Reflections on Mark 15 - 16
On Facing The Cross
I am gripped by a vision of mystery.
Unseemly darkness comes
and a lone voice echoes across the crowd,
"My God, my God, why have you
forsaken me?"
My own heart sinks,
to feel another stop;
and all is lost in emptiness,
as I behold the man.
Original Poem by Wal Anderson
FOLLOW AFTER ME:
In narrating the story of the coming-to-faith of the first group of
disciples, Mark’s Gospel also presents us with the Good News of Jesus.
The Gospel itself rose out of the experience and needs of an early circle
of discipleship communities. As we hear or read it, we are taken along
the same journey with Jesus and the disciples, as they follow after
him. The Evangelist leads us to the foot of the cross so that we may understand
the person and work of Jesus and the nature of His call to radical discipleship.
Like the people of the Gospel's first audience, we are asked to see
ourselves within the company of the original disciples and to share their
awakening to the realities of radical discipleship. At each moment,
we have the same opportunity to learn, to act in faith and understanding,
or to reflect upon our living praxis. Yet, at any one point along the way,
we already know more than the disciples in the story know. From the
outset, we are told that we are hearing "the beginning of the Good News
of Jesus Christ, the Son of God." Thus Mark presents his christology in
his opening verse, in which Jesus is given a three-fold name as Jesus-Messiah-Son
of God (Mk 1:1). We may already come to the story with this belief
or understanding. We may come with disbelief or doubt. Like the disciples,
we are called to see or comprehend and believe that which we have been
told, and to take action. To take action with Christ or to be as Christ,
is radical discipleship.
Ched Myer presents an convincing interpretation, that, as Mark's
Jesus engages the dual, political powers, of Roman and Jewish authorities
in Jerusalem, and meets death at the hands of those powers, Mark wants
us to understand the ...
... activist ideology of discipleship that lies at the heart of the
story. Mark looks for the end of the old world and the inauguration of
the new, but it is discipleship - which he equates with a specific social
practice and costly political engagement - that will inaugurate this transformation.
(1)
Mark thus presents us with his apocalyptic conviction that a new beginning
has come in the person of the Human One on the Cross, whose way sets free
a new wave of liberation, a new exodus from captivity by the dominating
system. (2)
In another recent commentary, Matera argues that Mark's own community
had lost sight of a relevant theology of the cross. He sees Mark's prime
purpose in writing as being to remind them of the centrality "of the cross
and the true meaning of discipleship." (3) Given that Mark composed his gospel during a
period of hardship, persecution and the likelihood of war in Palestine,
teaching the community radical discipleship is the Evangelist's main concern.
Mark explores a wide variety of motifs and strategies, that work
in a dialectical relationship with each other, to direct the reader to
reflect and uncover meaning at several levels and directions of insight.
Exploring some of these will serve to give a glimpse of the many levels
of meaning that Mark places within his crucifixion scene, and uncover his
religio-political motives for writing.
MULTIPLE MEANINGS
The crucifixion events constitute the third apocalyptic moment that
Mark has shown us. The first was at Jesus' baptism. The second was at the
Mount of Transfiguration, when Elijah and Moses appeared with Jesus. On
each of these apocalyptic, kairotic moments, a voice from heaven proclaimed
Jesus as Son of God. In the third apocalyptic moment, there is no voice
from heaven. Only Jesus is left, the lone voice that twice cries out in
the wilderness of despair. The cry from the cross is an echo of the first
voice crying in the wilderness that we heard in Mark 1:3, which is, itself,
a quote from Isaiah 40:3.
A voice cries out: "In the wilderness prepare the way of the LORD, make straight in the desert a highway for our God.
Every valley shall be lifted up, and every mountain and hill be made
low; the uneven ground shall become level, and the rough places a
plain. Then the glory of the LORD shall be revealed, and all
people shall see it together, for the mouth of the LORD has
spoken." A voice says, "Cry out!" And I said, "What shall I cry?"
All people are grass, their constancy is like the flower of the
field. The grass withers, the flower fades, when the breath of
the LORD blows upon it; surely the people are grass. The grass
withers, the flower fades; but the word of our God will stand
forever. Get you up to a high mountain, O Zion, herald of
good tidings; lift up your voice with strength, O Jerusalem, herald of
good tidings, lift it up, do not fear; say to the cities of Judah,
"Here is your God!" (Isaiah 40:3-10)
The indirect reference to Isaiah 40 and the fact that the two cries from the cross frame two Messianic symbols
of Elijah and the cup, both of which share the ironic nature of the two
cries, reinforces my interpretation that Mark intends his readers to understand
Jesus as "a voice (that) cries out, "In the wilderness prepare the way
of the LORD, make straight in the desert a highway for our God." (Isaiah
40:3). In this way, Jesus is shown as the one sent to prepare the way
in the tradition of Exodus 23:20, Isaiah 40:3 and Malachi 3:1. The "way"
is the way of discipleship, and the voice is the voice of solidarity with
despair and suffering under oppression. This is made clear, for the next
voice that we hear in the narrative, is the voice of the oppressor, the
executioner, and we hear the Roman centurion declare that this man was
a son of god. The Roman's own witness, like the words of sentence attached
to the cross (Mk 15:26), ironically bears moral witness against Rome and
the way of military might. They also recall the words of Isaiah 40:10, "Here is your God!"
Traditionally, the statement from the centurion is usually taken
as a christological statement of Gentile recognition of Jesus, the Son
of God. However, it could equally be taken as a common, Hellenistic statement
of respect: "Truly, this man was a son of God." Thus it carries a cultural
and political meaning as well as any christological rendering that we may
read into the text. (4) The Gospel is a marvel of indirection and of mutliple meanings pointing to the One on the Cross.
In interpreting the words of the centurion in this way, I contrast
the different understanding presented by Drury. For him the centurion is
the one "who transcends and resolves all previous attempts to identify
Jesus." (5) Jesus is the Son of God. Drury
connects this acclamation with the way into the kingdom that Jesus' death
has opened for the Gentiles. He draws upon the narrative importance of
the riddle of the one-loaf, the feeding of the two crowds, the exchange
with the Syro-Phoenician woman and the loaf transformed at the Last Supper,
as a "train of coded events associated with bread," (6) that
are theologically and existentially transformed into new traditions of
Christ's life and body. It is the genius of Mark's Gospel that weaves so
many themes, multiple meanings, nuances, histories and transformations
into the narrative, that it is pregnant with diversity.
As Drury says,
the "darkest secrets of divinity and humanity lurk in its (the Gospel's)
complex and taut story, waiting for agile and dedicated readers to glimpse
them as they follow its way along the edges of the world." (7)
As Mark tells of the last gasp of Jesus, Myers sees the narrative turning
upon itself, recalling the final gasps of demons, as they were exorcised
by Jesus, after attempting to have power over him by naming him (Mk 1:27;
5:7). The centurion, rather than extolling the divine nature of his victim,
names him in a power play, just as the demons have previously named Jesus.
Thus Mark has Jesus exorcised by the powers of state, religion and evil.
This is the darkest reversal of all that we experience in the narrative.
Indeed, all stops, as if at the end of the world.
Then suddenly, with Markan, narrative haste and surprise, the sanctuary
curtain, which divides the Holy place from the Holy of Holies within the
temple, rips from top to bottom, thus symbolically heralding the end of
the old order. Perhaps a more radical interpretation is that the presence
of God has deserted the temple, mirroring the feeling of divine desertion
of the One on the Cross. The reverberation of His cry rends the curtain,
stills the crowd and brings full focus, of the reader, upon the person
of the Crier.
Morna Hooker regards the cry of dereliction from the cross as being
central to Mark's understanding of the death of Jesus. (8)
As I mentioned above, the cry of despair and the spoken
words of the centurion frame a group of verses that deal with Messianic
expectations and the passing of the old Israel. According to a
tradition
based on Malachi 3:1, 4:5 and Sirach 48:1-11, Elijah is the forerunner
of God before the day of the Lord. However, there is no reference
to Elijah redivivus as the precursor of the Messiah in any record of Pre-Christian Judaism. (9) In later time, Elijah is the prophet expected to return to herald
the coming of the Messiah. However, Traditionally, this is expected at Passover.
During the Seder meal, a cup of wine was poured and set aside, for Elijah. In Mark, the cup of Elijah is figured in the cup figured in Gethsemane, is the cup of suffering that was not
taken away (Mk 14:36). It appears again, as the cup of sour wine that is given to Jesus to
drink (Mk 15:36a). The people wait to see if Elijah returns (Mk 15:35, 36b). The readers know that
the cup of Elijah was taken up by Jesus at the Last Supper (Mk 14:23-24). (10) Thus an expectation builds, anticipating even the arrival of God.
The cup figured in Gethsemane, is the cup of suffering that was not
taken away (Mk 14:36). These are two Messianic symbols, the returning prophet
Elijah, and the cup that is poured out. The symbol of the prophet links
Jesus to the Messianic prophecies, while the image of the "cup poured out"
symbolically encapsulates the new understanding of "messiah." Thus
Mark is placing the last moments of Jesus life within the end-that-is-the-beginning.
The tearing of the sanctuary curtain symbolises that end and new beginning,
for a dramatic change has occurred. The centre has shifted from the temple
site and Holy of Holies, to Jesus, dead on the cross. Bread, body, cup,
wine, blood, Prophet, Messiah, Human One, all meld as One. In this way
the coming of the prophet (Elijah/Jesus) coincides with the events of the
cross.
We are given no rest at the cross, no time to absorb, reflect or
recoil from the impact. The voice of the centurion intones an ambiguous
benediction, as the final words and breath of Jesus still ring in our ears.
We are lead to see the women standing, viewing, at a distance, and the
focus shifts to a remnant of the disciples, to the new order present in
the women. This new order is invested in the powerless-ones. Yet it is
the action of the women, and the redirection given by the young man at
the tomb, that calls the followers of Jesus to reinstatement as disciples.
Where they had expected great things, they had been shown only selflessness
and service towards others. Their desertion and failure are of no count:
Jesus has "gone before them, into Galilee," the Promised Land of the new
Exodus. Jesus again has prepared the way, in the tradition of Exodus 23;20,
Isaiah 40:3 and Malachi 3:1.
In doing this, Mark skillfully leads his audience, first one way,
then another, weaving a path of discovery through direct revelation of
his intent, as well a through indirect, ironic, ambiguous or mysterious
experiences. Mark's rhetoric is one of indirection that is radically provocative,
indeterminate and open-ended, leaving the reader to make responsive decisions.
Yet much of Mark's mystery remains permanently obscure, ambiguous or uncertain.
The reader, as a new witness or a new watcher, must fill in the gaps, make
decisions and move onwards. Thus there is always the possibility of renewal,
or of a new start, arising out of failure, uncertainty or obscurity. The
Good News is that the old has given way to the new, and will continue to
do so, for the Messiah has come. To take up His cross and follow after
Him, is to participate in the new beginning. Because Jesus "goes before"
us (16:7), there is always the possibility of a new start being made on
the discipleship adventure.
UNITY OF ACTION:
The image of the crucified Jesus presents a motif of discontinuity,
for it breaks with common sense. How can The Son of God be made to die
like that? Did Jesus just get caught up in a movement of events that swept
Him along the path to destruction? How can one truly believe that by giving
up one's life, one gains life? It seems absurd! To comprehend it demands
a leap of faith. The only help that we get for this, from Mark's Jesus,
is His example and the invitation to follow Him. I experience this as an
invitation to let-go and to try the Way.
Jesus is very much located with us, in "Galilee," which is the metaphorical
site of disciple-practice and the living place of the historical Jesus.
Mark presents us with an invitation, the very, initial invitation of Jesus
to "follow after me," (1:17) which is reiterated in the words, "he is going
before you to Galilee." (16:7). It is an invitation to follow, in radical
discipleship, in orthopraxis, that begins with our humanity, in touch with
The Human One, and follows in companionship with Him, as herald of a way
through the wilderness. As Jesus goes before us, into Galilee, a new exodus
from captivity by the dominating system, emerges.
My response rises from compassion for the suffering Jesus and indignation
at the gross injustice of the event. It was only when I truly suffered
rejection that I began to grasp the significance of the crucifixion. Thus
the cross calls me with a loud voice, to commit myself to confrontation
with the dominant structures of church and society, to align with the marginalises
and those made poor by patriarchy and its dominant, heterosexist hegemony.
I stand in solidarity with gay and lesbian people who seek to transform
dominating and crucifying structures, both within and outside of their
communities.
The cross becomes for me, a symbol of the struggle to find self and
community, in life and wholeness, within a structure that largely communicates
death and marginalisation through the pursuit of its own imperial dreams.
Mark builds his Gospel around the tragic failure of Jesus' disciples.
Jesus is betrayed by one, denied by his right-hand man and deserted by
the rest. They all fail in the end. Yet forgiveness rings out from the
resurrection: Jesus waits in Galilee. Mark wants us to comprehend the failure,
see it and feel it, and then move on to experience the resurrection, and
the experience of forgiveness, of one's self and of others, that is implicit
in it. The central focus of the new community, then, as now, is forgiveness.
(Mk 9:49f.; 11:25: 16:7). I seek to appropriate this spirit of forgiveness,
both to experience it and to offer it.
Life in discipleship with Christ is still risky, uncertain, ambiguous
and open to failure and obscurity. The strong man still dominates! Yet,
as Myers points out,
in "the end, whether or not we will find a way to carry on with this
story of biblical radicalism, this way of living and dying together, this
way into a new heaven and earth, depends upon our understanding and acceptance
of the tragedy and hope of our failures. For it is there that our discipleship
will either truly end or truly begin." (11)
I identify closely with this interpretation. The cross helps me to decide
where to make my stand. For the moment it is at the fringe, where I can
undertake critical examination of the world, Christian praxis and myself.
So far the cross teaches me justice-making and love-making as appropriate
praxis. Just as Mark's narrative is full of multiple meanings and multiple
opportunities for choice, I believe that the same plurality of possibility
exists for Christian expression. Its unity lies in its solidarity with
Christ, against domination of the powerless-ones and calling for reconstruction,
with a bias towards the poor and the oppressed, who are caught in a hard
place.
The "wilderness" or "desert", is a hard, hostile place, and, in Mark's
use of the word, it corresponds to "Galilee", the site or place of discipleship.
For Mark, the wilderness set the scene for the beginning of the Gospel
story. It was the place of Jesus' testing and the place of his retreat
and solitude. He fed the crowds there, in imitation of Yahweh feeding the
people of the Exodus (Ex. 16:4ff.). Jesus was also crucified in the wilderness,
outside the city walls, in a barren, marginal place that became the site
of the wilderness of despair. For the disciples, it became the site of
a community in flight into which the Gospel narrative voices the apocalyptic
hope of deliverance, the promise of a new Exodus and a political revival.
As a place of marginal existence, hardship and testing, "wilderness" is
a powerful metaphor for discipleship, in an existential geography of hope.
Those marginalised people, who experience the church as occupied territory,
understand wilderness as their place of witness, the ground of their existence.
For many, the church is "occupied" by tyrants who impose their dominant
ideologies, prejudices, theologies and social constructs to enforce marginalisation.
For the persecuted faithful, wilderness is a place of refuge and hope.
For the activist, it calls forth a view of discipleship that equates with
a specific social practice and costly political engagement, that will hopefully
inaugurate transformation.
In practice, we are to discover the presence of Jesus, in our decisions
and actions, risking the despair of the cross and the ambiguity of failure,
as we seek to follow. There are no given answers, only questions of decision
and commitment to the Reign of God. The "Way" is the life-giving way of
Jesus, and the voice is the voice of solidarity with despair and suffering
under oppression.
It is noteworthy that in each of the places where the Gospel presents
specific sayings of The Human One (Mk 2:10,28; 3:4), they function to liberate
human life, and to enrich it, bringing wholeness and integration and not
to marginalisation. The great irony of the cross is that Jesus taught people
to minister life, not death. His death speaks as a witness against those
who minister "death" to others. In experiencing "death" of this kind, I
find myself coming to doubt the ability of the church to repent and bring
change and minister to all who believe. I find myself countenancing disbelief
- disbelief that leads to unbelief! I fight against myself, and, in moments
when I relax and turn to the people and places that restore me, I find
Christ again. He leads me out of the wilderness of my disillusionment.
Each time it is with the same words, "follow me." I find resonance with Moloney, who writes...
"As we read the Gospel of Mark, our own terror and failure can be given
sense and purpose. He 'is going before us into Galilee.' There we will
see him, as he has 'gone before us', summoning us towards our experience
of resurrection, as we continually meet him, touch him and we are inspired
by his living presence in our 'Galilees'. His never failing presence to
the failed and failing disciples always has and always will make sense
out of our nonsense." (12)
Ultimately the great power of Mark's Gospel lies not in what it tells
the disciples or its readers, but what it asks of them. In grasping the question,
this indeed demands an very extraordinary kind of comprehension. Mark asks
us to believe in and to follow the One who will help us in our despairing
unbelief, even as one crying in the wilderness, "My God, my God, why have
you forsaken me?"
REFERENCES
Aland K. ed., Synopsis of the Four Gospels: Greek- English Edition.
(United Bible Societies, 1983.)
Anderson, J. C., & MORE, S. D. (eds.) Mark and Method: New Approaches
in Biblical Studies. (Augsburg Fortress, San Francisco, 1992).
Anderson, W. L., The Passover Seder: A Dramatic Simulation. (Religious
Education Project, Education Department of South Australia, undated material.)
Buultmann, R., Theology of the New Testament. Vol. 1. (SCM Press,
London, 1952.)
Crotty, R. and Smith, E., Voices from the Edge: Mark's Gospel in
Our World. (Collins Dove, North Blackburn, Victoria, 1994.)
Deutsch, Celia M., Lady Wisdom, Jesus and the Sages in Matthew's Gospel. (Trinity press, Valley Forge, Pennsylvania, 1996.)
Fowler, R. M., Let The reader Understand: Reader-Response
Criticism and the Gospel of Mark. (Fortress Press, Minneapolis, 1991.)
Gundry, R. H., Mark: A Commentary on His Apology for the Cross.
(Eerdmans
Publishing Company, Michigan, 1993.)
Hooker, Morna D., The Gospel According to St Mark.
Black's New Testament Commentaries, Gen. ed. H. Chadwick. (A
& C Black, London, 1991.)
Manson, T. W., The Sayings of Jesus. (SCM Press, London, 1949.)
Matera, Frank J., What Are They Saying About Mark? (Paulist
Press, New York, 1987.)
Moloney, F. J., The Living Voice of the Gospel: The Gospels Today.
(Collins Dove, Blackburn, Victoria, 1986.)
Myers, Ched, Binding the Strong Man; A Political Reading of Mark's
Story of Jesus." (Orbis Books, New York, 1991.)
Myers, Ched, Who Will Roll Away The Stone? Discipleship Queries
for First World Christians." (Orbis Books, New York, 1994.)
Sobrino, Jon., Christology at the Cross-roads: A Latin American
Approach. Trans. J. Drury. (Orbis Books, New York, 1978)
Notes
(1) Myers, C., Binding the Strongman p.416.
(2) Myers, C., Who Will Roll Away The Stone?, pp.250-251.
(3) Matera, F., What Are They Saying
About Mark? pp.16-17.
(4) Myers, Binding the Strong Man, p.393.
(5) Drury, J., Mark, p.416.
(6) Ibid.
(7) Ibid.
(8) Hooker, M., St
Mark, p. 375.
(9) Deutsch, Lady Wisdom, p. 184., n. 35, citing Manson, Sayings of Jesus, p. 69.
(10) Myers, ibid., pp.361; 365; & 382, note 1, makes the interpretation
that the last supper was a Seder meal.
(11) Myers, Binding the Strong Man,
p. 457.
(12) Moloney, The Living Voice of the Gospel, p.41.
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