"Watch, Gaze, and Marke": The Poetry of Mary Wroth Gary F. Waller Edmund Waller, English Precieux Thomas Kaminski Saul and the Social Contract: Constructions of 1 Samuel 8-11 in Cowley's 'Davideis' and Defoe's 'Jure Divino.' Michael Austin Epic warfare in Cowley and Milton D.M. Rosenberg Truth Is Truest Poetry: The Influence of the New Philosophy on Abraham Cowley Robert B. Hinman Discordia Concors, Decorum, and Cowley Harvey D. Goldstein The Epic Reticence of Abraham Cowley Timothy Dykstal Cowley's 'Pindarique Odes' and the politics of the inter-regnum Stella P. Revard The Sapphic-Platonics of Katherine Philips, 1632-1664 Harriette Andreadis Matching the 'Matchless Orinda' to Her Times Kathleen M. Swaim The Forgotten Legacy of the 'Matchless Orinda' Lucy Brashear The Matchless Orinda Elinor M. Buckingham Introduction to Poems: 1667 Travis DuPriest Two Poems and a Prose Receipt: The Unpublished Juvenalia of Katherine Philips Claudia Limbert Manly Sweetness: Katherine Philips among the Neoclassicals Paula Loscocco Katherine Philips, Aphra Behn, and the Female Pindaric Stella P. Revard Subversive Sexuality: Masking the Erotic in Poems by Katherine Philips and Aphra Behn Arlene Stiebel Margaret Cavendish and the female satirist Mihoko Suzuki Warrior Women in the Plays of Cavendish and Killigrew Karen L. Raber Surface and Interiority: Self-Creation in Margaret Cavendish's The Claspe Jennifer Low "Plain arid Vulgarly Express'd": Margaret Cavendish and the Discourse of the New Science Richard Nate The mechanist-vitalist soul of Margaret Cavendish Jay Stevenson Reading the stage: Margaret Cavendish and Commonwealth closet drama Marta Stranznicky Margaret Cavendish and the romance of contract Victoria Kahn The Distinctive Voice of Massinger Anne Barton Contemporary Politics in Massinger Allen Gross Massinger the Censor Philip Edwards Massinger's Men and Women Philip Edwards Verbal Formulae in the Plays of Philip Massinger Cyrus Hoy The Significance of Massinger's Social Comedies, with a Note on 'Decadence' L. C. Knights A New Way to Pay Old Debts: Massinger's Grim Comedy The Moral Tone of Massinger's Dramas A. L. Bennett Giving and taking in Massinger's tragicomedies Robert Y. Turner Massinger's Political Tragedies Douglas Howard The Roman Actor, censorship, and dramatic autonomy David A. Reinheimer The Theme and Structure of The Roman Actor Peter H. Davidson