From "The Prophet"
by Kahlil Gibran (1883-1931)

"Your friend is your needs answered. He is your field which you sow with love and reap with thanksgiving. And he is your board and your fireside. For you come to him with your hunger, and you seek him for peace.

When your friend speaks his mind you fear not the "nay" in your own mind, nor do you with hold the "aye." And when he is silent your heart ceases not to listen to his heart; For without words, in friendship, all thoughts, all desires, all expectations are born and shared, with joy that is unclaimed.

When you part from your friend, you grieve not; For that which you love most in him may be clearer in his absence, as the mountain to the climber is clearer from the plain.

And let there be no purpose in friendship save the deepening of the spirit. For love that seeks aught but the disclosure of its own mystery is not love but a net cast forth: and only the unprofitable is caught.

And let your best be for your friend. If he must know the ebb of your tide, let him know its flood also. For what is your friend that you should seek him with hours to kill? Seek him always with hours to live. For it is his to fill your need, but not your emptiness. And in the sweetness of friendship let there be laughter, and sharing of pleasures. For in the dew of little things the heart finds its morning and is refreshed."


From "Gift From The Sea"
by Anne Morrow Lindbergh (b.1906)

"When you love someone, you do not love them all the time, in exactly the same way, from moment to moment. It is an impossibility. It is even a lie to pretend to. And yet this is exactly what most of us demand. We have so little faith in the ebb and flow of life, of love, of relationships. We leap at the flow of the tide and resist in terror its ebb. We are afraid it will never return. We insist on permanency, on duration, on continuity; when the only continuity possible, in life as in love, is in growth, in fluidity - in freedom, in the sense that the dancers are free, barely touching as they pass, but partners in the same pattern.

The only real security is not in owning or possessing, not in demanding or expecting, not in hoping, even. Security in a relationship lies neither in looking back to what was in nostalgia, nor forward to what it might be in dread or anticipation, but living in the present relationship and accepting it as it is now. Relationships must be like islands, one must accept them for what they are here and now, within their limits - islands, surrounded and interrupted by the sea, and continually visited and abandoned by the tides."


From "A Natural History Of Love"
By Diane Ackerman

"Love. What a small word we use for an idea so immense and powerful. It has altered the flow of history, calmed monsters, kindled works of art, cheered the forlorn, turned tough guys to mush, consoled the enslaved, driven strong women mad, glorified the humble, fueled national scandals, bankrupted robber barons, and made mincemeat of kings. How can love's spaciousness be conveyed in the narrow confines of one syllable? Love is an ancient delirium, a desire older than civilization, with taproots spreading into deep and mysterious days. The heart is a living museum. In each of its galleries, no matter how narrow or dimly lit, preserved forever like wondrous diatoms, are our moments of loving, and being loved."


From "The Hymn Of The Universe"
By Teilhard De Chardin

"Only love can bring individual beings to their perfect completion, as individuals, by uniting them one with another, because only love takes possession of them and unites them by what lies deepest within them. This is simply a fact of our everyday experience. For indeed at what moment do lovers come into the most complete possession of themselves if not when they say that they are lost in one another? And is not love all the time achieving - in couples, in teams, all around us - the magical and reputedly contradictory feat of personalizing through totalizing? And why should not what is thus daily achieved on a small scale be repeated one day on worldwide dimensions?

Humanity, the spirit of the earth, the synthesis of individuals and peoples, the paradoxical conciliation of the element with the whole, of the one with the many: all these are regarded as utopian fantasies, yet they are biologically necessary; and if we would see them made flesh in the world what more need we do than imagine our power to love growing and broadening, till it can embrace the totality of human beings and of the earth?"


From "The Prophet"
By Kahlil Gibran

"Love has no other desire but to fulfill itself.
But if you love and must needs have desires, let these be your desires:
To melt and be like a running brook that sings its melody to the night.
To know the pain of too much tenderness.
To be wounded by your own understanding of love;
And to bleed willingly and joyfully.
To wake at dawn with a winged heart and give thanks for another day of loving;
To rest at the noon hour and meditate love's ecstasy;
To return home at eventide with gratitude;
And then to sleep with a prayer for the beloved in your heart
and a song of praise on your lips."



From "The Strength To Love"
By Martin Luther King, Jr.

"The meaning of love is not to be confused with some sentimental outpouring. Love is something much more than emotional bosh…An overflowing love which seeks nothing in return,[agape] is the love of God operating in the human heart…Love is the most durable power in the world. This creative force, so beautifully exemplified in the life of our Christ, is the most potent instrument available in mankind's quest for peace and security…The great military leaders of the past have gone, and their empires have crumbled and burned to ashes. But the empire of Jesus, built solidly and majestically on the foundation of love, is still growing."



From "Know Thyself, Know Thyself More Deeply"
By D.H. Lawrence

"Go deeper than love, for the soul has greater depths,
love is like the grass, but the heart is deep wild rock
molten, yet dense and permanent.
Go down to your deep old heart, and lose sight of yourself.
And lose sight of me, the me whom you turbulently loved.
Let us lose sight of ourselves, and break the mirrors.
For the fierce curve of our lives is moving again to the depths
out of sight, in the deep living heart."


From "A Song for Hyawatha"

"Come join us in celebration, those who love sunshine on meadow
Who love shadow of the forest,
love the wind among the branches and the palacades of pine trees,
and the thunder in the mountains whose innumerable echoes flap like eagles in their eries.

Listen to this song of marriage. How, from another tribe and country came a young man saying, “give me as my wife this maiden, and our hands be clasped more closely, and our hearts be more united."

Thus it is, our daughters leave us, those we love and those who love us. When a youth with flaunting feathers beckons to the fairest maiden.

From the sky the sun benignant looked upon them through the branches, Saying to them, “oh, my children life is checkered shade and sunshine.”

The two figures man and woman Standing hand in hand together, with their hands so clasped together that they seem in one united. And the words thus represented are, “I see your heart within you.”

Sing them songs of love and longing
Now, let's feast and be more joyous."


From "The Velveteen Rabbit"

"What is REAL?" asked the Rabbit one day, when they were
lying side by side near the nursery fender, before Nana came
to tidy the room. "Does it mean having
things that buzz inside you and a stick-out handle?"

"Real isn't how you are made," said the Skin Horse. "It's a
thing that happens to you. When a child loves you for a long,
long time, not just to play with, but Really
loves you, then you become Real."

"Does it hurt?" asked the Rabbit.

"Sometimes," said the Skin Horse, for he was always
truthful. "When you are Real you don't mind being hurt."

"Does it happen all at once, like being wound up," he asked,
"or bit by bit?"

"It doesn't happen all at once," said the Skin Horse. "You
become. It takes a long time. That's why it doesn't happen
often to people who break easily, or have sharp
edges, or who have to be carefully kept. Generally, by the
time you are Real, most of your hair has been loved off, and
your eyes drop out and you get all loose in
the joints and very shabby. But these things don't matter at
all, because once you are Real you can't be ugly, except to
people who don't understand."


From "The Prophet"
By Kahlil Gibran

"And a woman who held a babe against her bosom said,
'Speak to us of Children.'
And he said:
'Your children are not your children.
They are the sons and daughters of Life's longing for itself.
They come through you but not from you,
And though they are with you, yet they belong not to you.
You may give them your love but not your thoughts.
For they have their own thoughts.
You may house their bodies but not their souls,
For their souls dwell in the house of tomorrow,
which you cannot visit, not even in your dreams.
You may strive to be like them, but seek not to make them like you.
For life goes not backward nor tarries with yesterday.
You are the bows from which your children as living arrows are sent forth.
The archer sees the mark upon the path of the infinite,
and He bends you with His might that His arrows may go swift and far.
Let your bending in the archer's hand be for gladness;
For even as he loves the arrow that flies,
so He loves also the bow that is stable."

From "The Last Temptation of Christ"
By Nikos Kazantzakis

"When the kings had died, a pauper, barefoot and hungry, came and sat on the throne. 'God' he whispered, 'the eyes of man cannot bear to look directly at the sun, for they are blinded. How then, Omnipotent, can they look directly at you? Have pity, Lord; temper your strength, turn down your splendor so that I, who am poor and afflicted may see you!' Then - listen, old man - God became a piece of bread, a cup of cool water, a warm tunic, a hut, and in front of the hut, a woman feeding an infant. 'Thank you, Lord,' he whispered. 'You have humbled yourself for my sake. You became bread, water, a warm tunic and my wife and son in order that I may see you. And I did see you. I bow down and worship your beloved many-faced face!'" 

From "Union"
by Robert Fulghum

"You have known each other from the first glance of acquaintance to this point of commitment. At some point, you decided to marry. From that moment of yes to this moment of yes, indeed, you have been making promises and agreements in an informal way. All those conversations that were held riding in a car or over a meal or during long walks - all those sentences that began with “When we’re married” and continued with “I will and you will and we will”- those late night talks that included “someday” and “somehow” and “maybe”- and all those promises that are unspoken matters of the heart. All these common things, and more, are the real process of a wedding. The symbolic vows that you are about to make are a way of saying to one another, “ You know all those things we’ve promised and hoped and dreamed- well, I meant it all, every word.” Look at one another and remember this moment in time. Before this moment you have been many things to one another- acquaintance, friend, companion, lover, dancing partner, and even teacher, for you have learned much from one another in these last few years. Now you shall say a few words that take you across a threshold of life, and things will never quite be the same between you. For after these vows, you shall say to the world, this- is my husband, this- is my wife "

From "Corelli's Mandolin"
by Louise De Bernieres

"Love is a temporary madness, it erupts like volcanoes and then subsides. And when it subsides you have to make a decision. You have to work out whether your roots have so entwined together that it is inconceivable that you should ever part. Because this is what love is. Love is not breathlessness, it is not excitement, it is not the promulgation of promises of eternal passion... That is just being "in love," which any fool can do. Love itself is what is left over when being in love has burned away, and this is both an art and a fortunate accident."
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