“Last night I dreamt I went to Manderley again.”
- Rebecca, by Daphne du Maurier
- -
Lindsey sees him again at her
mother’s funeral.
She’s nineteen, and on the
sidelines. She crosses her arms over her
faded denim jacket, and watches her mom’s coworkers grieve. It’s a detached lesson in human psychology,
and she feels like she’s standing outside of her own skin, taking notes on the
way the Vegas sun reflects of the sheen of sweat on the minister’s forehead,
and the way Nick Stokes curls his hand possessively over the handle of the
casket, as if he’s the sole pallbearer instead of just one of the four. She analyzes Gil Grissom and Sara Sidle as
they stand too close together and occasionally touch fingertips, and she
watches Warrick Brown brush tears onto the coffin’s pale, sleek wood.
She ought to be the one in the
center, giving the speeches. She’s
not. These people knew her mother better
than she did, anyway. So she stands
slightly apart of this tightly-knit circle, and stares at other people crying.
Still, he’s so invisible that
it’s not until he steps forward to fulfill his role as
second-pallbearer-on-the-left that she realizes Greg Sanders is even there.
He isn’t crying. He looks haggard. He turns to look at her and a small,
half-smile forms on his face, and it looks so horribly misplaced amid the tears
that she feels like she should back away from it, but she doesn’t.
Greg comes up to her after
everyone is leaving, and she takes her hands out of her pockets, expecting that
he wants something from her, like they all do.
Some kind of vital reaction; a handshake; a hug. Proof.
Here is evidence of her grief.
He does nothing. He says, “You look like a rock star in that
jacket,” and offers her a cigarette.
She takes it. It feels delicious, lighting up next to her
mother’s fresh gravestone. “How did you
know I smoked?”
“I didn’t.”
He has a vicious smile, a
wolf’s smile. He isn’t who she
remembered him to be.
He takes the cigarette away
from her and slides his own lips around it, dragging in the smoke, and hands it
back to her, exhaling as he does. She
takes it after a slight hesitation. No
one has ever done that before, not with her.
He’s still looking at her.
“Where are you going to
school?”
She gives him nothing. “Upstate.”
“Let me drive you back.”
“I’ve got a car,” Lindsey
says, and doesn’t know what to do with her cigarette. She drops it into the fake grass after a
slight hesitation, and grinds it out with the sole of her shoe. “And it’s a long way.” It’s not.
She might not even go back. She
struggles with her own apathy, and Greg takes advantage of the moment.
“It’s okay,” he says. “I’m on vacation.”
She looks at the frayed sleeve
of her jacket instead of at him.
“Fine.”
“Good,” he says, and takes her
arm, like someone out of an old-fashioned movie, and leads her to her car. She starts to ask how he knew it was hers,
but snaps her mouth shut when she realizes it must be the only one, to him,
that is unfamiliar. She unlocks the
doors, and Greg, for some reason, takes the keys.
“I want to drive,” she says,
sounding petulant and childish, like it’s not her car, when it is. When she paid for it after months of being a
waitress even though her mother had the money to buy her one.
Greg looks at her for a
second, and tosses the keys over the hood of the car. They crash against the red paint and chip it,
but she doesn’t swear at him. She just
looks at the discarded paint flecks against the green grass, and stares at them
until they look like drops of blood. The
keys are cold when she takes them into her hand.
No one is watching them. She never had the power her mother was born
with. Never could make everyone stare.
“Let’s go,” she says, and
slides inside. Her skin sticks to the
leather.
Greg gets in next to her. He’s smaller than she thought, just an inch
over her head, and his bones seem fragile and compact, covered by nothing but
skin.
“Where are we headed?”
“North.”
He says, “You’re not as
talkative as I remember.”
“Neither are you.”
“Point taken,” he says, and
stares out the window as Lindsey heads out of the parking lot. It’s good to watch the fake grass fade away
and be replaced by the natural, if dull, sands of the desert. She wonders if Greg’s thinking the same
thing. She wonders why she cares.
“So what happened to you?” he
asks.
She’s snotty. “My mother died,” she says, like he’s
insensitive, and should know better. And
it’d be a good answer if it wasn’t a lie.
“What happened to you?”
He draws a cigarette from his
pocket. “Your mother died,” he says.
He doesn’t sound like he’s
lying. She drives.
- -
Lindsey stops at a motel at
midnight and, when she stops, thinks that she’ll practically have to push Greg
out of the car with her foot to get him to wake up. He hasn’t said anything in hours, even when
she skipped the expressways to find a more convoluted, nonsensical route. But when she turns the keys and stares at his
still figure in the dark, he says:
“I’m awake.”
She covers her surprise as
best she can. “Good. Get out of the car.”
“This motel is trash,” he says
as he opens his door and climbs into the air.
She stands in time to watch him wipe sweat from his cheekbone.
“It’s affordable trash,” she
says, and tries to prioritize, remembering that he has no extra clothes, and
she only has an oily tee in the backseat.
“We’ll sleep, shower, and leave in the morning, and you can drop me off
at school.”
“Can I?”
He sounds smug. He’s making fun of her. Maybe.
She ignores him. He’s a gnat on the Wonder Bread of her
subconscious. Something Zen,
anyway. “Do you have any money?”
He turns his pockets
inside-out, like he’s even younger than she is.
“Not a cent.”
“Cards?”
“Not on me,” he says. “Just tell them that you’re famous.” He’s not near enough to put his hand against
her jacket, but she knows that he’d be doing that if he was. He’d brush his fingers over the spangles and
pull at where the sleeve was frayed.
“I’ll pay,” she says.
“Good plan.”
She hesitates again. He’s making her hesitate too much. He’s throwing her off-balance. She never hesitated before. Whatever she wanted, she could take.
She’s a very pretty girl.
“One room,” she says, and
thinks about tacking on some excuse, about not being able to afford two, or
about him reimbursing her later, but she doesn’t. She presses her lips together and tastes
cherry gloss as it works its way onto her tongue.
He’s looking at her. It’s too dark to see his expression.
“Lindsey,” he says, like he’s
tasting her name. He says it slowly,
silkily, smoothly, and lets it fade away into the darkness. She shivers and wraps the jacket tightly
around her. “Lindsey Anne Willows.”
She doesn’t have a middle
name, but she likes the way it slides off his tongue, so she lets it pass. Lindsey Anne.
It sounds pretty, if a little antique. Like the name of an old-fashioned doll,
dressed in cotton and lace.
She steps around the front of
the car and is suddenly too close to him, because he’s been walking, too. His hand is on her wrist, and he’s feeling
the jacket like she knew he would, but then he pushes up the cuff and his
fingers are against her bare skin.
Then he’s letting her go.
“You look so much like her.”
She doesn’t make the
connection right away. She thinks it’s a
line, though she should know better, because he hasn’t given her a line all
night. She’s waiting for him to tell her
she looks like an angel, or a movie star.
“Who?”
His eyes are all over her in
the dark. “Your mother. Catherine.”
If he’d said Lindsey’s name
like he was praising it, it was nothing to how he said Catherine’s. There were years of anticipation and
disappointment, frustration and want, love and need, locked into that single
word, and Greg said it so desperately into the dark that Lindsey knows the
night’s over before it even starts.
She isn’t going to love a man
who loved her mother first.
- -
The one room has two beds.
They stare at them for a while
and then Greg sits down on the one next to the window. The bedspread is faded and natty, the color
of rotting grapes. Lindsey sits down on
the one across from him, and watches the new-falling rain make shivering
patterns on the window. They should turn
the lights on, but she doesn’t want to get up again. She smokes.
He’s still staring at
her. She has to undress. She could sleep in her clothes, but it’s
awfully warm in the room. The air
conditioning must be broken.
Greg says, “I wish I had a
toothbrush.”
She laughs; presses her hands
to the pillowcase. It feels rough to the
touch. “This isn’t the kind of place
that’s going to give you one gratis.”
“You know how much semen’s on
that pillow? I mean, probably?”
Lindsey’s heard it before, but
she pulls her hands off, anyway. Her mom
used to talk shop all the time. It was
what she loved. Lindsey had a childhood
with vaginal clocks squeezed in between readings of Goldilocks. She was a big hit at recess.
She asks anyway. “How much?”
His eyes are unfocused, like
he’s drunk, but he hasn’t touched a glass all night. “A lot.
I don’t remember. I never got out
in the field.”
She has no idea what he’s
talking about.
“I have no idea what you’re
talking about.”
He laughs. “Fieldwork.
Getting out of the lab. Your mom
used to call me for it, get me out of bed at three in the morning, and tell me
to get over to some scene. And I’d get
dressed and show up, and she’d smile at me.
I’d bring orange juice.
Coffee. I brought her a 7-Eleven
slushee once. Work so close to her all
day that I could smell her hair.”
“But you never got out in the
field.”
“No,” he says. “I never did.”
“Why not?”
She can’t see his face behind
the veil of smoke she’s creating. She’s
glad. She’s blushing. This is, after all, the man who’s in love
with her mother. And, fifteen minutes
away from offering to sleep with him, they’re sitting on opposite beds, talking
about her.
He’s silent. She wonders if he’s even heard.
Then he says, “She stopped
calling.”
Lindsey sleeps with her
clothes on. She doesn’t dream.
- -
Greg wakes her up at eight in
the morning. He’s showered, and she can
smell the clean, piney scent of the soap on his hand as he sends it flying to
land on her shoulder. When she washes
up, his damp towel is hung neatly over the doorknob. She doesn’t shower, because there’s something
eerily intimate about getting naked into a shower where the moisture from Greg’s shower has yet to fade away. The mirror is still framed with pearly steam.
She brushes her hair and
frowns, because her hair is long and looks like her mother’s. She’s particularly glad now, with the new
sensibility of the morning, that she didn’t sleep with Greg. In the dark, he could have pretended that she
was her mother, and she didn’t know what she would have done if he had
whispered the wrong name at the wrong moment.
He’s sitting on the bed and
drinking a Coke when she comes out. For
the first time, she wonders how old he is, and she can’t guess. Mid-thirties?
Late thirties? He seems
ethereal. In the right light, he would
look her age.
She flicks water at him off
the edges of her fingers. The droplets
splatter against his cheek.
“You’re a mermaid,” he says.
“Last night I was a rock
star.”
He touches his tongue to the
wet aluminum of the can, and grins at her with his mouth open like that. She doesn’t want to like it, wants to think
that he looks like a puppy with his tongue lolling out like that, but it is cute.
“You look pretty.”
“I look disgusting,” Lindsey
says, and threads her hair through an elastic band. It gets it out of her faith, and it pulls her
mom’s ghost away. She waits for him to
look disappointed in the change, saddened that she’s really Lindsey and not
Catherine, but his thoughtful, teasing expression doesn’t change.
“Pretty,” he says again, and
drinks some more Coke.
She wants a beer and he’s
sitting there, old enough to buy, and drinking Coca-Cola.
“I’m thirsty,” she says.
He tilts the can towards her,
and she shakes him off. Shrugging, Greg
drains the rest of it and sets it down on the table beside him, instead of in
the trash just a foot more away. That
half-sheepish, half-evaluating look was still in his eyes, and it’s making her
uneasy.
“Thought you didn’t have any
money,” she says. “How’d you get it?”
“I turned a trick with the
salesman in the next room,” he says.
“He’s got a mascara fetish and a wallet stuffed full of twenties. I’ll pay for gas on the way home.”
For a second, she believes
him, and even thinks that she can see the worn shadows of the mascara around
his eyes, but she shakes it off. He’s
smiling. The black lines near his eyes
are nothing but dark circles. He
probably didn’t sleep at all.
“Seriously.”
“Took some out of your
jacket. I was hungry, too, but this
place doesn’t have any donuts downstairs.”
“Been up for hours?” she asks,
instead of questioning why he thought he had the right to drag money out of her
clothes.
“Been up all night,” he says,
confirming her suspicions. He pushes a
pillow at her over the bed, but with no real force. “Sleepyhead.”
She doesn’t think that he was
her mom’s type. He makes too little
sense. Lindsey has the sneaking
suspicion that her mother could never have dated anyone she didn’t understand,
and Greg looks like he would reveal all anyone asked, but his revelations might
not be translatable into any recognizable language. He’s more than she remembered him to be, and
probably more than her mother wanted him to be.
He’s teasing and obliging and insinuating and he must have been so much
in love with her.
“I used to wake up early every
morning to run in and see her when she got home,” Lindsey says. “She would have been home while I was still
sleeping, but she never could leave on time.
You know how her job was.”
That’s the closest she gets to
accusing him. He is, after all, one of
the reasons her mother never made it home on time. Greg, Grissom, Nick, Warrick, Sara - - she
can’t keep track of all the names, and she can’t keep track of all the reasons
she hates them. They stole her mother
away, after all, had the Catherine that Lindsey should have had, and now they
have, in effect, killed her.
Dead is dead, and lost is
lost.
But she isn’t going to tell
Greg that it’s his fault she doesn’t love her mother, and Greg, in return,
isn’t going to say that it’s her fault her mother didn’t love him.
She knows that he senses the
compromise.
“I’ll buy you donuts down the
road,” she says. “I think there’s a
Krispy Kreme on the way back to school.”
Once they get on the road, she
does. She buys him three frosted, with
sprinkles. He sits on the passenger side
of her car and licks icing off his fingers.
The sun melts the sugar and it falls in drizzles down his napkin. When he’s done, he crumples up the paper bag
and sticks it under his seat.
“Want my milk?”
“You should always drink your
milk,” she says, not taking her eyes off the road. It took her two years to learn how to drive,
and she still has the bad habit of weaving in her lane. A thought comes to her, and waits until he’s
done slurping at his milk to ask. “How
are you going to get home?”
“I’ll catch a bus,” he says.
“You don’t have any
money.” She’ll give him some, if he
asks, but he hasn’t asked for anything yet, and she suspects that he never
will.
“An ATM,” he says.
She feels stupid for not
thinking about it. “Sure.”
“Unless you want me to stick
around for a while,” Greg says suddenly.
She looks at him a little; sees the shine of icing is still on his
lips. “I could get a little apartment in
some complex made out of adobe. Decorate
it with potted plants and cheap fiesta cookware. And sometimes I could buy you lunch and we could
pretend that I didn’t know your mother.”
The fantasy is too real. It surprises her, and she’s tempted to say
yes.
She can imagine it too. If he comes back with her to their version of
Manderley, they can maybe drive away her mother’s ghost. They can stay up late at night talking about
Mexican cooking and second-rate rock bands, and if she wants, she can fall in
love with him, and not worry about the repercussions. But she knows that it isn’t real, and that it
can’t be real. She knows, in her heart,
that the two of them will only amplify Catherine until she fills all of their
empty spaces. They will make her mother,
and lover, until the day Greg says the wrong name at the wrong time, and they
will both be unable to pretend any longer.
“Sounds good,” she says, “but
it wouldn’t work.”
“Probably not,” he says. “I’d screw it up somehow.”
- -
“It’s green,” he says. “Kinda fake-looking, don’t you think?”
Lindsey agrees with him, but
doesn’t say so. She wants another
cigarette, but he hasn’t offered her one since the last time they stood on
artificial green grass. She guesses now
that it was just a way to get her in the car.
A boon. She stares down at his
faded dress shoes instead, looking him up from the cuffs of his dark charcoal
pants to the strange, wilting smile on his face.
“I hate saying goodbyes,” he
mutters.
He’s just a tad bit
ridiculous, this man, older than her, dressed in formal, funeral clothes and
standing on a college campus with a dab of chocolate icing on his lower lip,
hating to say goodbye. She wants to ask
Greg if he said goodbye to her mother, but the question is stupid, and she’s
felt stupid around him too many times over the last two days.
“Get it over with, then,” she
says, and offers him her hand.
He takes it with a smile. His is tanned, and warmer than hers, although
not much bigger. She can still see the
glint of her sapphire birthstone through his fingers, and then his mouth
trembles, and Lindsey knows she’s going to get the tears now that she didn’t
see him shed at the funeral.
Because first he lost her mother,
and now he’s losing her.
He’s awfully close for a
second, but it turns out that he doesn’t cry.
She raises up a little on her toe and kisses his cheek. She can taste aftershave, and her lips are
rough against the faint brush of stubble.
He brushes his hand over her hair.
“I wish you hadn’t known my
mother,” she says.
Greg strokes her hair again,
and then traces his fingers down her neck and shoulders. It’s almost a caress, but not quite.
“Yeah,” he says. “Me too.”
She almost says, Come on, come with me, stay with me, we’ll
make a go of it. We’ll make her go
away. She never loved us well enough
anyway. Why does it matter now? I’ll love you, and if at first, you only want
me to be her, you’ll forget soon enough what she was like, and you’ll just
think about me. You’ll love me, even,
and I can be a rock star, and you can be my geeky scientist boyfriend and make
lame jokes about turning tricks for extra cash.
And I’ll never ask to understand you, and you’ll never ask why I don’t
care. And we’ll live happily ever after.
But she’s her mother’s
daughter. She has Catherine’s smile and
Catherine’s eyes and Catherine’s hair and Catherine’s taste in men, and
somewhere inside her, there must be even more of Catherine, a deeper sense of
her mother, because she bites her tongue against all of this and she doesn’t
ask Greg Sanders to stay.
She doesn’t want to live in
anyone’s shadow.
“Do you ever have the feeling
that you’re missing out on something really wonderful?”
He looks at her. “I know I am.”
“It wouldn’t make any
difference,” Lindsey says, and doesn’t like the idea of having to explain it to
him, but she knows he deserves an answer, because she could love him, yes, she can feel how easy it would be. “There’d always be someone else in the room.”
“I’m sorry about this,
Lindsey,” he says, and offers her another cigarette.
They’re right back where she
used to be, and she takes it, and standing on the bright, sweet-smelling lawn
of the college campus, she breathes in the scent of smoke and bursts into
laugher, although she doesn’t know why.
- end -