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House of LUMMOX

DUFUS #3

A Poetry Journal

© 2001-2002 RD Armstrong (World-wide Rights Reserved)

A new undertaking by RD Armstrong aka Raindog... DUFUS is the first Online-Only publication by the Lummox Press. This third issue features poems from all over the world, including India, Australia, Canada and the US.

I still have hardcopies of the ALL POETRY issue (April 2002) of the Lummox Journal. That issue, featuring the work of over 100 poets, was the largest ever published. If you would like to purchase a copy of the issue, please send FOUR DOLLARS (US & Canada) or SEVEN US DOLLARS (WORLD) to: Lummox, POB 5301 San Pedro, CA 90733-5301.




Cesar Chavez Tribute

THIRD SHIFT IN A FURNITURE FACTORY


Here in the factory shadows, where the smoke seems to burn through the bricks. My scuffed-up tennis shoes stand on the cement floor like two bowling pins. The forklifts do not know which direction to take, but they are patient. Scoring pallets and packages of furniture that might as well be carried on the backs of the blue collar workers who made them. L.B. Sedlacek Lenoir, NC

Deep Down In The Hell Of It


Murphy is at it again. Still thinks he can be a maintenance drinker like me- When Murphy is at it, he spends most of his time on the telephone, and most of that time he's calling me. It's maddening! Day one isn't bad. He's all grateful and humble and loaded with love for all humankind, Day two finds him full with nostalgia - sad for "Ole’ Gabe," sad for "Wild Bill," sad for ALL dead heroes of holy underground On the third day he's dead in blackout. The phone calls multiply. Sad turns mad - mad at his mother and father, mad at his brother and sister, mad at his ex-wife and lovers, mad at his kids his cats, his dog. mad with mad murderous suicidal blues, mad until all he can do is crawl inside himself and look around. That's when the crying begins. That's when I lose him - I refuse to answer the phone. He doesn't go away right away. By day four he's leaving nasty messages on my voice mail. In one - a regular in his repertoire – he screams! Take a good look in the mirror motherfucker! Can you stand it? By day five my silence has pretty much drained him. I imagine him in his cheap room – weeping/begging for his god to save him. Just when I think he's had enough, and the ambulance is on the way, I ring him up and scream! Take a good look in the mirror motherfucker! Can you stand it? Dave Church Providence, RI

CELINE ONCE SAID THAT:


"soiling one's pants is the beginning of genius." and i've just read where bukowski said: "immortality is knowing you are FINALLY beaten." well, i've felt defeated since i was just a child since my earliest memories have always known i was hopeless and having met with no plausible argument in thirtytwo years i accepted defeat before i even began and just the other day lying, dying on my old couch just out of the hospital for chemo i suddenly and inexplicably shat the new, black boxers my love bought me for christmas so, look out! all ye big boys and girls of the small presses! hang onto ye literary thrones (no pun intended) i've been working out with the 12,32 and 40 oz. weights and pumpin' some "iron in the soul" too for quite some time now and apparently i'm really starting to come right along! Ron Lucas Fort Wayne, IN

BARNEY'S RIB


He kept it in a cupboard next to heirlooms and the broken pieces of dusty cups. It dozed there in the murky confines of a quart Kerr jar, small and insignificant, until he would awaken it, call it by name, tell the most reserved stranger the tiniest details of its eighty year existence. and suddenly i t would grow, be covered with raw meat moving through birth, journeys, marriage and mishaps until, due to the slip of a surgeon's knife, it ended up here in a stark loom two inches from one's eyeball. This tidy quiet bone seemed shy compared to its keeper, who for all intents and purposes embodied a more accurate depiction of Adam, a man who imbibed in the garden's juice then had his rib removed so that at his end there would remain a bit of him not buried, and a tale to tell afterwards when the poem came. Mary Rudbeck stanko London, Canada

THE FLOOD


the rains came all over us and brought with them the floods and a wall of water rushed through the town as the people gathered on high ground oohing and ahhing and I was one of them and I thought: if only one of these people would jump then something truly interesting would have happened -- but nobody jumped and the waters went down and later that night so did I and she oohed and ahhed and when she came all over me I thought of those floods and the crowds and how nobody had jumped and I thought, well, maybe I should go back there and jump but then she began moving towards my center, licking her wet lips and I decided my jumping could wait one more night. Glenn W. Cooper Tamworth, Australia

THERE ARE SO MANY BOOKS


There are so many books I have not read, narratives in glasses and bouquets, waiting on the shelves of so many libraries I have not visited, vanilla pages not flipped in the hours of sorrow as flowers blossom on my hardwood floors, and so many cabarets and bistros unknown too, piazzas, monuments and ice cream parlors, there are so many ice cream flavors I have not tasted, sweet leavings unfamiliar to my lips, so many lips I have not kissed, lips from the past that had wrong timing, present lips of just friends and friends for now, there are so many people that I have not met and will never meet in this little life, absurd and full of yearning, roses Marina Rubin NY, NY

Googie's


At the north-west corner of Pershing Square there once stood a diner. That was where we arrived, fresh from the mid-west. Our Ellis Island. My parents could only cover a few hundred miles a day. Because we were hungry, or wanted to swim-- or had to pee. It seemed an eternity of highway: parched plains, tin badge sheriffs, and the Mojave desert. So it was a relief to have finally arrived. We pulled in late that night, off the Harbor Freeway. There was the distant roar of traffic, that I imagined to be the ocean. And the smell of jasmine and dust in the air. And downtown wasn't much back then. My brother said softly, "...It's not very nice here, is it? Not like Indiana." My mother peered out into the darkness, gathering her coat about her. I watched her face reflected in the window glass. And once again, we needed a snack. Googies glowed like an oasis in the night. "I'm not taking the children in there," my mother said. "It's full of bums!" My father, tired from the road, growled back-- "If they get hungry enough, they'll get used to it!" And you know what? He was right. Slazlo

...by the beautiful sea


one stands, as one should, humbled before the ever changing, yet ever constant, ocean, cleansed to the soul by its sight, its sound, its smell; renewed, as if by baptism, for all that comes next. Brian C. Felder Milford, DE

GATHERING IN THE NORTH WIND


He towers over the mourners clustered near flowers and fake grass. Bends his head as if listening to others speak. Eyes focused on his armful of child in red, it is her tiny voice his ear cups to catch. One large hand tugs the red hood over her tousled hair, envelopes her whole head in tender palm. Under his jacket a toy black cat dangles, right arm jammed deep in his pocket. He, of all present, is most aware of the cycle, the yielding up of one generation, fragile bloom of the next. Patricia Wellingham-Jones Tehama, CA PWJ Publishing
Published in Manzanita Quarterly Spring 2001

HOW I WANT TO BE REMEMBERED


the old geezers have gone mad George Foreman, Sugar Ray Leonard meeting at Burger King looking for the ghost of Gabby Hayes the old radicals have died off become politicians or retired to Palm Springs there's no one left to get drunk with no one to get down and dirty with I don't want to be remembered this way forget the elegy hold a party on top of Mount Davidson have twelve Saint Bernards stand by with kegs of beer tied around their necks hire thirteen naked women to shock family members a whore to fuck my best friend at the foot of the cross play an old Billie Holiday song as they stir up the dust A. D. Winans POB 31249 San Francisco, CA 94131

WAITING BY THE MIRROR


I stand looking at the mirror observing the shadow cast by your reflection. I wait alone the sun has stopped shining yet there is still shadow. I do not understand the loneliness that beckons from distant street corners. A woman with cigarette dangling from rubied lips asks me if I want to dance. I stumble across her feet. I don’t smoke I say. She looks at me disdainfully. I wonder what treachery has been crossed as I stand by the mirror waiting hoping to see your reflection in my eyes. Blank stares and personas beware are what I discover. The phone does not ring despite hopes of pregnant pauses or relevant moments together sharing coffeehouse éclairs something sweet that does not wither the soul. I wait feverishly by the mirror hoping against hope you will rescue my demise from winsome strangers wooing my heart. I await miracles seriously considering converting to any religion. My neck so weighed down by crucifixes and stars and trinkets from unnamed gods I can no longer lift my head. I kneel by the mirror waiting slowly waiting. Larry Jaffe Los Feliz, CA Larry Jaffe

IN A CEMETERY OFF WOLFSKIN ROAD


Blue notes whipped off a catgut slide break the rain gray road with moans and shouts of a South that believes in death and crossroads, and the speaker crackles, Robert Johnson, Blind Lemon, Jimi Hendrix, Dylan, Patti Smith, Nick Cave... And the country roads deliver, spirits wash, eight cylinders rumble, 195/75 r14 tires swish and hold, and the pear green pastures sway down in water, Appaloosa and Angus march windward to the East, and the blue notes roar, the country blues howl: Through red wine and heroin, seduction and prayer, terror driven up from the swamps and delta into these Georgia shacks, into these temples, into a day where the song is a cracked lip, dehydrating in the rain, begging, demanding... And the car rushes by the scenes: Nouveau redneck red brick mansions, an El Camino, Dodge Ram, minivans, trailers, busted axles and rims, barns from the first war tilting, still standing, burned-out barns, fire-charred houses, open wells, harness on a water oak, to the right a graveyard, a church, Primitive Baptists or Fundamental, simple worship and deliverance, itąs all the same. A gospel of sin runs down and sings salvation, beer bathed christenings lurk in the stream, laughter rises on the water, and the rebirths are carved in heavy fruited chinaberry by the ministerąs study. Pecan tree shells itself out front here, here by the marble and granite markers, by the three white crosses, tall, white crosses, and I stop and sit awhile, watch the rain and winds rush. A stand of blackberry shimmers and shakes, and road whispers "follow me," and I donąt know where to go but go wait, go here and wait... and wait.. Watching the crossroads, watching the dead stay dead. Between the rain and the heat mists rise on the meadows. She seems there: Wide hips large breasts long smile, dark voice cool, cool across a burgundy smile, seeing me seeing, waiting, singing dies irae, her dark voice powered by depression and thrill, and the devil doesnąt come to meet me, history does. Mirror fleshed and blue veined, spirit fades in, and fades, fade to wind, fade to shouts in a city street, fade to quiet on the road/hillsides, she stands alone in the cemetery in the rain, lingering in the dusk like a blanket upon the days, becoming moon, becoming night, the next blue dream, and a ghost dance churns behind a thin heartbeat, "gotta go now, donąt speak." And she weaves into the spray of a passing slant 6. And the blue notes pound off a rain gray road... H. Lamar Thomas Athens, GA

A Truck of One's Own


Broadway on a Sunday night The testosterone flows thick and shiny "Eh Bebe, you wanna feel my chrome-plated dick shift? I could ride this Betty, Sheilah, Deborah all the way to Fresno." Gasoline fumes are an aphrodisiac Armoralled, turtle-waxed, shammy-dried, spit-shined "Eh Bebe, you wanna ride?" The Yolo causeway on a Wednesday afternoon A semi-truck driver looks down into my cab and honks upon seeing my short-skirted legs He chases me at 75 miles an hour for 5 miles, waving out the window, until I lose him on an incline Two o'clock on Friday morning Fifty men in suits sit at NASA glued to monitors "There she goes!" The room roars as a small mechanical vehicle named Sojourner Truth inches her way over a tiny pebble on the surface of Mars Daybreak on Saturday He drives my truck up the dusty mountain road Men like to drive my truck They like to haul shit around They like sticking things in and pulling things out, checking fluid and viscosity levels, revving and swerving and accelerating and bouncing around But in the end, it's always me who drives away alone in good old Betty, one hand on the steering wheel, the other hand out the window in that universal goodbye gesture that men understand and love so well R. L. Morrison Sacramento, CA SPAM

In the Season of Winter


You had rushed down the frozen stairs of yester-years while I tried to hold you back in vain, taking stock of my mineral water bottles and deciding to go down to the northern springs for fresh tear wells of sorrows. You had gone round the block to the store for provisions, condiments and pickles, fish and pizza, insanity and defeats. I just cannot take it anymore, said I, while you sedately polished your glasses against my designer stubble and blue Indian skies. In this cold and hapless season of winter you happened to be never mine.

Prasenjit Maiti

Calcutta, India

Prasenjit Maiti (b 1971) is Senior Lecturer in Political Science at Burdwan University, West Bengal, India. His print publication credits include Nightingale, Pulsar, Monkey Kettle, Green Queen, Poetry Depth Quarterly, Skald, Blue Collar Review, The Journal, Phoenix, Harlequin, Poetry Church and Paper Wasp. Dr Maiti stays at Calcutta and may be contacted at pmaiti@vsnl.com

ABOUT THE GUY WHO MAKES THIS ALL HAPPEN

Editor and poet,RD Armstrong writes poetry and fiction when he can find the time. Mostly, he's either working on his many Lummox projects (the Lummox Journal, a monthly magazine; the Little Red Book series which is published by the Lummox Press; the LSW Newsletter, a specialized "poets market" type of newsletter) or he's repairing / painting somebody's home. His most recent books are The San Pedro Poems and Paper Heart #4.

Special thanks to the Lummox Patrons: Georgia Cox, Pete Sims, Sooz Glazebrook, Greg Shield & Colleen Cunningham, Anonymous, Bonnie Bechtol, John Forsha, Back In The Saddle, Larry Jaffe and Matt Harrison. You can become a patron too. Contact RD at the email address below.

For more information please check the links listed below.



SUBMISSION GUIDELINES


To submit to DUFUS read on. Themes: there are no themes. I'm looking for poetry that is well-written. Deadlines: There are no deadlines. Isn't that convenient? Just email three poems, of 40 lines or less to lumoxraindog@earthlink.net and please no attachments. Also include a brief bio.


The Little Red Book

poetry series is published by Lummox Press in the handy, pocket-sized format (48 - 56 pages) for reading on the go! Just $6 ppd (USA) or $8 ppd (Foreign) from LUMMOX (PO Box 5301, San Pedro, CA 90733-5301, USA). Also available, an expanding library of Poets on CDs - by a CD and get their LRB for FREE! CDs are $10 USD + $1.50 postage (US & Canada) or $10 USD + $2.50 postage (world). So far: Leonard J. Cirino reading Poems of the Royal Courtesan Li Xi; RD Armstrong reading from The San Pedro Poems; and pending: Alan Catlin reading from Death and Transfiguration Cocktail and Todd Moore.



Links To Some Of The Other Poets That I've Published Over The Past Few Years

A complete guide to Raindog / Lummox on the web!
John Thomas
Gerry Locklin
the Little Red Book series
The San Pedro Poems
links to other poets and more

Scott Wannberg

Comments appreciated

This site updated June 11, 2002

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lumoxraindog@earthlink.net


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