WORD ORIGINS, GENIUS AND KONKO DAIJIN
BY
ROBERT PAOLINELLI
One of the first rules one learns when studying
linguistics is that all languages change all of the time. One need not look too far back to test this
rule. Just pick up any work of
literature of the 19th Century, and the above rule will be confirmed. If you want further confirmation, read
anything from the Elizabethan era--Shakespeare, for example; or, if you still want further proof,
try reading Chaucer in the original 13th Century English and you will have to
acquiesce to the regularity of this fundamental rule. This rule can be applied to most languages,
too, and is not limited to English.
When it comes to the changes in the meaning of individual
words, this same rule of linguistics also holds true. Many words fall out of use, often
disappearing altogether;
some words change meaning, or the strength of their original
meaning is weakened. The word genius,
for example, which in English means an exceptional intellectual and creative
power or one who possesses such a power, has gone
through a tremendous change and, except in one, rarely used sense, has no bearing
on its original meaning.
Genius, comes to us from the
Latin, genius, genii, and has nothing whatsoever to do with intellectual or
creative power as we know it. The genius
of the ancient Romans was an "anonymous deity who protected all groups of
people and the places of their group
activities." The number of genii
was unlimited. As stated above, we have
a meaning in English close to the original Latin, i.e. genius as "a
peculiar, distinctive or identifying character or spirit: the association and
traditions of a place," and we will sometimes see the phrase, genius loci,
which is pure Latin, and means, of course, the genius (or guardian spirit) of a
place. So
something of the original meaning of genius is still with us, but is not often
used, but is, nonetheless, of perfectly legitimate usage.
When we hear the word genius, we usually associate it
with some accomplishment in the arts or sciences. When we learn that Mozart and J.S. Bach were
both skilled musicians and talented composers by the age of eight, we say they
were geniuses; and, indeed, they
were; so, too, Ludvig
van Beethoven and Felix Mendlesohn, both child
prodigies, as well as other 18th and 19th Century composers--too many to
mention here.
We have artist-geniuses, such as the great Renaissance
painter and sculptor, Michelangelo Buonarotti and the
greatest genius of all time in the West, Leonardo Da
Vinci. There are any
number of fields where the legitimate label of genius may be applied,
especially in the sciences, mathematics, and invention: Albert Einstein, and Thomas A. Edison, to
mention only two. But do we sit up and say
"Genius!" when we hear the names of Buddha, Jesus, Lao Tzu or Konko Daijin? I hardly think we do. And that is because,
as mentioned above, we usually associate genius with some material, musical,
artistic or scientific accomplishment.
However, like the first rule in linguistics, we too must
change our notion of what genius means, and not settle for only the obvious.
Ralph Waldo Emerson, America's preeminent philosopher
said: "To believe your own thought,
to believe that what is true for you in your private heart is true for all
men--that is genius." {Essay on Self-Reliance}
Here Emerson has illuminated the essence of genius and
expanded its definition, beyond its accepted sense. That is a tremendous leap in language--and
follows exactly the old dictum that all languages change all of the time.
Genius, then, if we accept Emerson's extended conception,
is not so much the manifestation of some talent or other, but is predicated on
knowing one's true heart and, further, knowing that the message (as it were) is
true for all of humanity. Every sage who
has conceived universal thoughts has known this. We only need to compare various religious
thoughts to see that all wise, insightful seekers, through- out the ages, have
come to (more or less) the same conclusions about the human condition and the
path to personal salvation.
To have such insight is no ordinary reflection, no
carefree musing of a warm spring day, but rather a profound insight into the
universal, spiritual recognition of one's true self,relative
to the material world.
When Konko Daijin was a youth, he was known as Shinjin
Bunji, Pious Bunji, which
indicates that early on, he was aware of a deep stirring in his soul; but because of his social station and
undeveloped thoughts, he was not able to articulate these stirrings, except
through pious works, which are, incidentally, part of the natural progression
of spiritual development. And these pious acts of kindness, for which he was known,
lead him to a greater calling, that of Ikigami which
was the reason for his being in his transformed, adult life.
How could a farm boy surrounded by superstition and
ignorance know he was a spiritual genius?
Obviously, he could not know, for he had no spiritual
models to follow--but, he had an indomitable faith and it was with this faith
and a life-long process of questioning and struggling and suffering, and
examining his own thoughts, his genius, in relation to what he had been taught
and what he saw and experienced to the contrary, that he was able to break
through his learned, cultural limitations, forced on him by constrictive
traditions of thought, and, ultimately, self-realize the divine within himself,
passing therefore, from simple piety to spiritual genius.
To be able to make the profound connection between one's
self and God, Tenchi Kami
no Kami, is no easy task; to reach this level of intimate
knowledge of the cosmos is not common--but not impossible, either. Konko Daijin himself stated that his having plumbed the awesome
depth of god-realization, did not make him unique, on
the contrary he said everyone has this same potential power. What makes Konko Kyo a rather unique religion is the doctrine that anyone
who aspires to the god-head can reach it. We have been shown, by the example of Konko Daijin's life, that through
constant faith, appreciation, meditation and subjective examination of one's
life and where one stands in relation to the subtleties of the universe and the
gross realities of the manifest world, one has the possibility of reaching this
exalted position.
Here are Konko Daijin's words on this subject: "Any of you can receive Divine Favor and
become a living god by your faith."
I would like to change his quote by one word: "Any of you can receive the Divine Favor
to become a living god by your genius,"--that is, by knowing that what is
true for you, is true for all.
What I have tried to point out in this paper is that one
need not be a genius, in the accepted sense, to strive toward divine
consciousness. One need only search deep
in one's heart, where the spiritual genius of the ages sleeps, only waiting to
be awakened by being conscious that one is carrying the sacred light of
spiritual understanding within one's self.
The End