Wiehler Gobelin

Gobelins from Bulgaria

3660-5 --- Schoenstatt - Madonna - with Bulgarian thread 1113-34 - The Prayer of Christ - small model  by unknown artist - with Bulgarian thread 3575-1 --- Mona Lisa - (La Gioconda) nach Leonardo da Vinci - with Bulgarian thread 1113-17 - The Virgin of the Grapes by Pierre Mignard - with DMC (French) thread 1833-2 --- Sommertag - with Bulgarian thread - Tapestry 1113-08 - The Madonna with Pear by Giovanni Bellini - with DMC (French) thread 3584-8 --- Fruehlingsstraub nach Jan van Huijsum - with Bulgarian thread 3112-01 - Sunflowers by Stoyanka Ivanova - with Bulgarian thread 3659-6 --- "Sissi" Kaiserin Elisabeth von Oesterreich im Spizenkleid nach Winterhalter - Gobelins Tapestry 1113-34 - The Blessing Christ by unknown artist - with DMC (French) thread

Welcome to the wonderful world of the Wiehler Gobelin Tapestry!

Some of gobelins are from Wiehler Gobelin Catalogue
The others are fromGobelins Charts * Free Pattern Collection * Online Catalog

History of the Wiehler Gobelins Tapestry

It was founded as a dye works in the mid -15th cent. by Jean Gobelin. A tapestry works started by two Flemish weavers, Marc de Comans and François de la Planche , called to France by Henri IV in 1601 , was later added. In 1662 , Louis XIV purchased the Tapestries manufactory and there Colbert united all the royal craftsmen, creating a royal and furniture works. Charles Le Brun was director and chief designer from 1663 to 1690. The Tapestries was temporarily closed from 1694 to 1697, after which the works specialized in gobelin. Both low- and high-warp weaving were done until about 1825, when the low-warp power frames were moved to the manufactory of Beauvais; they were returned to Gobelins after World War II. The factory has always been noted for excellence of materials, dyes, and workmanship; it originated the exquisite its blue. Famous tapestries from its looms include a set based on copies of Raphael's frescoes in the Vatican and 14 great pieces commemorating the achievements of Louis XIV.

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