From ???@??? Sat Feb 28 09:43:48 1998
To: positive-futures@igc.apc.org
Date: Fri, 27 Feb 1998 12:57:24
From: Gordon Rands 
Message-Id: <3.0.3.16.19980227125724.086f8dea@email.psu.edu>
Subject:

Review of "Affluenza"

About a week ago I mentioned that I had written a review of Affluenza for a journal. Arnie and Nick asked me to post the review to the positive futures list. I replied to them that I would be glad to once the issue of the journal actually came out. It arrived yesterday, so below you will find the review. It was published in
Organization & Environment, volume 11, number 1, March 1998, pp. 107-110. The journal is published by Sage Publications, in Thousand Oaks California.

------------------------------------------------

Film Review

John de Graff, Vivia Boe and colleagues, Producers.
Affluenza [video documentary produced for the Public Broadcasting System]
September, 1997.
(Distributed by Bullfrog Films, 1 800 543 FROG).

Do you have “affluenza”? You probably do, and don’t even realize it.

What’s that? You say you’ve never heard of it?

No, its not the latest strain of swine flu, although the disease is associated with living ‘high on the hog.’ So what is affluenza? .

     Af-flu-en-za n. 1.  An epidemic of stress, overwork, shopping and debt caused by dogged pursuit of the American Dream.  2. The bloated, sluggish and unfulfilled feeling that results from one's efforts to keep up with the Joneses.  3. An unsustainable addiction to economic growth.  4. A film that could change your life.

     Defining and spreading the word about this disease to an infected public is the mission of the hour long documentary, Affluenza. Although this malady might once have been labeled stress or greed, Affluenza demonstrates that the syndrome is much more complex. It is related to many of the social and environmental problems that exist today, either as a cause, a result, or both. The attempt by the producers to help viewers understand this complex interrelationship is both one of the greatest strengths and most serious weaknesses of the film.

     The first two-thirds of Affluenza is structured around the symptoms of the disease: shopping fever, chronic stress, hypercommercialism, “material boys and girls” (marketing to and consumption by children), a rash of bankruptcies, fractured families, “social scars” (a loss of community), and “global infection” (socially and environmentally unsustainable practice). For each symptom the film provides several examples, comments by experts, and several factoids, all in a fast paced style. For example, under “global infection” we learn that one-fifth of the world’s people live in absolute poverty, that since 1950 residents of the United States alone have used more resources than all people who have lived on earth before them, and that each American uses twenty tons of resources a year.

     Former Harvard Business School marketing professor David Korten, author of When Corporations Rule the World (1995), tells viewers that

the whole corporate system and the cause of globalization is increasingly geared toward bringing every country into the consumer system. There’s a very strong emphasis on trying to reach children to reshape their values from the very beginning to convince them that progress is defined by what they consume. There is absolutely no way everyone can live at our standard of affluence. Consumption threatens to devour world resources within a single lifetime.      Perhaps the most intriguing segment on a symptom may be that on marketing products to children. We hear a consultant speaking at a “Kid Power” convention at Disney World, where he gives tips to marketers on “branding children”, and declares that “anti-social behavior in pursuit of a product is a good thing”.

     The program’s review of the wide range of symptoms of affluenza is laudable but problematic. As a means of alerting viewers to the problem, the broad scope provides something for everyone. Almost all viewers will find one or more of their personal problems or social concerns in the spotlight. From a persuasive standpoint, this can help spark concern for and attention to the entire issue. In addition, a large number of individuals who have been writing about these issues are introduced to viewers. These include Korten, Alex Molnar, Richard Swenson, Michael Jacobson, and Laurie Mazur. Many ordinary citizens are interviewed as well, including a Colorado couple whom affluenza brought to the edge of bankruptcy, a conservative evangelical minister concerned about the spriritual impacts of materialism, and two Washington state high school students who wrote and produced “Barbie Get Real”, a play spoofing the hollowness of the consumer lifestyle portrayed in childrens' toys.

     The very number of symptoms poses a problem, however. The amount of time which can be given to each is quite limited, and the spotlight feels more like a strobe light. As a result, when the review of the symptoms is finished the viewer can be left feeling overwhelmed and exhausted. The fast paced production style -- interspersed with dramatized segments in a doctor’s office that attempt to maintain the “sickness” theme -- were somewhat annoying to me. To be fair, however, the show kept the attention of three of my children much better than would a typical documentary with a serious tone throughout.

     In fact, the feeling of being overwhelmed and exhausted may have been intended, for just when the exhaustion is beginning to set in, the show undergoes a change of pace as it begins to investigate the producers’ main prescription for prevention and cure: voluntary simplicity. The producers recognize that the notion of a simpler, less consumptive lifestyle may be a bitter pill for some viewers to take, so they begin with a brief review of the practice of by historians David Shi and Susan Strasser. Social critic Jeremy Rifkin notes that in the 19th century, consumption itself (tuberculosis) was a bad thing. A quick review of the notion of simplicity in American culture describes the interest in simple living at the turn of the 20th century, the involuntary simplicity of the Great Depression, the post World War II consumer boom fueled by government-housing and highway policies, the counterculture movement of the 1960s and 1970s, and Jimmy Carter’s 1979 speech in which he criticized the increasing materialism of American society. But as Shi aptly observes for viewers, “part of Jimmy Carter’s failure was his lack of recognition of how deep and widespread the consumer culture had become”.

     And so, rather than turning down the thermostat and wearing sweaters, American voters rejected a vaguely defined call for cooperation, community, and conservation -- “freezing in the dark” as Ronald Reagan described it -- opting instead for Reagan’s easily grasped vision of Morning in America, based on competition, rugged individualism, and consumption. But, the producers tell us, interest in voluntary simplicity is again on the rise and may represent the way out of our reawakening sense of national malaise.

     Before exploring the 1990s version of voluntary simplicity, the program has -- what else? -- a commercial break. On PBS? Ah, but these are not just any commercials. Rather, they are “uncommercials” from the “Adbusters”project at The Media Foundation in Vancouver, British Columbia. We see several examples of this group’s parodies of television commercials, which have been declined by most stations and networks even when the project has offered to pay for air time. One ad presents a claymation pig occupying much of a map of North America accompanied by facts about per capita consumption. Another portrays a dinosaur made of toy motor vehicles collapsing under its own weight. The work of the Foundation is summarized, including its sponsorship of “Buy Nothing Day”. This segment presents one of the many subtle ironies in the film, in which individuals are given “I Cut Up My Credit Cards” cards and “Enough” pins for their support of the group’s activities. Even nonconsumption and anti-materialism must, it appears, be accompanied by material rewards.

     The questionable ability of material goods to bring us happiness is reinforced as Ted Halstead of Redefining Progress reviews the difference in trendlines of the Gross Domestic Product (GDP) and the Genuine Progress Indicator (GPI). While the GDP has been rising fairly steadily, and often spectacularly, since 1950, the GPI -- which adds in the value of services ignored by the GDP such as volunteerism and housework and subtracts the cost of harms such as pollution as well as remediative expenses such as divorce lawyers’ and doctors’ fees -- has been falling since 1973. Thus, the producers imply, the average citizen is worse off today than twenty-five years ago.

     This observation provides the introduction to the heart of the cure: individual efforts to simplify and take control of one’s own life. The work of the late Joe Dominguez (to whom the show is dedicated) and Vicki Robin, authors of the best-selling Your Money or Your Life (1992), is spotlighted. We see Dominguez and Robin discussing their work, meeting with the staff of The New Road Map Foundation (funded with the book’s proceeds), appearing on Ophrah, and learn that they each comfortably get by on an income of $7000 per year. The show takes us to a workshop on downshifting at Nike headquarters attended by 100 people, led by former Portland corporate counsel Dick Roy, who with his wife Jeanne founded the Northwest Earth Institute to provide such workshops. We visit a backyard picnic of a Portland co-housing community whose members frequently share meals, child care, and neighborhood work projects. Author Duane Elgin tells us that a culture of simplicity is beginning to take root, and trend watcher Gerald Celente informs us that voluntary simplicity is going global. Celente suggests that 5% of American adults now practice voluntary simplicity and projects that the number will rise to 15% by the year 2000. Furthermore, the interest in simplicity is growing even more rapidly among today’s teens and pre-teens, whom Celente suggests will be tomorrow’s revolutionaries.

     While the attention devoted to voluntary simplicity is more extensive than that devoted to any of the symptoms of affluenza, it only begins to give viewers a feel for what a simpler lifestyle might entail. The producers recognized that Affluenza could only provide an introduction to voluntary simplicity and are at work on a followup program, originally titled Living Better on Less. This program, which is envisioned as a pilot for a possible series, will focus on how to live frugally and simply. The very idea that there could be sufficient audience interest in such a series -- even in Seattle, the hotbed of the voluntary simplicity movement -- is astounding and encouraging. Interest in the followup program is strong; it is now titled Beyond Affluenza, in light of viewer response to Affluenza. According to DeGraaf, at least seven local PBS affiliates reported more than 100 phone calls from viewers about the show, with more than 95% of them being positive. At Seattle’s KCTS the program generated 220 phone calls; in a normal week, the most calls received about a show is 30. That the program appealed to viewers with varying political viewpoints is indicated by the three cities with the highest viewer phone response: liberal San Francisco and Minneapolis and conservative Salt Lake City.

     Is Affluenza just what the doctor ordered for your class, team, or community group? Although the production has its weaknesses, it is, nonetheless, a very effective introduction to the issues of overconsumption and voluntary simplicity. Students in my business and society classes were required to watch the show when it aired. It sparked a good discussion, and one student later chose affluenza as the topic for a speech in another course. Adding to the program’s value is the extensive amount of supporting information available at the show’s web site. Pointing your browser to http://www.pbs.org/kcts/affluenza/ will open up a veritable medicine chest of resources: books, periodicals, organizations, and online discussion lists that explore the various symptoms diagnosed and treatments prescribed by the show. A viewer’s guide and K-12 teacher’s guide are particularly useful for those wishing to engage others in a discussion of the issues.

     In my opinion, attention to these issues will only increase in the future. That a simpler, less consumptive lifestyle is seen as a possible cure for the various problems that the program describes suggests that voluntary simplicity will grow as a lifestyle choice and as a social movement. As such, it is potentially more challenging to business than are any of the movements associated with the invididual problems. Those in business, and those in academia who study business, would be well advised to become familiar with this issue.

     Affluenza closes with Scott Simon making two assertions. The first, that “earth could support the world’s population at nearly our living standards if we revised many of our consumption and spending habits,” will be disputed by proponents of differing ideologies. Some will argue that even at dramatically reduced levels of consumption and increased levels of productive eco-efficiency, human population must be reduced to achieve a sustainable future. Many more will argue that revising spending and consumption habits as the proponents of voluntary simplicity suggest will in fact destroy our current standard of living. The challenge which Affluenza so nicely poses for the latter group is whether society should choose to emphasize quantity or quality of life. The second assertion, although perhaps overstated, should appeal to viewers of almost all ideological persuasions: “affluenza is one malady we can cure by spending less money, not more.” That simple statement has enormous implications for the practice of business in the 21st century.

-- Gordon P. Rands
Pennsylvania State University

REFERENCES

Dominguez, J., & Robin, V. (1992). Your Money or Your Life: Transforming your relationship with money and achieving financial independence. New York: Viking.
     {obtainable from: http://www.amazon.com/exec/obidos/ISBN%3D0140167153/intpbusinessbookA/001-9760340-8670169 }

Korten, D. (1995). When Corporations Rule the World. West Hartford, CT, and San Francisco, CA: Kumarian/Berrett-Koehler.
     {obtainable from: http://www.opengroup.com/open/bfbooks/188/1887208003.shtml }


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