Year |
Winner |
Us |
1966 |
A Man and a Woman (France), Claude Lelouch |
* |
|
All That Jazz (United States), Bob Fosse |
* |
|
Apocalypse Now (United States), Francis Ford Coppola |
* |
1991 |
Barton Fink (United States), Joel Coen and Ethan Coen |
* |
1967 |
Blowup (Italy), Michelangelo Antonioni |
* |
2000 |
Dancer in the Dark (Germany/The Netherlands/United States/United
Kingdom/Denmark/France/Sweden/Finland/Iceland/Norway), Lars von Trier |
* |
2003 |
Elephant (United States), Gus Van Sant
|
* |
1980 |
Kagemusha (Japan), Akira Kurosawa |
* |
1960 |
La Dolce Vita (Italy), Federico Fellini |
* |
1984 |
Paris, Texas (Germany/France), Wim Wenders |
* |
1994 |
Pulp Fiction (United States), Quentin Tarantino |
* |
1973 |
Scarecrow (United States), Jerry Schatzberg |
* |
1989 |
sex, lies, and
videotape (United States), Steven Soderbergh |
* |
|
Taste of Cherry (Iran), Abbas Kiarostami |
* |
1976 |
Taxi Driver (United States), Martin Scorsese |
* |
1974 |
The Conversation (United States), Francis Ford Coppola |
* |
1963 |
The Leopard (France/Italy), Luchino Visconti |
* |
1986 |
The Mission (United Kingdom), Roland Joffe |
* |
2002 |
The Pianist (Poland), Roman Polanski |
* |
1995 |
Underground (Yugoslavia/France), Emir Kusturica |
* |
1961 |
Viridiana (Spain), Luis Bunuel |
* |
1985 |
When Father Was Away
on Business (Yugoslavia), Emir Kusturica |
* |
1990 |
Wild at Heart (United States), David Lynch |
* |
1970 |
M*A*S*H (United States), Robert Altman |
** |
1982 |
Missing (United States), Costa-Gavras |
** |
|
A Long Absence (France/Italy), Henri Colpi |
|
1959 |
Black Orpheus (France), Marcel Camus |
|
1975 |
Chronicle of the
Burning Years (Algeria), Mohammed Lakhdar-Hamina |
|
1998 |
Eternity and a Day (Greece), Theo Angelopoulos |
|
|
Farewell, My
Concubine (China), Chen Kaige |
|
1968 |
Festival cancelled
because of political unrest |
|
1957 |
Friendly Persuasion (United States), William Wyler |
|
1969 |
if... (United Kingdom), Lindsay Anderson |
|
1981 |
Man of Iron (Poland), Andrzej Wajda |
|
1955 |
Marty (United States), Delbert Mann |
|
1977 |
Padre Padrone (Italy), Paolo Taviani and Vittorio Taviani |
|
1988 |
Pelle the Conqueror (Denmark), Bille August |
|
1999 |
Rosetta (Belgium/France), Luc and Jean-Pierre Dardenne |
|
1996 |
Secrets & Lies (United Kingdom), Mike Leigh |
|
1983 |
The Ballad of
Narayama (Japan), Shohei Imamura |
|
1992 |
The Best Intentions (Sweden), Bille August |
|
|
The Birds, the Bees
and the Italians (France/Italy), Pietro Germi |
|
1958 |
The Cranes Are Flying (USSR), Mikhail Kalatozov |
|
1962 |
The Given Word (Brazil), Anselmo Duarte |
|
1971 |
The Go-Between (United Kingdom), Joseph Losey |
|
|
The Hireling (United Kingdom), Alan Bridges |
|
1965 |
The Knack, and How to
Get It (United Kingdom), Richard Lester |
|
1972 |
The Mattei Affair (Italy), Francesco Rosi |
|
1993 |
The Piano (Australia), Jane Campion |
|
1956 |
The Silent World (France), Jacques-Yves Cousteau and Louis Malle |
|
2001 |
The Son's Room (Italy/France), Nanni Moretti |
|
1979 |
The Tin Drum (Germany), Volker Schlondorff |
|
1978 |
The Tree of Wooden
Clogs (Italy), Ermanno Olmi |
|
1964 |
The Umbrellas of
Cherbourg (France), Jacques Demy |
|
1997 |
Unagi (Japan), Shohei Imamura |
|
1987 |
Under Satan's Sun (France), Maurice Pialat |
|
|
Yol
(Turkey), Yilmaz Guney, and Serif Goren |
|
|
|
|
|