, MaddelanaCasulana, Francesca Caccini, Isabella Leonarda and others.

 

Kassia was a Byzantine abbess and composer of liturgical chants and hymns. According to tradition, she defiedEmperor Theophilos, during a 'bride show" in which a woman was selected as queen on the basis of her physicalappearance rather than her compassion, honesty, or her ability to lead. Casting his eye upon the charms of alovely woman named Icasia, the emperor declared that in this world women were the occasion of much evil (refrerring to the Biblical fall of man). "And surely, sir," said Kassia, "they have likewise been the occasion of much good." Theophilos chose Icasia and rejected Kassia. The incident, however, led to Kassia's religious callingas a nun and abbess, where her vocation, leadership and musical gifts florished.

 

Kassia is the only woman poet to come down to us from the Byzantine Greek. Considered the most importantwoman hymnographer of the Byzantine era, she composed 49 liturgical chants, and as a poet, 261 secular versesand moral sentences. In 843, she became the abbess of her monastery in Constantinople, composing music for theservices in her convent and writing liturgical and secular verses. "The Fallen Woman", a troparion about Mary Magdalene (Luke 7:36-50), is still sung in the morning office of Holy Wednesday in the Eastern Church.

 

Song of Mary Magdalene / The Fallen Woman

Text and Music by Kassia

 

Lord, the woman who fell into many sins

has perceived your divinity

and joins the procession of myrrh-bearing women.

Lamenting, she brings you myrrh, before your burial.

"O!" she cries, "what night falls on me,

what dark and moonless madness of wild-desire,

this thirst for sin.

Take my spring of tears

You who draw water from the clouds,

bend to me, to the sighing of my heart,

You who bend the heavens in your secret incarnation,

I will kiss your immaculate feet

and wipe them dry

with the hair of my head.

When Eve, at twilight in Paradise

heard the sound of your feet, she hid in terror.

Who will trace the abundance of my sins

or your unfathomable judgments, Saviour of my soul?

Do not abandon me, your slave

in your immeasurable mercy."

 

 

"Arabic-christian chant until the present, in spite of many minor changes and reforms, chants dating back to thefirst centuries of Christianity have been kept alive and handed down in the Maronitic as well as the Melchitic andSyrian-Catholic rites. Although the apostle Paul had forbidden women to sing chants in church, the early ChristianSyrian heretics cultivated women's choirs and women's solo chants."

 

Augustus

music and text by Kassia

 

When Augustus became

ruler upon earth,

the multitude of kingdoms

ended.

 

After thou becamst flesh

through the Holy One,

the multitude of idols

ended.

 

The towns became part of

one kingdom

and the nations believed in

one holy rule.

 

The people were guided

by the laws of the ruler.

 

We, the faithful, have been

inscribed in the name of

Diety.

 

Oh, though incarnate Lord,

grant us Thy mercy,

glory to Thee.