WHAT MADONNA AND OTHERS HAVE HAD TO SAY ABOUT EVITA
WHAT MADONNA AND OTHERS HAVE HAD
TO SAY ABOUT EVITA
ICON
Madonna:This was so much more than a role
in a movie. It was exhilarating and intimidating at the same time, and it
was the farthest I've ever had to push myself creatively. What drew me
to the role from the beginning was the story of this remarkable woman; where
she came from, how she came up in the world, the incredible amount of
influence she ahd over an entire country, and the impact she had on the whole
world. Truth really is stranger than fiction.
Madonna:I think previous portrayals of
Eva Peron have been rather one-dimensional. She's always painted as a
power-hungry girl from the sticks who rose to power and took full
advantage of her position before she died. It's a very connect-the-dots
version and never seemed to reach the real human being behind the myth,
which is what I wanted to do in the movie.
Madonna:There have been lots of different
versions of this play, with cast recordings by everyone from Patti LuPone to
Elaine Page and Julie Covington, all of whom are sopranos and sing in a whole
different range than I do. So I didn't really didn't have that much to
guide me musically going in. On top of that, Andrew Lloyd Webber's score is very
difficult and demanding. So the first step was to work on singing in upper
registers and to develop a wider range for my voice.
Madonna:I think that in putting a stage
production on film you have to be careful to keep the music and singing
from overpowering the audience. You can get very easily into screeching
the songs, and what I was most concerned with was making Evita less of a bully and
more of a human being. Because the entire movie is sung instead of spoken
it has an operatic quality which implies an over-the-top delivery. I was going after
something much more naturalistic.
Madonna:A lot of times, in the sheer
truth of the moment, I felt like we were really connecting. But there
were plenty of other times when I'd say to myself, 'What are we doing?
What is this? It's not an opera, it's not a musical, it's not even
a regular movie. It's just...insane!' Because Alan had a rule that we
weren't allowed to see the dailies, sometimes I had nothing more to go on
than my own inner sense that I had to keep moving forward.
Antonio Banderas:When I first moved
to Madrid as a young actor, I had a cheap room which was in a building
next to the theater. As it happens, they were performing Evita. Every night,
as I was trying to sleep, I would hear the music come through the wall at 1:30
in the morning. The whole wall was moving during the more noisy numbers.
I couldn't sleep at all. So I stayed up cursing, you know, 'Shut up!' So
I think I have this music in my skin already.
Jonathan Pryce:In Buenos Aires,
I heard all these fans screaming outside my window every night. Even though
it kept me awake, it was very flattering-until I realized that they
were screaming for Madonna.
Alan Parker:When we first started
recording in London in October last year, I think we were all very daunted
by the mad mountain we had decided to climb. All of us came from
different worlds-from popular music, from movies, and from musical
theater-and we were very apprehensive. But hopefully, after nearly
500 hours of recording, we have all inspired one another in a creating
something very special.
David Caddick (musical supervisor):
Obviously, what can be accomplished on stage doesn't always translate
to film. Someone singing at the top of his or her lungs in upper
register on screen would simply be overwhelming. The trick
is to bring everything down to a more intimate and conversational
level. Essentially, she had to go back to square one and learn to
sing in a whole new way. The wide range of music would take her voice
to places it had never been, and she quickly proved equal to the task.
She had the natural ability to reach the highs and lows required, but
it demanded an enormous amount of training and practice. Her voice
now has a bell-like purity which compels you to listen.
Alan Parker:Believe me,
this is not a woman who messes around with half-measures. She made
up her mind from the outset to really go for it and sing it as it is,
or not get on the plane and come to London. Fortunately for all of
us, she achieved the former.
PRIMETIME LIVE
Madonna: The good thing about Evita
is that it is a musical. So people will be more accepting of me in that
role because so much of it is about music.
Forrest Sawyer: Describe
Eva Peron.
Madonna: desperate, misunderstood, generous
Forrest: She had a drive about her?
Madonna: Yes.
Forrest: She was a little hurt by life?
Madonna: Hugely hurt.
Forrest: Any of this sound familiar at
all to you?
Madonna: Uh huh. Yes. Of course.
HARD COPY
Reporter: At midnight, Madonna made a secret
pilgrimmage to the tomb of Eva Peron. Madonna made this secret visit, this
pilgrimmage, along with a chanellor, a medium, a spirit guide.
Locals are saying Madonna is trying to take on Evita's
spirit. Filming hasn't even begun yet, and Madonna is dressing like Evita,
wearing brown contact lenses, literally following in Eva Peron's footsteps.
Some say this time Madonna has taken her strange obsession too far, that
it's taken over her life. Madonna may be desperately trying to reincarnate
Eva Peron because this is the role of a lifetime.
BUENOS AIRES PRESS
CONFERENCE
Madonna: I said it in the beginning. I think she's
a great woman, a remarkable woman, a great role model, and someone I truly
respect and admire. Truthfully, the first time I ever heard about Evita
was because of Andrew Lloyd Webber's musical. When I found out a little
bit about her, I wanted to know more.
How did you feel knowing that
there were some negative opinions here in Argentina of you playing the
role of Evita?
Madonna: I can't say I didn't feel hurt, but I think
that the negative things people say are founded on things they don't really
understand. I urge everyone to form their own opinions after they've seen
the movie.
The way you dress and do your make-up makes
you look like Evita. Is this because you're working on developing the character
or does it have more to do with publicity?
Madonna: It has nothing whatsoever to do with publicity
and everything to do with the character that I'm portraying.
What kind of interesting things have you learned
in talking to people who knew Evita?
Madonna: I have a great admiration for Evita. I think
she's a remarkable woman. The biggest surprise was how many people told
me how shy she was.
GOOD MORNING AMERICA
Bryant Gumbel: What
happens after Evita's done?
Madonna: I collapse in a heap.
Bryant: Will you make a considered attempt
after it's wrapped to lay low so that it's judged on its own merit?
Madonna: Yes I will. So considerable. Yes.
ENTERTAINMENT TONIGHT
Reporter: Madonna is making big news in
Cannes today, and it's not because she's here, it's because Evita is. Today,
only a select few film industry insiders got the very first look at the
pregnant Madonna on film as Eva Peron in Evita, and the early reviews are
a solid thumbs up.
Roger Ebert: Having seen this ten minutes, I now
believe that Madonna can play Evita Peron, and I had my doubts.
JONATHAN PRYCE INTERVIEW
Jonathan Pryce: Madonna has been working
very hard vocally to get her voice in place to sing Evita. She has the
voice for it, definitely. It was a great surprise, a delight, to hear her
even just singing in the room around the piano.
NEWSWEEK MAGAZINE
A First Look at 'Evita'
Ten years in development, its starring role coveted by every Hollywood diva
worth her warble, "Evita" was finally given a peek preview at the Cannes
Film Festival. Distributors and critics were shown 10 minutes of the $60
million operatic production, in which not a single word is spoken. The
verdict from industry types: box-office boffo. Even most critics had kudos
for Madonna's Eva Peron, praising the emotional power of her performance
and the singing of the whole cast, including Jonathan Pryce and heartthrob
Antonio Banderas. So don't cry for any of them.